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  • Japan’s Top Broadcasters Unite for First Joint Delegation to MipCancun (EXCLUSIVE)

    Japan’s Top Broadcasters Unite for First Joint Delegation to MipCancun (EXCLUSIVE)

    Ten major Japanese broadcasters are joining forces for the first time to send a joint delegation to MipCancun, marking the country’s first coordinated television market presence outside Asia.

    The “All-Japan” initiative is organized under the Japan Commercial Broadcasters Association (JBA) in collaboration with Japan’s Ministry of Internal Affairs and Communications (MIC) and the Broadcast Program Export Association of Japan (BEAJ). JBA represents commercial broadcasters operating television and/or radio services across the country, and the initiative is designed to promote Japanese IP and expand business opportunities across the Latin American content market. MIP Cancun is marking its 13th edition this year.

    The delegation includes Tokyo-based key stations TBS Television, Nippon TV, TV Asahi, Fuji Television Network, Inc. and TV Tokyo, along with Wowow Inc., BS Asahi, Tokai TV, MBS, Inc. and Yomiuri Telecasting Corp. A dedicated Japan Pavilion will be set up within the market’s matchmaking zone, giving each company its own table for meetings with Latin American buyers.

    While Japan remains best known internationally for anime, the delegation will emphasize live-action content, particularly television drama, a category the Japanese government is now specifically targeting for overseas growth.

    “As IP development and co-productions become increasingly vital in the entertainment market, the industry is reaching a major turning point,” said Maria Perez Bellière, director of MipCancun. “We have high expectations for this initiative to introduce the appeal of Japan’s new content and firmly establish the ‘Japan brand’ in Latin American countries, with whom Japan shares a long history. We are deeply honored that Japan has united to leverage the unique Latin American market opportunities that MipCancun has spent 13 years building here in Cancun.”

    A “Japan Content Showcase” screening event will run Nov. 18 in the Cancun Theater Room, spotlighting programming from the participating broadcasters with a focus on Japanese drama for Latin American industry professionals. A networking cocktail reception will follow, giving the visiting companies and local buyers additional time to talk business.

    The push into Latin America comes as the Japanese government has named the content industry one of the country’s core growth sectors. Tokyo has set a target of expanding the overseas market for Japanese-origin content from JPY5.8 trillion ($37 billion) in 2023 to JPY20 trillion ($129 billion) by 2033, with a specific target of JPY0.5 trillion ($3.2 billion) for live-action content overseas by 2033.

    Latin America brings its own long history of serialized television drama, rooted in telenovelas that have been produced across the region since the 1950s and have traveled widely across borders. The continued growth of streaming in the region is also opening new pathways for international scripted content to reach audiences.

    Organizers frame the delegation as a way for Japanese networks to strike deals with Latin American buyers, distributors and producers when the market runs in November.

    MipCancun is a content market and conference serving Latin American and U.S. Hispanic television, bringing together acquisition, distribution and production companies to close content deals in the region’s growing TV markets.

  • ‘Fast & Furious: Hollywood Drift’ Ride Opens to Thrill Fans at Universal Studios Hollywood

    ‘Fast & Furious: Hollywood Drift’ Ride Opens to Thrill Fans at Universal Studios Hollywood

    Fans yearning to drive like Dominic Toretto or Letty can finally strap into a Dodge Charger or a Toyota Supra at Universal Studios Hollywood, as the long-awaited “Fast & Furious: Hollywood Drift” ride officially opened Sept. 16 at the park.

    The much-anticipated outdoor roller coaster features four iconic cars from the $7 billion franchise — the Dodge Charger, Mazda RX-7, Nissan Skyline GT-R and the Toyota Supra — that propel riders on a “unique dual-launching, split-ride track,” according to Universal Studios Hollywood. The cars spiral over and under portions of the park’s multilevel escalator, and include four launches, an inverted dive loop, twisted pretzel loop, an inverted stall and other thrills, reaching speed of 72 mph. Riders experience force of up to 3.6 Gs along 4,100 feet of aerial track constructed with sound-reduction technology while drifting at 360-degrees in their individual ride vehicles, according to Universal Studios Hollywood.

    “Fast & Furious: Hollywood Drift’ is officially open, and we are so excited to be able to put guests in the driver’s seat of one of the most celebrated film franchises in history,” said Scott Strobl, executive VP and general manager, Universal Studios Hollywood. “The debut of this first-of-it-kind roller coaster is a literal game changer for Universal Studios Hollywood, and we look forward to sharing this thrilling experience with fans of the ‘Fast’ saga and our guests visiting from around the world.”

    The ride is anchored by an original mural created by artist Tristan Eaton, which depicts the finale street racing action scene in 2001’s “The Fast and the Furious,” the film that kicked off the franchise, which is celebrating its 25th anniversary this year.

  • Bitcoin Bottom Signal and FED Interest Rate Expectations Simultaneously Dominating the Talk! Which Will Determine the Direction? Two Expert Analysts Evaluate!

    Bitcoin Bottom Signal and FED Interest Rate Expectations Simultaneously Dominating the Talk! Which Will Determine the Direction? Two Expert Analysts Evaluate!

    While Bitcoin has been fluctuating between $76,000 and $79,000 in recent days, on-chain analyst Willy Woo analyzed $BTC’s monthly chart using the Fisher Transform indicator.

    Woo noted that the Fisher Transform indicator on Bitcoin’s monthly chart has formed a golden cross. According to Woo, this development stands out as the fourth bottom signal seen in Bitcoin’s history.

    Not a Signal of a Sudden Rise!

    Woo stated that the Fisher Transform indicator, published in 2002, identifies turning points in Bitcoin price movements, and that the current golden cross in this indicator is the 4th bottom signal in history, while the previous 3 did not lead to false breakouts.

    However, Woo noted that this indicator alone is not a sudden trend reversal or a direct buy signal. He stated that the Bitcoin price may move sideways for a while before continuing its current upward trend.

    Woo also noted that in the past, the Fisher Transform indicator has been seen to cross bearish and then bullish again during bull markets, but this did not necessarily mean the main trend had ended. Therefore, while the current signal points to a possible bottom, it does not, by itself, definitively mean a trend reversal.

    Interest Rate Hikes Alone Are Not a Bearish Signal for Bitcoin!

    Crypto analyst Murphy stated that the interest rate hikes by the US and Japanese central banks alone do not indicate that Bitcoin will re-enter a bear market. According to Murphy, the pace of monetary tightening, market structure, and investor positioning will be more decisive than the interest rate hike decisions in determining the direction of $BTC.

    A Comparison of 2022 and 2023!

    The analyst noted that in 2022, the Fed implemented a total of 425 basis points of interest rate increases, including four consecutive 75 basis point hikes from June to November. Despite this, the analyst pointed out that Bitcoin fell from approximately $41,000 to $15,800.

    In contrast, despite the Fed raising interest rates four times by 25 basis points in 2023, Bitcoin rose from approximately $16,500 to $42,000.

    The analyst also noted that when the FED increased interest rates five times between December 2015 and December 2017, each time by 25 basis points, Bitcoin surged from approximately $454 to $16,515.

    At this point, the analyst, while comparing these periods, pointed out that interest rate hike decisions alone do not necessarily mean a decline in Bitcoin.

    Finally, the analyst added that the current structure of the Bitcoin market resembles the conditions at the beginning of 2023 more than those during the first interest rate hike period in 2022. The analyst noted that during that period, inflation fell, the size of each interest rate hike decreased from 75 to 25 basis points, and the market priced in the end of interest rate hikes.

    According to the analyst, if interest rate hikes remain limited to around 25 basis points and the market does not expect a new, prolonged tightening cycle, interest rate policy alone may not be enough to trigger a new bear market in Bitcoin. At this point, the pace and scale of future Fed interest rate hikes will be critical for Bitcoin’s trajectory.

    *This is not investment advice.

  • ECB President Christine Lagarde intervened to block Binance’s EU MiCA license: WSJ

    ECB President Christine Lagarde intervened to block Binance’s EU MiCA license: WSJ

    The company said it still intended to pursue a license.

    “We are actively working toward becoming MiCA-authorised and view this as an important step in providing users with a consistent, regulated, and trusted service across the European market,” the spokesperson said.

    Binance withdrew its Greek application in mid-June and began winding down operations after officials at the Hellenic Capital Market Commission (HCMC) decided not to approve Binance’s MiCA license request at the last minute. The company vowed it would remain in Europe.

    Gillian Lynch, Binance’s head of Europe, told CoinDesk in early July that the exchange had met all of the HCMC’s requirements.

    “We were deemed to have a complete application,” Lynch said. “Nothing was missing, nothing material was outstanding.”

    The WSJ also reported ESMA privately advised national financial regulators to reject Binance’s MiCA applications over concerns with the exchange’s past compliance issues.

    An ECB spokesperson declined to comment when contacted by CoinDesk. However, the source shared information that states that the ECB has no institutional role with regards to the authorising of Crypto-Asset Service Providers (CASPs). That remains the competence of national competent authorities, in this case the Hellenic Capital Market Commission (HCMC).

    Changpeng “CZ” Zhao, the founder of Binance, pleaded guilty in the U.S. in 2023 to violating the Bank Secrecy Act (BSA) and agreed to pay $4.3 billion in fines. He served a four-month prison sentence in California in 2024 and was pardoned by President Donald Trump in October 2025.

  • Zcash targets November upgrade to make private payments up to three times faster

    Zcash targets November upgrade to make private payments up to three times faster

    Public blockchains create a privacy problem. Paying from a visible address can expose its balance, previous transactions and links to other addresses. A shielded Zcash payment hides the sender, recipient and amount from the public record, allowing a customer to pay without handing the merchant or anyone watching the blockchain a searchable trail into their finances.

    Zcash block times

    Blocks are batches of transactions that miners add to a blockchain, and a payment receives its first confirmation when it appears in one. Cutting Zcash’s target block time would let an exchange or bridge that waits for a fixed number of confirmations release $ZEC in about one-third the time.

    At a shop counter, it would still be slower than tapping a card, but the shorter wait makes a direct private payment more practical, in the view of Zcash’s developers.

    Producing three times as many blocks would not create three times as much $ZEC, however. The proposal divides the reward paid with each block by three and extends the halving interval from 1.68 million blocks to 5.04 million, leaving issuance over time largely unchanged.

    NU7 would also introduce Zcash’s Network Sustainability Mechanism.

    Roughly 60% of transaction fees would be temporarily removed from circulation, rather than paid to miners, under ZIP-235. Those coins are intended to return through block rewards beginning in February 2031, adding to miner income as Zcash’s regular issuance falls through successive halvings.

  • Are US truck drivers going on strike starting Oct. 1, 2026?

    Are US truck drivers going on strike starting Oct. 1, 2026?

    • Social media users alleged in September 2026 that U.S. truckers planned to strike over high fuel costs beginning on Oct. 1, leading to food and supply chain shortages.
    • There was no evidence to support this unfounded rumor.
    • Searches indicated the claim largely spread because of a video one social media user originally posted on Sept. 15. Other users then reposted his clip without first looking for credible evidence.
    • A spokesperson for the Owner-Operator Independent Drivers Association said they had no knowledge of an upcoming strike. We also emailed the International Brotherhood of Teamsters and the man from the video, and will update this article if we receive more information.

    In mid-September 2026, social media users alleged U.S. truckers had announced a plan to strike beginning on Oct. 1 to protest record-high diesel fuel costs of more than $6 a gallon. The posts claimed the stoppage of transportation would lead to nationwide food and supply chain shortages.

    There was no evidence to support this unfounded rumor. Queries of DuckDuckGo, Google and other search engines found no news media outlets or other authoritative sources reporting about truckers planning to strike. Reddit’s r/Truckers subreddit, a forum with hundreds of thousands of weekly visitors, featured a post with commenters saying they had heard nothing of a strike.

    We emailed the Owner-Operator Independent Drivers Association to ask about this rumor. The organization’s website says it has over 150,000 members in the U.S. and Canada operating more than 240,000 trucks and truck fleets. A spokesperson responded, “Our awareness is consistent with yours in that it seems to be social media chatter at this point in time.”

    We also emailed the International Brotherhood of Teamsters to ask about the rumor. The labor union has a freight division it says is made up of tens of thousands of Teamsters. We will update this article if we receive a response.

    Where the unfounded rumor spread

    Searches of social media websites indicated a video, first posted on Facebook (archived) and Instagram (archived) on Sept. 15, was potentially the most-popular content promoting the rumor. Users have since reposted the same video across platforms, including Facebook (archived), Instagram (archived) and X (archived). Others also generally shared the rumor of a trucker strike.

    In the video, which ends with a request for users to buy paid subscriptions, a man tells viewers about the purported strike and subsequent food shortages:

    In the trucking world, they put out a deal to strike until the fuel prices drop. Shut down Oct. 1. Park it. Stand together. Make their voices heard. Truckers are done.

    You know what that means if they do that? Food shortages. Food’s not getting to grocery stores. Nothing’s getting anywhere.

    What have I been telling you? Make sure you’ve got enough f***ing food for a month to three months, even six months. S***’s gonna hit the fan. S*** is hitting the fan, currently. And with this deal, this is huge.

    A lot of people don’t understand if trucks aren’t moving, you’re not getting anything. Grocery stores aren’t getting a f***ing thing. Nobody’s getting a thing. Just FYI.

    That should probably freak you out a little bit because that happened basically during COVID. Remember when you couldn’t find anything in the f***ing stores. This’ll be a lot worse, if it comes to fruition. Just FYI. Please like, share, follow. Share my s***. Subscribe for a buck.

    We messaged the man in the video on Facebook and Instagram to ask for evidence, and will update this story if we receive more information.

    A TikTok user’s video (archived) also promoted the rumor with the caption “50,000 Truckers Threaten Strike: What It Means For America.” In the video, the user claims, without evidence, that 50,000 truckers “are reportedly said to” no longer drive as of Oct. 1.

    The unfounded rumor potentially originated out of a previous strike claim (archived) appearing to pertain to the dates of Oct. 1-10, 2025.

    For further reading, we previously reported the truth of a story regarding truckers banding together to save someone from jumping off an overpass.

  • Legal observer said she saw forklift repeatedly hit Kennedy Center pillars

    Legal observer said she saw forklift repeatedly hit Kennedy Center pillars

    Claim:

    A member of the legal team for U.S. Rep. Joyce Beatty, an Ohio Democrat who has challenged President Donald Trump’s actions involving the Kennedy Center, wrote in a court declaration that she saw a forklift repeatedly run into pillars at the building.

    Rating:

    True

    Context

    We are unable to determine why the forklift was running into the pillars, and cannot confirm whether it was a malfunction or intentional.

    In mid-September 2026, the John F. Kennedy Memorial Center for the Performing Arts in Washington, D.C., announced it would be closing its doors to the public due to financial concerns and renovations. Soon after, U.S. Rep. Joyce Beatty, D-Ohio, a Kennedy Center trustee, filed a motion requesting an emergency hearing for officials to explain the closure. 

    A claim then spread online that a court document said a legal observer witnessed a forklift ramming into columns at the Kennedy Center columns. Snopes readers sent us the following post (archived), asking whether the forklift was intentionally damaging the building:

    We had thought the “safety issues” at the Kennedy Center were caused by the Trump administration. It appears that might be the case. In a sworn declaration filed today, a legal observer said she witnessed a forklift carrying fencing drive to the north side of the building and repeatedly run into and hit the Kennedy Center’s pillars. They had to damage the building to make it unsafe so they could close it for renovations.

    A legal observer did indeed write in a court document about witnessing a forklift repeatedly strike the columns of the Kennedy Center on Sept. 16, 2026. Therefore, the claim is true.

    We cannot, however, determine why the forklift was ramming into the pillars.

    We reached out to the Kennedy Center to learn more about the forklifts at the venue and ask why one was striking the pillars. We will update this post accordingly. 

    On Sept. 16, the legal team representing Beatty in her case against President Donald Trump, submitted a declaration (archived) to the court describing what a member of their team witnessed. Bridget Kennedy-Bailey of the Washington Litigation Group described her visit to the Kennedy Center on Sept. 16:

    I saw a forklift carrying what appeared to be a more permanent form of fencing drive over to the north side of the building. I saw the forklift run into and hit the pillars on the building several times.

    Kennedy-Bailey described arriving that morning and being told by an employee that the Kennedy Center was closed for the day and that the order came from “higher-ups.” A public relations representative told her the building was closed for repairs, she said. Kennedy-Bailey also described other forklifts moving white-and-orange gates to the front of the building. 

    At the bottom of the declaration, Kennedy-Bailey wrote, “I declare under penalty of perjury that the foregoing is true and correct.”

    We cannot determine the intention behind the forklift ramming into the pillars until we hear from the Kennedy Center or an employee willing to speak on the record. 

    The forklift rumor came after a judge said changing the building’s name to include Trump’s name would require congressional approval, while the Trump-appointed board argued that the Kennedy Center’s survival depended on the name change. 

    Beatty described Trump having a “tantrum” during a closed-door meeting with the trustees on Sept. 15, after the judge blocked his bid to have his name on the Center. “He went into name-calling, from everything from trying to say that I was an obstructionist, I was dumb,” Beatty said on MS NOW.

    For further reading, Snopes has covered numerous claims about the Trump administration’s work on the Kennedy Center.

    Sources

    Christensen, Laerke. “Did Trump Order That Weeping Willows Be Cut down Outside Kennedy Center?” Snopes, 2 Sept. 2026, https://www.snopes.com//fact-check/weeping-willows-kennedy-center/. Accessed 17 Sept. 2026.

    “Declaration of Bridget-Kennedy Bailey.” United States District Court for the District of Columbia, 16 Sept. 2026, https://storage.courtlistener.com/recap/gov.uscourts.dcd.287972/gov.uscourts.dcd.287972.84.1_2.pdf. Accessed 17 Sept. 2026.

    Edwards, Jonathan. “Lawmaker Requests Emergency Hearing as Kennedy Center Remains Closed.” The Washington Post, https://www.washingtonpost.com/style/2026/09/16/lawmaker-requests-emergency-hearing-kennedy-center-remains-closed/. Accessed 17 Sept. 2026.

    “‘He Went into a Tantrum’: Rep. Joyce Beatty Says She Fought Trump during Kennedy Center Meeting .” YouTube, MSNOW, 15 Sept. 2026, https://www.youtube.com/watch?v=W1qiMzVwsyQ. Accessed 17 Sept. 2026.

    Ibrahim, Nur. “Double Rainbow Formed over Kennedy Center on Day Trump’s Name Was Scheduled to Be Removed.” Snopes, 16 June 2026, https://www.snopes.com//fact-check/double-rainbow-kennedy-center-trump/. Accessed 17 Sept. 2026.

    Semones, Evan. “Kennedy Center Closes amid Financial Crisis and Trump Name Dispute.” Al Jazeera, https://www.aljazeera.com/news/2026/9/15/kennedy-center-closes-amid-financial-crisis-and-trump-name-dispute. Accessed 17 Sept. 2026.

  • Macklemore apologized for 2014 costume featuring antisemitic tropes

    Macklemore apologized for 2014 costume featuring antisemitic tropes

    Claim:

    Musician Macklemore once performed in a Jewish caricature costume that featured antisemitic tropes.

    Rating:

    True

    Context

    In May 2014, Macklemore performed in a costume that featured several antisemitic tropes: a very large hooked nose, a fake black beard and a black, bowl-cut wig reminiscent of a kippah — a Jewish skullcap. His outfit also resembled the suits some Orthodox Jewish men wear. After experts and Jewish people online pointed out the tropes, Macklemore said in a lengthy post on his website that he did not realize his choice of costume evoked antisemitic imagery and apologized, linking to the Anti-Defamation League’s website. The ADL reportedly welcomed Macklemore’s apology and took him “at his word that he did not have any ill intent.”

    Following the removal of musician Macklemore as an opening act on singer-songwriter Ed Sheeran’s tour in September 2026, a rumor spread online claiming Macklemore once performed in an Jewish caricature costume featuring antisemitic tropes. The cancellation of Macklemore’s performances came after he advocated for Palestinian freedom during a concert. 

    The claim appeared across social media platforms, including Instagram, Facebook and X. Actor Josh Malina, who is Jewish, wrote on X, “Nah. Don’t defend this guy” (archived):

    Malina also shared photographs of a man, presumably Macklemore, in an obviously fake black beard and wig in a bowl cut, as well as an exaggeratedly large hooked nose. The man also wore black trousers and a black jacket, reminiscent of suits some Orthodox Jewish men wear. In one of the images, the man made a gesture reminiscent of a Nazi salute.

    Meanwhile, several Snopes readers emailed us and searched the website seeking to confirm whether Macklemore had once performed in such a costume.

    The claim is true and the photos are authentic. On May 16, 2014, Macklemore, whose real name is Benjamin Hammond Haggerty, performed in this costume at the opening night of an exhibition titled “Spectacle: The Music Video,” at the Museum of Pop Culture in Seattle. (The museum was then known as the EMP Museum.) 

    While Macklemore was photographed with his arm up while wearing the costume, it’s unclear whether he intentionally made a gesture resembling a Nazi salute, as posts suggested.

    Macklemore posted on his website three days later, explaining his costume choice and apologizing. 

    We reached out to Macklemore for comment on the fact that the photos of his costume resurfaced. We also contacted the Anti-Defamation League, an organization dedicated to fighting antisemitism and extremism, and Malina. We await their responses.

    The costume’s antisemitic references

    Many photos of Macklemore’s performance and costume that day appeared on the reputable image repository Getty Images, including two of the photographs Malina posted. 

    We also found a video of the performance posted on May 21, 2014.

    The costume harkens back to some of the most virulent antisemitic tropes in history. One example is appeared in 1893 on the cover of a notorious antisemitic newpaper in France known as La Libre Parole Illustrée, the illustrated supplement of La Libre Parole:

    The image shows the front page of a French newspaper titled La Libre Parole Illustrée. It shows a hand-drawn caricature in black and white of a man with a torn coat with pockets full of money gripping the Earth with claws that are growing from his fingers and toes. He is wear a hat reminiscent of a kippah, a black beard. He has a large hooked nose and is smiling. The caption reads

    (Albert Esnault, La Libre Parole Illustrée, via Wikimedia Commons)

    The newspaper bears the tagline “La France aux Français !” (“France for the French!”), a well-known far-right slogan marking national preference to white Catholics in the country, as well as outspoken racism and antisemitism. 

    The 19th-century image shows a hand-drawn black-and-white caricature of a man with a torn coat and pockets full of money. The man is gripping the planet with claws growing out his fingers and toes as coins fall out and bills gather in his hands and between his toes. He is wearing a hat reminiscent of the Jewish skullcap — a kippah — and a black beard. He has a large hooked nose and is smiling. The caption reads “leur patrie” (“their fatherland” in French). 

    The caricature plays on racist stereotypes that Jews do not belong to any country and are loyal only to the global Jewish community (this was before the foundation of Israel in 1948). It also reinforces the prejudicial stereotype that Jews are greedy, appearing poor but secretly rich. 

    A more recent caricature known as the “Happy Merchant” appeared in the U.S. far-right antisemitic newspaper WAR (White Aryan Resistance) in 1992. The image, attributed to cartoonist Nick Bougas, shows a man with black hair and beard with a hooked nose, a humped back and a seemingly evil smile. He is wearing a kippah and rubbing his hands, as if he were plotting:

    The image shows a man with thick black hair and beard and a kippah with a hooked nose, a humped back and a seemingly evil smile. He is rubbing his hands, as if he were plotting something

    (A. Wyatt Mann (Nick Bougas), in WAR newspaper.)

    Macklemore apologizes

    In his explanation for his choice of costume, Macklemore said he loved to wear costumes and the costume store “usually” sold large noses. He said he chose black hair because it was “the furthest color from my natural hair,” adding he wanted to be unrecognizable. 

    He said some people told him he looked like The Beatles’ Ringo Starr, while others said he resembled former U.S. President Abraham Lincoln. 

    “I wasn’t attempting to mimic any culture, nor resemble one,” the singer wrote. “A ‘Jewish stereotype’ never crossed my mind.”

    Macklemore ended his post with an apology. “I truly apologize to anybody that I may have offended,” he said. “I hope this better explains the situation and my point of view.”

    He added a post-scriptum linking to the website of the ADL, which offers educational material about such tropes.

    In response, the ADL reportedly accepted Macklemore’s apology, according to The Guardian.  

    “We welcome Macklemore’s apology for wearing a costume that, regardless of his motives, reminded many people of an antisemitic caricature,” The Guardian quoted ADL director Abe Foxman as saying. “We take him at his word that he did not have any ill intent and unreservedly accept his apology.”

    For further reading, Snopes verified in 2023 that Macklemore had posted about the “unfolding genocide” in Gaza. In the same post, the singer called Hamas’ Oct. 7, 2023, attack on Israel that resulted in the death of 1,200 people an “abomination.”

  • ‘Monster: The Lizzie Borden Story’ Review: Ryan Murphy’s Latest Netflix Serial Killer Saga Is Faux-Feminist Nonsense

    ‘Monster: The Lizzie Borden Story’ Review: Ryan Murphy’s Latest Netflix Serial Killer Saga Is Faux-Feminist Nonsense

    In the final hour of Netflix’s Monster: The Lizzie Borden Story, the titular murderess, having finally made her peace with the act of violence that has defined her life, turns to the loyal companion who’s been by her side through it all. “Okay,” she says. “Let’s make it mean something.”

    Lizzie (Ella Beatty) is talking about her wealth and notoriety, which she wishes to channel into a force for good. In the moment, though, all I could hear was showrunner Ian Brennan muttering that sentiment to himself. The latest addition to his and Ryan Murphy’s murder-verse tries desperately to draw something, anything meaningful out of Borden’s saga, with all the finesse of a college freshman trying to crank out a 15-page term paper in the two hours before deadline — and with all the same power of persuasion.

    Monster: The Lizzie Borden Story

    The Bottom Line

    Lots of killers, tons of filler.

    Airdate: Thursday, Sept. 17 (Netflix)
    Cast: Ella Beatty, Vicky Krieps, Charlie Hunnam, Rebecca Hall, Sarah Paulson, Jessica Barden, Joey Pollari, Billie Lourd
    Creators: Ryan Murphy, Ian Brennan

    As the subtitle indicates, Monster: The Lizzie Borden Story is first and foremost a retelling of the real events you probably first heard of as a playground chant (one whose melody becomes a recurring motif), or perhaps saw depicted in more detail by Chloë Sevigny and Kristen Stewart in 2018’s Lizzie. While the real-life Borden has always denied responsibility for the August 1892 deaths of her father and stepmother, the series wastes no time playing coy; it takes as settled fact that it was indeed Lizzie who wielded the axe.

    As for why, there, too, the series has a clear-cut answer: because they’re emotional sadists whose sole pleasures in life are tormenting the help and insulting their daughter. Playing Abby and Andrew, Rebecca Hall and Charlie Hunnam gorge on the scenery like they’re trying to make themselves sick; one dinner sequence even ends with them spewing geysers of vomit. There’s zero nuance to their performances, and also nothing unique about them to make them memorable. But as a way to get you to sympathize with the devilish Ms. Borden, I can’t say their cartoonish villainy is ineffective.

    The only real question left is the how, and that too is more or less established in the Max Winkler-directed premiere. Vicky Krieps plays Maggie, a new housemaid who makes an immediate impression on the family with her skill, her work ethic and her anachronistic style (punk shags in Manic Panic shades, literally a century before they’ll be cool). Lizzie falls in love practically at first sight, and Maggie seems charmed right back. Under Maggie’s guidance, the sweet, shy, sheltered girl who’d never so much as heard of la petite mort blossoms into one confident enough to start rattling the gilded cage her parents have trapped her in. At Maggie’s suggestion, she begins to wonder if killing them might not be her only way out.

    Then, having put together so many puzzle pieces so quickly, The Lizzie Borden Story finds itself with the problem of having eight hours’ worth of content to fill. I wish I could say that the series has an easy solution for that, too. Instead, it flails about for a number of stalling tactics, none of them particularly satisfying.

    One is simply to slow down the pace of the storytelling. Bits of exposition are repeated in rapid succession (“It’s the culmination of my life’s ambitions, really,” says a character of a completed project, and then, a few minutes later, “It’s everything I ever dreamed of, really,” just in case you weren’t paying attention the first time). Lizzie and Maggie indulge in dreamy nature idylls that clumsily evoke historical lesbian dramas like Portrait of a Lady on Fire or Ammonite, only, for some reason, with way less sex. Intriguing tangents are brought up to go nowhere — no sooner has the show finally started to explain why Abby sucks so much than it’s done her off, thus nipping in the bud any interest we might have taken in her.

    The other method, more successful at padding that run time but even more annoying in its spirit, is to insist that The Lizzie Borden Story is actually about something much, much bigger than itself. That Borden is in fact part of a whole historical lineage of female killers, all of whose tales are linked together by some lazily nebulous concept of What It Means to Be a Woman in Society, and that there’s therefore something pretty Female Empowering about the fact that Lizzie has decided to axe-murder her parents, if you really think about it.

    The show attempts to do all this by braiding Lizzie’s story with those of arguably the only other female killers as famous as she is. In the late 19th century, Lizzie and Maggie spend long hours reading each other the story of Elizabetta Báthory, the 16th-century countess accused of bathing in the blood of virgins. Krieps plays Elizabetta in flashbacks, which adds nothing significant to our understanding of either Elizabetta or Maggie but does provide the actor an opportunity to don another anachronistic hairstyle (this time, it’s severe bangs and tomato-red streaks).

    Meanwhile, in the 20th century, Lizzie has in turn captivated Aileen Wuornos (played by Sarah Paulson in a broad performance more suited for Saturday Night Live). The series lavishes much more attention on Aileen than it did Elizabetta — like, to the point where one wonders if what Murphy and Brennan truly wanted was to do Monster: The Aileen Wuornos Story, and were only stopped by the existence of 2003’s Monster, the Aileen Wuornos story. In this Monster’s telling, Aileen worships Lizzie to the point of booking an overnight stay at her old home and hallucinating interactions with her. To this sex worker turned killer of johns, Lizzie is a role model, a spiritual sister, someone who just gets how the pressures of womanhood can drive a gal to violence.

    Never mind that none of these three killers have anything in common — not their backgrounds, not their motives, not their methods, not their outcomes. Never mind that The Lizzie Borden Story’s further attempt to reframe Lizzie as not just a self-actualized independent lady but an outright icon of the women’s suffrage movement comes out of nowhere. Or that for a show supposedly so in tune with the struggles of womanhood, it has no sympathy to extend an embittered wife and mother like Abby (who, for all her abuses, was not a literal murderer), and no curiosity to offer a rebel like Maggie (whose goals or desires or even personality traits always seem to be changing at the whims of the plot).

    All of these people, you see, are female. For Monster, that’s reason enough to lump them together — even if, in the end, it has nothing more substantial to say than, “Women be choppin’.”

  • Macklemore Alleged to Have Repeated Palestine Comments Despite Promoter Assurances to NFL Stadium Owners (Report)

    Macklemore Alleged to Have Repeated Palestine Comments Despite Promoter Assurances to NFL Stadium Owners (Report)

    The Macklemore controversy rumbles on, with new reporting alleging that assurances were given to a group of NFL stadium owners that the rapper would not repeat any comments on the issue of Palestine during Macklemore’s second, and ultimately final, stint as the opening act on Ed Sheeran‘s tour.

    In a story published in The Wall Street Journal on Wednesday, the newspaper revealed more details of alleged communication between Sheeran, the promoters of Sheeran’s Loop Tour and NFL stadium owners, including New England Patriots and Gillette Stadium owner Robert Kraft, after concerns were raised over Macklemore declaring “Free Palestine” on stage before performing “Hind’s Hall”, his pro-Palestinian song at the MetLife Stadium concert on Sept. 4.

    After the incident, the WSJ reports that representatives of Kraft and other NFL stadium owners — including Carolina Panthers owner David Tepper, Atlanta Falcons owner Arthur Blank and Philadelphia Eagles owner Jeffrey Lurie — reached out to Loop Tour promoters Messina Touring Group about Macklemore’s overtly political comments. The owners were alleged to have been told that Macklemore, who was initially set to feature on 10 dates for Sheeran, would not bring up the issue of Palestine again during his performances.

    At the Sept. 5 concert at the MetLife Stadium, however, the Grammy-winning artist said: “One of the reasons why I wanted to come on this tour was because I wanted to stand up here on stages and stadiums across America and say two words that are very near and dear to my heart: Free Palestine! I want to say this to all of my Jewish brothers and sisters. Criticism of Israel, criticism of apartheid, being against genocide in no way is a criticism of you.”

    Macklemore’s comments on the second of the two Metlife Stadium concerts were picked up by news outlets after the Israeli-American Council petitioned for Sheeran to remove the rapper from his tour. Other pressure groups such as StopAntisemitism and Combat Antisemitism Movement as well as the singer Pink also called for the rapper’s removal.

    The WSJ reports that behind the scenes, Kraft and Sheeran had a 40-minute phone call about the Macklemore controversy. Kraft is claimed to have told Sheeran that while he had sympathy for the Palestinian people, Macklemore’s comments in his estimation constituted hate speech, and was not a free speech issue.

    After days of media scrutiny and with concerns about the future viability of the Loop Tour without access to NFL stadiums, Messina released a statement on Sept. 14 that Macklemore was dropped from the remaining eight U.S. tour dates. In a statement to Rolling Stone, Messina said: “As the concert promoter for Ed Sheeran’s U.S. Loop Tour, we have been notified by venues on the upcoming U.S. tour dates that they will not allow a concert to take place with Macklemore on the lineup, which would result in the cancellation of the tour and impact hundreds of thousands of fans. After discussions with stakeholders, Macklemore will not be performing on the remaining support dates.”

    After being dropped, Macklemore released a lengthy statement about the controversy. “Before I get into it, I want to say something that should be obvious. In this moment I think it matters. I am not a victim,” Macklemore wrote on Instagram. “Ed Sheeran is not a victim. Pink is not a victim. We have careers, money, opportunities, safety and audiences around the world. Whatever consequences any of us face for what we say, we get to go home to our families. The victims are the Palestinian people.”

    Sheeran also released a lengthy statement after Macklemore’s removal. “After Macklemore’s performances at my New Jersey shows, venues on my upcoming tour dates communicated that they would pull the shows if he was still supporting. I was informed that this stance was based on how Macklemore conveyed part of his message during his performance, rather than on everything that was said. I spoke with the venues at length all week to try and build a bridge. One of those people was Robert Kraft. I was also involved in direct talks with promoters along with activists on both sides to try and find a mutual resolution for all, but the venue’s and promoter’s decision was final.“

    Sheeran then reiterated, “Macklemore coming off tour was the promoter’s decision, it was not mine. Macklemore’s contract for the tour was with the promoter, not me.”

    Macklemore’s removal set off a fire storm, with Sheeran’s other support acts Finneas, Lukas Graham, Aaron Rowe and his backing band Beoga all pulling out of the remaining tour dates in solidarity with the “Thrift Store” rapper.

    On Sept. 16, Macklemore announced that he would donate his earnings from the Loop Tour, approximately $1 million, to six organizations supporting Palestinians and called on Kraft to match his donation. Kraft responded by donating $2 million.