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  • Judge Hears Arguments On Returning Trump’s Name To Kennedy Center, Sidesteps Talk Of Demolition Of Complex

    Judge Hears Arguments On Returning Trump’s Name To Kennedy Center, Sidesteps Talk Of Demolition Of Complex

    A federal judge heard arguments Thursday in the latest challenge to the Trump-controlled Kennedy Center‘s effort to install the president’s name on the complex, this time twice on its façade and once to designate the grounds for him.

    U.S. District Judge Christopher Cooper, however, stopped the center’s lawyer from bringing up the “dilapidated” condition of the center, referring to it as a “non sequitur” to the issue at hand: Whether the board can return Trump’s name to prominent locations at the complex.

    Earlier this month, the Kennedy Center board voted to add “Renovated and Restored by President Donald J. Trump” to the front facade below the inscription, “The John F. Kennedy Memorial Center for the Performing Arts.” Once a $100 million threshold is met for an endowment, another inscription would be placed below that one to read, “Endowed by the Trump Kennedy Center Fund.”

    The board also voted to rename “the physical site and grounds upon which the center sits” as the “President Donald J. Trump Plaza.”

    Rep. Joyce Beatty (D-OH), an ex officio member of the board, is seeking a court order to stop the naming, as her attorneys argued that it violates a statute and the judge’s previous order. After the center’s board voted to add Trump’s name to the center, rebranding it as the Trump Kennedy Center, Beatty sued, arguing that only Congress could change the name of the complex, as it was designated as a memorial to President John F. Kennedy in 1964. Cooper agreed, and issued a preliminary injunction in June that forced the center to revert to the original name and remove lettering on the front façade of the complex.

    At the hearing, DOJ attorney Brantley Mayers, representing the center, argued that the latest plans for recognizing Trump are not a “renaming.” He also contended that it did not violate a congressional law in 1983 that restricted any other memorials at the complex. He noted that the board’s resolution “was quite clear that it wanted to recognize” Trump’s “ongoing contributions,” as memorials recognize something that happened in the past.

    But Cooper noted that the planned inscriptions are written in past tense.

    Earlier this week, in a court filing, the center’s attorneys warned that if Trump’s name wasn’t returned to the center, it would jeopardize its future, even pointing to the potential need for demolition.

    The judge declined to go into those arguments, stopping Mayers as he started to talk of the condition of the complex.

    “That is all fine and good, but what does that have to do with what Congress intended?” the judge asked. He later said that nothing in his earlier order prevented the center from proceeding with renovations, with Congress allocating more than $250 million for repairs as part of the One Big Beautiful Bill Act.

    Nathaniel Zelinsky, one of Beatty’s attorneys, said that the name change plans were an “outright defiance” of the judge’s injunction and an act of “massive bad faith.” He argued returning Trump’s name to the complex amounted to a rebranding, while Congress also intended the grounds and land the center sits on to solely honor Kennedy. He pointed to a past proposal, ultimately never realized, to construct a Kennedy Plaza on the grounds, saying that it was “another indication Congress didn’t intend to name [the complex] for anyone other than Kennedy.”

    Mayers, though, argued that Congress did not prevent the board from designating areas of the center for certain individuals. When Cooper asked if that meant the board could recognize Barack Obama or George W. Bush at certain parts of the complex, like a garage, Mayers agreed.

    Beatty sat with her attorneys during the hearing, in a courtroom packed with spectators including those from the group Hands Off the Arts. They have been protesting the changes at the center since Trump took control, including the efforts to install his name at the complex and a plan to close for two years for renovations.

    Also there was Secretary of Commerce Howard Lutnick, whose wife, Allison, is among the board members. During a brief break to address an audio issue, Lutnick huddled with DOJ lawyers.

    The judge raised some jurisdictional concerns over ruling on Beatty’s emergency motion as Trump is appealing. He did not indicate exactly when he would rule, but pressed Mayers on the deadline of September 8. The center has committed to refraining from installing Trump’s name until that date, but not after. Mayers said that the timing was the board’s decision.

    The judge also sounded weary that he was being asked to render a ruling so quickly, during a high time for summer vacation.

    In his May ruling, the judge also barred the center from embarking on the two-year closure, concluding that the board failed to consider options and the full impact. He left open the possibility of moving forward with such a plan if the board gave a more thorough consideration. In the meeting this month, the board again moved to shutter almost all of the complex, rejecting an alternative option to remain open during the construction. A consultant retained by the center concluded that remaining open would be more costly and force the renovations to extend to four years. The judge’s injunction remains in effect.

  • Emma Chamberlain Fronts J.Crew’s Fall Campaign With a “Tiny” Take on Its Heritage Rollneck Sweater

    Emma Chamberlain Fronts J.Crew’s Fall Campaign With a “Tiny” Take on Its Heritage Rollneck Sweater

    If you purchase an independently reviewed product or service through a link on our website, The Hollywood Reporter may receive an affiliate commission.

    J.Crew is giving one of its longtime wardrobe staples a fresh perspective for fall, with Emma Chamberlain (who founded Chamberlain Coffee at the ripe age of 18) leading the charge.

    The retailer has tapped the Gen Z fashion fixture to front its latest campaign, which introduces the Tiny Rollneck, a shrunken take on the cotton sweater J.Crew first introduced in 1988. The new style just dropped on J.Crew.com, featuring a slightly cropped length and closer fit, swapping the roomier proportions of the original for a silhouette that feels more in line with today’s fitted fall dressing.

    Best for Fall

    Available in a Vintage Red Stripe or Navy Faded Lilac.

    The Tiny Rollneck comes in bright, graphic colors, adding a more playful take to one of J.Crew’s signature preppy staples. The accompanying campaign, shot and directed by Ian Markell, puts Chamberlain in a candy-colored, retro-futuristic setting inspired by early-aughts fashion imagery and video-game character-selection screens. Her longtime stylist, Jared Ellner, worked with J.Crew creative director Olympia Gayot on the looks.

    The YouTuber, podcaster and fashion fixture has become a familiar face at fashion month and the Met Gala, further cementing her place in the fashion and entertainment worlds. Her Gen Z influence has helped make her one of the most recognizable style voices of her generation.

    The campaign also leans into the return of collegiate-inspired dressing, styling the Tiny Rollneck with pleated skirts, tailored trousers, loafers, argyle socks and slim rectangular glasses. The overall effect is part ’90s prep, part early-aughts nostalgia, with a distinctly more modern design.

    Easy to Style

    Made from 100 percent cotton and comes in six colorways.

    The Tiny Rollneck is the latest chapter in J.Crew’s ongoing Rollneck revival. The original sweater debuted in the brand’s 1988 catalog and was known for its heavyweight cotton knit, raglan sleeves and loosely curled neckline.

    Last fall, the retailer launched its “Next Rollneck Generation” campaign, featuring Benito Skinner, Molly Gordon, Maggie Rogers, Dominic Sessa, Lukita Maxwell, Rome Flynn and Taylour Paige-Angulo in new and archival-inspired versions of the sweater.

    J.Crew continued reworking the style this spring with “Rollneck Remix,” a New York Fashion Week project that invited Buci, Collina Strada, Eckhaus Latta, Patrick Taylor and Tanner Fletcher to reinterpret the sweater through lace, colorblocking, unconventional knit techniques and nautical details.

    Now, J.Crew is making the Rollneck smaller (and cuter) for fall. The Tiny Rollneck launched Aug. 26 on J.Crew.com, just in time to infuse the season’s preppy wardrobe with a little of the social media star’s signature whimsy.

    Related: Parke’s Viral Sweatshirt Gets a Dose of School Spirit in Brand’s Debut Collegiate Collection

  • Golf Channel Cancels ‘Big Break x Good Good’ After PGA Tour Parts Ways With YouTube Stars

    Golf Channel Cancels ‘Big Break x Good Good’ After PGA Tour Parts Ways With YouTube Stars

    Tough break, Big Break x Good Good winner.

    Golf Channel has canceled its fully filmed 2026 season of Big Break, the Versant-owned cable network’s signature reality competition series. It sort of had no choice — or at least no ultimate purpose for airing the season as planned.

    “Following recent developments involving Good Good, and including the fact that the intended outcome of the series can no longer be fulfilled, Golf Channel will not be able to complete this season of Big Break as planned,” Golf Channel said in a statement. “While we are disappointed for the 12 competitors, our production team that worked tirelessly on the season, and the show’s passionate fans, we look forward to Big Break’s return to Golf Channel in 2027.”

    Big Break aired on Golf Channel from 2003-2015. This was set to be its big comeback.

    Big Break x Good Good, a collaboration with the popular group of YouTube Golf young stars, was supposed to debut on Tuesday evening. Mere hours before its scheduled airtime, however Golf Channel announced it was pushing the premiere by a week — the drastic decision came in reaction to the series’ presenting sponsor Golf Galaxy (owned by Dick’s Sporting Goods) abandoning its endorsement. But now, Big Break x Good Good is dead entirely, as are its winner’s dreams of playing professionally.

    The winner of Big Break x Good Good was supposed to receive a sponsorship exemption into the November 12-15 Good Good Championship, a sanctioned PGA Tour event. On Thursday, in the latest — and largest — fallout from a controversial Good Good/Callaway Golf advertisement, the PGA Tour removed Good Good as title sponsor of the event. The event will go on, just without Good Good branding and the Big Break x Good Good winner in the field of 120 golfers.

    Golf Channel has not revealed who that winner was. Good Good makes most of its money from merchandise sales. Golf Galaxy and Callaway have distanced themselves from the brand.

    In the ad, Good Good golfer Alexis Miestowski reaches for Good Good co-founder Garrett Clark’s Callaway driver with Good Good cobranding. Clark rushes her, knocks her down, stands over her and warns: “Do not touch my new driver.”

    It was … not a good good look. Clark and Good Good CEO Matt Kendrick have both stated the spot was intended to be a parody of the 2026 breakout film Obsession. Everyone involved has since apologized for the ad, but it was not enough to salvage the Good Good Championship or Big Break x Good Good.

    Golf Channel and Good Good entered a programming partnership in 2023.

  • CNN Apologizes for Using Photo of Tribute Artist in Dolly Parton Report

    CNN Apologizes for Using Photo of Tribute Artist in Dolly Parton Report

    CNN has apologized to Dolly Parton‘s family and to a Las Vegas tribute artist after mistakenly airing a photo of the impersonator during coverage of the country icon’s death this week.

    The mix-up came amid the network’s round-the-clock coverage following Parton’s death from a brief battle with cancer on Tuesday. Amid dozens of images spanning her decades-long career, an image of tribute artist Kelly Vohnn was worked into a montage on Laura Coates Live, roughly 12 hours after her death was announced.

    The New York Post first reported the error, noting that CNN issued a brief statement Thursday: “We regret the error and apologize to the Parton family.”

    The photo, according to Vohnn, was taken at a red carpet screening of the Hugh Jackman and Kate Hudson film Song Sung Blue in Las Vegas in December. The tribute artist, 58, spoke with The Post at length about the incident.

    “I started getting all these texts in from friends saying that I was on CNN, and I couldn’t believe it,” Vohnn told the paper. “I was already heartbroken at losing Dolly because of how much she has given to me as a woman and an artist. But then to see these images of me on screen was just weird.”

    Vohnn didn’t hold back in assessing the error. “Somebody at CNN really messed up and didn’t do their research,” she said. “I felt so sorry and apologetic for Dolly, because over her career there are so many wonderful images and moments that they could have chosen from — and CNN just picked something not appropriate.”

    She was also eager to clarify that she has never presented herself as Parton in a statement and video posted to Instagram on Thursday.

    “I want everyone at @dollyfoundationdonation to know that I did not give anyone my likeness to be used in anyway to fool people into thinking I am the real Dolly Parton. This has happened a couple of times now and it’s not ok. I don’t own these images. These photos were taken during a red carpet event in Las Vegas for the opening of the movie Song Sung Blue where multiple impersonators attended. My goal is to carry on her giving, loving legacy in the world,” she wrote, adding, “We need reporters to do better due diligence when broadcasting to prevent fake news.”

  • Ellen Pompeo to Play Disgraced ER Nurse in ‘Not a Sound’ Drama in the Works at Hulu

    Ellen Pompeo to Play Disgraced ER Nurse in ‘Not a Sound’ Drama in the Works at Hulu

    Ellen Pompeo is looking to scrub up again — but this time, not as Dr. Meredith Grey.

    The “Grey’s Anatomy” star is attached to lead a drama series in development at Hulu from “Big Little Lies” and “Boston Legal” creator David E. Kelley.

    Titled “Not a Sound,” the project is based on Heather Gudenkauf’s novel of the same name. It follows a disgraced ER nurse, Amelia Winn, who loses her hearing in a devastating hit-and-run accident. When she and her fiercely loyal service dog discover the murdered body of a former colleague, Amelia is pulled into a “deadly mystery that could finally reveal the truth about the accident that changed her life,” according to the description.

    “Not a Sound” is written by “Big Sky” duo Matthew Tinker (who serves as president of David E. Kelley Productions) and Annakate Chappell. Azazel Jacobs (“His Three Daughters”) is attached to direct. Chappell executive produces alongside Jacobs, Kelley and Tinker. Pompeo and Laura Holstein are EPs via Calamity Jane. 20th Television is the studio.

    The project falls under Pompeo’s overall deal with 20th Television. She’s been doing quite a lot of business with Disney lately. Her true crime anthology series “Good American Family” was recently renewed by Hulu for a second season, and the streamer also ordered a dramedy pilot starring and executive produced by Pompeo titled “Chicks.”

    Of course, she also stars in the ABC medical drama “Grey’s Anatomy,” on which she has played Meredith Grey since 2005. She executive produced the spinoff series “Station 19” and is an EP on the upcoming “Grey’s” offshoot set in West Texas, which is set to premiere in midseason 2027.

    Deadline broke the news.

  • ‘Big Little Lies’ Sequel Book Teases Storyline for HBO Series’ Season 3: What’s Going on With Madeline, Celeste and Jane in ‘Big Little Truths’

    ‘Big Little Lies’ Sequel Book Teases Storyline for HBO Series’ Season 3: What’s Going on With Madeline, Celeste and Jane in ‘Big Little Truths’

    SPOILER ALERT: This article contains spoilers for “Big Little Truths,” the follow-up novel to “Big Little Lies.”

    It all starts with a mysterious finger sent to the school principal.

    Liane Moriarty is back with “Big Little Truths,” a book set 10 years after the events of her novel “Big Little Lies,” which was adapted into an Emmy-winning HBO series back in 2017, with a second season in 2019.

    While Moriarty has confirmed this book will lay the groundwork for “Big Little Lies” Season 3 (which has yet to be ordered officially by HBO, go into production or set a release date), there are key differences between the world in the books and the show’s universe: the main one being the HBO adaptation is set in Monterey, California and Moriarty’s books are set in the fictional Pirriwee Peninsula in Australia.

    Additionally, Moriarty incorporates elements of “Big Little Lies” Season 2, like the introduction of Meryl Streep’s show-only character, Mary-Louise, into “Big Little Truths.”

    In the sequel book, which hit shelves on Aug. 25, Moriarty picks up with Madeline (played by Reese Witherspoon on the HBO series), Jane (Shailene Woodley), Celeste (Nicole Kidman), Renata (Laura Dern) and Bonnie’s (Zoë Kravitz) lives as they experience a whirlwind of life changes following a 10-year time jump.

    As their 15-year-old kids navigate the complicated emotions that come with being high-school students, the past also comes up like a current, leading the moms to reckon with what they haven’t told their kids about the circumstances under which Celeste’s husband, Perry (Alexander Skarsgård), was killed by Bonnie all those years ago.

    Throughout “Big Little Truths,” Moriarty cuts back and forth between the moms’ perspectives and the months leading up to one big event: “D-Day,” which is revealed to be the infamous day on which Jane’s son Ziggy and his classmates give a presentation that reveals the true intentions of their new red-haired history teacher, Melody.

    The presentation serves as a wake-up call for the moms as they find out that their new friend Melody has actually been preying on young kids, setting up her brightest students with a job prospect that lands them squarely in the lap of her predator husband, Seth Montclair. And she’s been doing it for years at different schools.

    While the book starts off teasing a potential death with the implication of somebody’s finger getting cut off, it turns out that Clara Long, a former student of Melody’s, was the one who sent the finger. In order to get the attention of the school and the community turned toward Melody, the cremation consultant cut off the finger of town local Ewan Drew, who was already dead. In a conversation with Detective Adrian, Clara even goes on to call Melody “the best teacher” she’s ever had. But that’s precisely why she is able to have so much influence over her students.

    Ahead of the highly anticipated eventual release of “Big Little Lies” Season 3, read below for Variety’s character-by-character breakdown of the main plot in “Big Little Truths.”

    Madeline

    Madeline, now working part-time in a local hotel’s events department, is just trying to get through her 50th birthday intact with all the emotions that come with hitting 50. Her party is a huge hit (not that it was a competition to anyone but Madeline), and it becomes a successful effort to get her daughter Chloe back talking with Jane’s son Ziggy and the rest of the kids after they found separate friend groups over the years. Madeline, however, is quickly riddled with guilt after her mom (who was supposed to show at the party) faints at home and was waiting all day for somebody to call and realize.

    On top of that, Madeline finds out that her eldest child, Abigail, who is now 25, is getting married to “Picture Perfect Boyfriend,” as Madeline calls Luka. Madeline is also privately struggling with a lump on her chest that she fears could turn out to be breast cancer. However, after she gets tested and finds out she is cancer-free, it turns out Ed is the one that actually has cancer, which completely throws Madeline’s life into disarray as she takes on all responsibility in caring for both Ed and her mom (as only Madeline could).

    Behind closed doors, Chloe gets hired by Melody under the pretense that Chloe is helping her teacher’s illiterate husband learn how to read. Abigail ends up canceling her wedding, which she spent so much time preparing only because she thought that’s what would make Madeline happy. Madeline learns that “Picture Perfect Boyfriend” has flaws too, and accepts him into the family. Ed starts having memory issues and ends up in a psychiatric ward. By the end, Ed’s chemo is a success and he is on the road to being cancer-free. After Chloe opens up about her sexual encounter with Seth, Madeline has to reckon with the fact that she let Melody into her child’s life — Melody will forever be a chapter in their family’s history.

    Jane

    While Jane is now married to Tom, owner of the beloved Blue Blues coffee shop, the two face new unspoken tensions about Jane’s declaration she no longer wants to have biological kids together. After Madeline’s birthday, Jane is forced to have a difficult conversation with Ziggy after Amabella, Renata’s daughter, tells her that Perry raped Jane. She opens up in the conversation, but falls short of labeling it rape, trying to maintain some sense of innocence within Ziggy. As Melody worms her way into Jane’s close-knitted friend group, she takes Jane out clubbing (just the two of them!) and they almost kiss, which leads Jane to wonder whether there’s any attraction there when Tom asks about it later. Tom, however, is open to Jane having sexual attraction to women, although Jane falls short of ever labeling herself or exploring what happened there.

    Ziggy is the one who ends up giving the big presentation that takes down Melody; Jane knows that he was right to not clue her in as Melody was getting close to the moms. Jane opens up to Tom about her traumatic childbirth experience with Ziggy. Although Tom doesn’t pretend to be happy about not getting a kid of his own, especially after his mother suggests to Jane that they break up, he accepts this life with her. He tells Jane to take a trip and finally get a break from her chaotic life.

    Celeste

    Celeste is now raising two teenage sons, Max and Josh, on her own, but of course Mary-Louise is still in the picture. After moving to town to live closer to the boys, Mary-Louise begins questioning why her grandsons aren’t closer to their half brother, Ziggy. Celeste begins worrying about her mother-in-law after her credit cards are declined and her outfits are increasingly out of place, but things begin to click when Mary-Louise gives Max, Josh and Ziggy expensive cars. Max and Josh’s emotional reactions after Celeste demands they give the keys back serve as a sad reminder that Perry’s violent outbursts aren’t just a distant memory.

    Celeste realizes that Mary-Louise needs to be evaluated for dementia after she begins forgetting things, although this is later revealed to be due to her allergy medication’s side effects. While Celeste describes her wild sex years after Perry’s death, she has her first real relationship in 10 years with Marco, who is new to town. She gets suspicious of Marco after she learns that he is the man who has been driving around town and talking to underage girls (even being nicknamed “Pedo Pete” for it), but she later learns that he arrived in town because his daughter, Betty, had gotten close to Melody years prior — and suffered the consequences for it. By the end, Celeste ends up staying with Marco, realizing he’s the one for her.

    Renata

    Relishing the single life after her ex-husband went to prison, Renata hits a low point when her estranged mother dies. The other moms all then learn about Renata’s troubled family history; when she was 12, an uncle inappropriately touched her, but no one in her life believed her, leading them to shun her forever. That explains why all those years ago she was so protective of Amabella during the kindergarten incident. On the way home from the funeral, Renata seems to be holding it together until she pulls over and screams into a steering wheel. It’s a sight the other moms have never quite seen from her.

    Renata starts dating fitness instructor Brody, who teaches all the moms at a beach bootcamp, and takes motorcycle lessons in the spirit of her teenage rebellion years. Out of all the moms, Renata is the most suspicious of Melody, especially after they all go away for a weekend together. When speaking to Jane later on, Ziggy explains that Amabella likes girls, although it’s unclear if she’s out as queer to Renata.

    Bonnie

    For the first time in Bonnie’s life, she begins feeling a divide between her and and her daughter Skye after Skye learns more about Bonnie’s role in Perry’s death. Bonnie connects with Madeline over their shared distrust of Abigail’s “Picture Perfect Boyfriend,” but silently struggles with the weight of Perry’s death all these years later, realizing that she’s never quite gotten over it. During the retreat with Melody, she opens up to the other moms.

    While Mary-Louise makes snarky quips at Bonnie’s expense at a few different public gatherings, she starts to take a liking to Syke by the end. Bonnie formally apologizes for Perry’s death and gives Mary-Louise some closure. Bonnie ends up admitting herself to rehab and seeking help after developing a drinking problem.

  • ‘Finding Emily’ Review: Angourie Rice and Spike Fearn Can’t Conjure Enough Sparks to Save This Rom-Com From Its Toxic Premise

    ‘Finding Emily’ Review: Angourie Rice and Spike Fearn Can’t Conjure Enough Sparks to Save This Rom-Com From Its Toxic Premise

    The problem with Finding Emily is not that no one in it acts like a real and reasonable human being, although no one does — not its exhaustingly lovelorn hero (Spike Fearn‘s Owen), nor its acridly skeptical heroine (Angourie Rice‘s Emily), nor any of the screeching over-reactors and thoughtless under-reactors surrounding them. Absurd behavior is, after all, a cornerstone of the rom-com genre; if you didn’t want to believe in a world where the path to true love cuts through harebrained fake dating schemes or HR-nightmare jobs that require getting dumped, you’d watch something else.

    No, the problem with Finding Emily is that it’s so busy reassuring you how delightful it is that none of its characters act like real and reasonable human beings that it forgets to conjure the necessary magic to make you love them anyway. Lacking not just in sense but charm and chemistry to boot, this would-be defense of rom-com tropes against our jaded age ends up, instead, far more cynical than any of the criticisms it’s supposedly fighting against.

    Finding Emily

    The Bottom Line

    A self-serving experiment with unsatisfying results.

    Release date: Friday, Aug. 28
    Cast: Angourie Rice, Spike Fearn, Cora Kirk, Jack Riddiford, Prasanna Puwanarajah, Timothy Innes, Isabella Laughland, Minnie Driver
    Director: Alicia MacDonald
    Screenwriter: Rachel Hirons

    Rated PG-13,
    1 hour 51 minutes

    Director Alicia MacDonald and screenwriter Rachel Hirons’ self-awareness is apparent from the opening scene, an utterly classic meet-cute. At a party one night, struggling musician Owen strikes a connection with a young woman (Sadie Soverall) that feels downright magical — she’s even dressed as a fairy, emphasizing the dreaminess of the moment. In the cold light of day, however, Owen discovers his happy ending is further away than he might have hoped. The number she’s left him with is one digit short, making a follow-up text impossible.

    But Owen, a romantic so starry-eyed that Ted Mosby from How I Met Your Mother would have advised him to chill, is not so easily deterred. Knowing nothing about his fantasy woman beyond her first name (Emily) and her school (Manchester City University, where he works as a sound engineer), he mounts a no-holds-barred campaign to track her down, pestering the school secretary for contact information and then papering the entire campus with wanted posters when that fails.

    This is, to put it plainly, kinda creepy behavior, and initially it seems to be to the film’s credit that it recognizes this. Finding Emily presents itself as a rom-com that doubles as a thought exercise in how genre tropes like nice guys and manic pixie dream girls play in the era of Obsession and Companion, Couch Guy and West Elm Caleb, think pieces about incels and rape culture and toxic masculinity. But much like its own female lead, it can’t seem to resist pressing its thumb on the scale.

    Because as hopeless as Owen’s dreamy idealism might be (“Oh no, not again” groans his brother, played by Jack Riddiford, when he hears about the mystery girl), he’s not the really the off-putting one here. That would be Rice’s Emily Raine, the psych student he rudely pulls out of class while looking for his One True Emily.

    This Emily does not believe in romance at all, and in fact is working on a thesis paper “proving” that love is just a useless self-sabotaging state of psychosis. In Owen, she sees the perfect case study, or as she puts it, “my very own Stanford prison experiment.” And as with the actual Stanford prison experiment, questions of ethics and scientific validity are sidelined in favor of getting splashy results by any means necessary. Forging Owen’s signature on consent forms and posing as just a helpful bystander, she encourages him to keep looking when he’s ready to quit and manipulates him into more and more extreme efforts, culminating in an un-BCCed email blast sent to all 318 Emilys enrolled at the school.

    Does this sound like the foundation for a true and lasting love? Or does it sound like an unforgivable breach of trust, as well as a hopelessly sloppy project that Emily’s professor (an amusingly grumpy Prassana Puwanarajah) should have nipped in the bud? I found it to be the latter, but Finding Emily stakes its bet on the former, and keeps doubling down even as the consequences pile up for Owen.

    Once the email goes viral, Owen becomes a TikTok trending topic, a subject of clickbaity internet explainers (“Creep, criminal, or just cringe?”), an urgent campus security issue, a catalyst for student protests against predators. Even a winsome serenade to the Mystery Emily during an otherwise disastrous podcast interview only goes so far in turning the tide; while some onlookers are swayed to his side, others just expand their repertoire of insults from “rapist virgin” to “toxic incel true-crime Ed Sheeran.”

    But if the fallout for Owen has a distinctly modern flavor, complete with trendy buzzwords getting thrown around social media, Finding Emily‘s take on his journey is stubbornly old-fashioned. “I’ve burned my bra, I’ve done the work,” snaps a dean (Minnie Driver tepidly channeling Allison Janney in 10 Things I Hate About You) who has no interest in listening to strident feminist activists like Emily Thewlis (Kat Rooney) complain about how Owen’s grand email gesture was sexual harassment or whatever.

    And why would the dean be? Finding Emily has stacked the deck insurmountably in favor of Owen, whom we know to be utterly harmless and unimpeachably pure of heart. By making him the sole lighting rod for all these issues, it raises valid concerns around consent, boundaries and male entitlement only to dismiss them as hysterical. Besides, we know who’s really to blame for this whole mess — it’s not this would-be lover boy but the ruthless woman who exploited his genuine sentiment for her own careerist ends.

    What’s especially exasperating about Finding Emily’s sour fixation on fending off imaginary haters is that there are moments when it betrays just enough sweetness to make you want to want these characters to make it work. I found Emily Raine too devious to like, and yet Rice plays her with enough brightness that she’s hard to completely hate. Fearn’s choice to play Owen as a mumbling, fidgeting ball of heart-on-sleeve emotion makes him feel natural and authentic, even as the circumstances surrounding him grow ever more contrived.

    The two share the shaggy, laid-back ease of fast friends more than the burning desire of lovers-to-be. (My kingdom for romances to actually start casting for palpable heat again.) But there are small gestures — like when Owen defends Emily’s disgusting chip shop order before an ex (Timothy Innes) making fun of it — when it’s possible to understand how even a heart as firmly closed as Emily’s might crack open for a guy this unapologetically sincere. Maybe there could have been something there, in the unforced affection between the two stars. It’s a shame the rest of the movie — the unhinged plot, the one-sided debates, the smug self-referentiality — makes this couple impossible to root for.

  • Marvel and Secretlab Collab on Comfort With This Spider-Man: Brand New Day Gaming Chair

    Marvel and Secretlab Collab on Comfort With This Spider-Man: Brand New Day Gaming Chair

    An advertiser paid for editorial consideration of this deal. Our experts vetted the deal based on our independent expertise. Because we determined that the deal will save you money, we covered it.

    Calling all web-slinging hometown heroes! If you haven’t seen Spider-Man: Brand New Day yet, this is your official sign to swing to your local movie theater to catch it on the silver screen. Action-packed and filled with a few of your favorite heroes (and villains), you’ll be on the edge of your seat as Peter Parker takes on a threat unlike anything the MCU’s New York City has seen before. And that’s saying something!

    But when you get home and gear up for your own online adventure, you shouldn’t be sweating on the edge of that seat anymore. Not when you can be cool, collected, and comfortable in one of the best gaming chairs on the market: the Secretlab TITAN Evo. And if you don’t want to leave your favorite amazing arachnid at the theaters, we have some super news: Secretlab officially teamed up with Marvel to bring a new, Spidey-themed variant to its best ergonomic gaming chair. 

    Secretlab TITAN Evo Gaming Chair – Spider-Man Variant

    Secretlab Cold Cure Foam, Steel, magnetic head pillow, memory foam with cooling gel


    Spider stan or not, the Secretlab TITAN Evo is worth more than a gander if you’re in the market for a new gaming chair. Especially PCMag expert Will Greenwald gave it a rare 4.5/5 rating and awarded it our overall Editors’ Choice award for conventional gaming chairs when he reviewed the 2022 series. And while the Spider-Man variant is worth more than its weight in spider webs, there are plenty of other variants on sale for $50 off right now to explore!

    Secretlab is one of the best gaming chair brands in the business. It prioritizes superior materials and build quality in its ergonomic chairs, which is why some of the world’s best esports players, professionals, and three million other users worldwide decided to park it in front of their desk. While our review covered the 2022 edition of the Secretlab TITAN Evo, it’s safe to say that the company has only made its flagship chair even more enticing. 

    No matter how you sit, the TITAN Evo adjusts to your body with top-tier adaptability. And to distribute your weight over long sessions, it employs highly dense (and patent-pending) cold-cure foam that doesn’t sink or bottom out as softer foam would. But if you’re worried about lumbar support, don’t—the TITAN Evo uses a four-way L-ADAPT lumbar support system to move up, down, in, and out to support your back’s natural curvature. Between that, 4D swappable armrests, and the patented magnetic memory foam head pillow, all you have to do is look at the chair to realize it fulfills its comfortable purpose. 

    Recommended by Our Editors

    You have plenty of styles and upholstery options to choose from, but you’ll notice that dozens of variants are on sale for $50 off their normal list prices. And though it isn’t on sale, if your heart is set on matching Peter Parker’s secret identity, you can preorder the Secretlab Titan Evo in the Spider-Man variant now! It features a distinctive red-and-black design on its SoftWeave Plus upholstery, complete with silken webs on its backside and dark tendrils spilling along the side wings (which makes us think of a particularly gooey, chaotic symbiote). This chair is officially licensed by Marvel and lets you channel the Spidey spirit in style!

    Preorders for the Secretlab TITAN Evo Spider-Man Edition start at $684 for the regular-sized chair and $734 for the XL!

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  • Rob Reiner’s Son, In First Interview, Speaks About Parents’ Murders, Won’t Discuss Brother Accused of Killings

    Rob Reiner’s Son, In First Interview, Speaks About Parents’ Murders, Won’t Discuss Brother Accused of Killings

    In his first public interview since the brutal murders of his parents, Rob and Michele Reiner, in their Los Angeles home in December, their son Jake Reiner reveals details of his sister’s discovery of the murder scene and discusses the incredible loss of his parents and his younger brother, who is in jail awaiting trial for the double murder.

    Jake Reiner, 34, spoke with ABC 7 Los Angeles about his famous filmmaker father’s legacy and the experience he’s had after losing both parents so abruptly and in such a tragic manner. He also gave an update on his sister, Romy Reiner, but would not discuss anything around his brother, Nick Reiner, who has been charged with and pleaded not guilty to murdering his parents.

    “Nobody really understands what it’s like to go through something like that until you’re living it,” Jake Reiner told the L.A. ABC affiliate. “It’s been 8 months. It feels like 8 years at the same time. And it also feels like 8 minutes. Because every moment that I wake up, I’m reminded of my reality.”

    Romy Reiner, 28, was the one who discovered the body of her father on Dec. 14 inside the Brentwood home where her parents lived, across the street from her apartment. Her brother described the moment he heard from her after she’d called 911. “Romy told me our dad was dead, and then she said, ‘I can’t find mom,’” Jake Reiner said. “I immediately went into shock.”

    Nick Reiner, who was staying in a guest house on his parents’ property, was arrested in connection with the killings and later charged with two counts of first-degree murder with a special circumstance of multiple murders. He has since been trying to access the funds in a trust his parents set up for him, as they did for each of their children. The trust’s professional fiduciary and trustees have blocked him, citing California’s slayer statute, which prevents anyone from inheriting or financially benefiting from the estate of a person they are accused of killing.

    Jake Reiner opted not to discuss his brother’s murder case while being interviewed. He only mentioned his younger brother once during the sit-down, which aired Thursday and was his first since the killings took place. Both Jake and Romy Reiner testified before the grand jury that indicted their brother.

    “[Nick]’s in jail. It’s like, I physically lost my parents, and then Nick was arrested. Now it’s just me and Romy, and we have to navigate this by ourselves essentially,” he said.

    “For me, it manifests into anger,” he added. “It manifests into rage, into how unfair this was, how I didn’t get a say in what happened. I didn’t get to stop it from happening. I had no choice in the matter. I just have to accept the reality of it. And to me, that is just one of the most infuriating parts of all of this.”

    Nick Reiner’s pretrial hearing in the murder case is scheduled for Sept. 15.

  • Replace Monthly Office Bills With Office 2024 Pro Plus for One $55 Payment

    Replace Monthly Office Bills With Office 2024 Pro Plus for One $55 Payment

    TL;DR: Get Microsoft Office 2024 Professional Plus for one Windows 10 or 11 PC for a one-time payment of $54.99.

    Microsoft Office 2024 Professional Plus provides six familiar productivity applications without an ongoing Microsoft 365 subscription. The $54.99 perpetual license includes Word, Excel, PowerPoint, Outlook, OneNote, and Access for one Windows PC.

    This edition prioritizes stability. Its mature tools deliver consistent functionality without frequent feature changes, making it useful for organizations, regulated industries, and restricted environments that value predictable software.

    The suite supports advanced data analysis and database management, as well as everyday documents, spreadsheets, presentations, email, and notes. Its streamlined interface includes dark mode, while built-in security and compliance capabilities support professional workflows.

    It is designed to run reliably across compatible hardware with minimal system requirements. The license key and download link are delivered instantly, and it works with Windows 10 and Windows 11.

    There are two important limitations. This product is Windows-only and will not work on Mac or macOS. The license is also tied to the specific PC on which it is installed rather than to a Microsoft account.

    That device-linked structure differs from the Home and Business edition and helps make the license more affordable.

    Recommended by Our Editors

    Know your overall cost up-front when you get Microsoft Office 2024 Professional Plus for just $54.99 (MSRP $249.99).

    Microsoft Office 2024 Professional Plus

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