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Sabrina Carpenter leaned into a “Thelma & Louise” theme with her weekend-two Coachella appearance Friday by featuring Geena Davis reading the mid-show monologue as an older “Aunt Sabrina,” succeeding last weekend’s guest Susan Sarandon.

The monologue was half the length of Sarandon’s uncomfortably overlong version last weekend, lending credence to rumors that Sarandon had been asked to stretch and improvise due to a technical delay.

Her appearance was doubly a surprise as it came amid hurricane-force rumors that Madonna will be joining Carpenter during the show, which led many to wonder if she would perform the monologue instead of Sarandon, only to find that she was being saved for an actual musical appearance later in the show.

Sitting in one of the 1950s cars that are a theme of Carpenter’s set, amid a makeshift drive-in theater lot in the middle of the field, Davis read through a monologue that preceded largely along the lines of last weekend’s script. However, the young drive-in carhop, played by her former “Girl Meets World” TV costar Corey Fogelmanis, arrived after three and a half minutes instead of seven to help her settle up her tab.

Even though the monologue hit many of the same beats as last week’s, it was paraphrased throughout. Sarandon opened with: “What a moron I was. Running around like nobody’s going to judge you, just bippity boppity boo. When of course, everybody’s judging you.” Davis’ opening: “What a moron. I was running around like that carefree, all hippity, skippity…”

The many trims that cut the speech in half included losing somewhat audience-confusing references to a fictional sister, Laurie, who Sarandon-as-Sabrina said “was always really uncomfortable whenever I was the center of attention. Sometimes she would just ignore what I was doing or other times she would shit on me. And probably she’s putting down my career right now…” Also dropped was the whole wistful/inspirational final part of the monologue, in which Sarandon had spoken of “that little voice (where) you say, fuck it, I can do this. I can do whatever I put my mind to… Why do people stop saying that to themselves when they become 12 years old?”

Later in the set, Will Ferrell was succeeded in his comedic role as an electrician by Terry Crews, playing the same part, but with different dialogue, and without the failed attempt to light a cigarette.

Of course, Madonna ultimately provided the mother of all cameos with a medley/duet of her hits… and extended astrology talk that threatened to erase the memory of any filibustering that might have gone on during Sarandon’s speech the previous week.

Sabrina Carpenter leaned into a “Thelma & Louise” theme with her weekend-two Coachella appearance Friday by featuring Geena Davis reading the mid-show monologue as an older “Aunt Sabrina,” succeeding last weekend’s guest Susan Sarandon.

The monologue was half the length of Sarandon’s uncomfortably overlong version last weekend, lending credence to rumors that Sarandon had been asked to stretch and improvise due to a technical delay.

Her appearance was doubly a surprise as it came amid hurricane-force rumors that Madonna will be joining Carpenter during the show, which led many to wonder if she would perform the monologue instead of Sarandon, only to find that she was being saved for an actual musical appearance later in the show.

Sitting in one of the 1950s cars that are a theme of Carpenter’s set, amid a makeshift drive-in theater lot in the middle of the field, Davis read through a monologue that preceded largely along the lines of last weekend’s script. However, the young drive-in carhop, played by her former “Girl Meets World” TV costar Corey Fogelmanis, arrived after three and a half minutes instead of seven to help her settle up her tab.

Even though the monologue hit many of the same beats as last week’s, it was paraphrased throughout. Sarandon opened with: “What a moron I was. Running around like nobody’s going to judge you, just bippity boppity boo. When of course, everybody’s judging you.” Davis’ opening: “What a moron. I was running around like that carefree, all hippity, skippity…”

The many trims that cut the speech in half included losing somewhat audience-confusing references to a fictional sister, Laurie, who Sarandon-as-Sabrina said “was always really uncomfortable whenever I was the center of attention. Sometimes she would just ignore what I was doing or other times she would shit on me. And probably she’s putting down my career right now…” Also dropped was the whole wistful/inspirational final part of the monologue, in which Sarandon had spoken of “that little voice (where) you say, fuck it, I can do this. I can do whatever I put my mind to… Why do people stop saying that to themselves when they become 12 years old?”

Later in the set, Will Ferrell was succeeded in his comedic role as an electrician by Terry Crews, playing the same part, but with different dialogue, and without the failed attempt to light a cigarette.

Of course, Madonna ultimately provided the mother of all cameos with a medley/duet of her hits… and extended astrology talk that threatened to erase the memory of any filibustering that might have gone on during Sarandon’s speech the previous week.

After rumors swirled that she would appear at Coachella weekend one, Madonna made a cameo during Sabrina Carpenter’s headlining performance on Friday night, emerging near the end of the set to perform “Vogue,” “Like a Prayer” and a new duet.

Carpenter was midway through “Juno” — typically the song on her “Short ‘n Sweet” tour where she’d “arrest” a different celebrity — to bring out Madonna. The pop queen emerged through the middle of the stage to sing “Vogue,” joining Carpenter to debut a new duet that’s rumored to be on the singer’s upcoming album “Confessions II.” Then, Madonna took the mic to give an extended address to the audience.

“So 20 years ago today I performed at Coachella,” said Madonna. “I was in the dance tent and it was the first time I performed ‘Confessions on a Dance Floor Pt. 1’ in America, and that was such a thrill for me, so you can imagine what a thrill it is to be back 20 years later in the same boots, with the same corset, the jacket I had on earlier, a Gucci jacket. So it’s like a full circle moment, you know? Very meaningful for me.”

After Madonna gave an astrology lesson (literally), the two joined forces to duet on her classic “Like a Prayer,” with backup dancers dressed in habits sauntering down from the back of the stage. “The great thing about music is that it brings people together. Am I right?” said Madonna. “It’s the one place that people have to put their differences aside. Put their shit down and everyone just have a good time togehter, right? So I am thrilled to be a part of that healing experience of bringing people together. I just want to say, four lines from my ‘Confessions 1’ record. It goes like this. Can we get together? I really, I really want to be with you. Come on check it out with me, I hope you, I hope you feel the same way too.”

As she said, Madonna’s appearance during Carpenter’s set comes 20 years after her Coachella debut in 2006, when she popped up at the Sahara Tent instead of the main stage to perform cuts from “Confessions on a Dance Floor.” She later returned to the desert for a surprise cameo during Drake’s closing set in 2015, singing “Human Nature” and “Hung Up” and, in one of the most talked-about moments that year, kissed Drake.

The timing of Madonna’s return to Coachella aligns with the announcement of her upcoming album “Confessions II” earlier this week. The project, slated for July 3 via Warner Records, marks her first full-length album in seven years and her reunion with Stuart Price, the producer of the original “Confessions on a Dance Floor.” Earlier on Friday, Madonna premiered the song “I Feel So Free” on iHeartRadio’s Pride Radio, giving a first taste of the project.

Leading up to her Coachella performance last weekend, Carpenter dropped the video for “House Tour,” the latest single off of last year’s “Man’s Best Friend.” In the clip, she has a girls’ night out with Margaret Qualley and Madelyn Cline, ransacking a stranger’s house and stealing a Grammy.

Carpenter previously performed at Coachella in 2024, foreshadowing that she’d one day take top billing during a custom outro for “Nonsense”: “Made his knees so weak he had to spread mine / He’s drinking my bathwater like it’s red wine / Coachella, see you back here when I headline.” This year’s headlining gig comes after a busy few years for the singer, who kicked off her “Short ‘n Sweet” tour — her first arena trek — in September 2024. She stayed on the road through the end of 2025, when she closed the tour with six nights at Los Angeles’ Crypto.com Arena just a week before she was celebrated as Variety‘s Hitmaker of the Year.