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  • OpenAI London employees get an average of £2.3m per person each year, accounts show

    OpenAI London employees get an average of £2.3m per person each year, accounts show

    Records have revealed the eyewatering salaries that OpenAI’s UK staff are paid and I promise you, it’s going to have you rushing off to polish up your CV.

    It’s no secret that AI is big business these days, with Anthropic, the company behind Claude, valued at a whopping $965 billion back in May (£728bn), and OpenAI seeking a $1.4 trillion (around £1tn) valuation just last month.

    With such massive numbers, it probably comes as little surprise that the team working at such companies are impressively compensated.

    And now accounts have been revealed that show just how generously staff are paid.

    Last year’s acounts for OpenAI UK Ltd, which is based in Westminster, showed that there were 110 staff members who split £87m in salaries and £168m in shares in the company.

    Doing a quick bit of maths, that means the average salary was £2,318,181 last year.

    See? I told you, you’d want to go and sort your CV out.

    OpenAI offers very generous salaries (Heather Diehl/Getty Images)

    OpenAI offers very generous salaries (Heather Diehl/Getty Images)

    For a bit of context, the Office of National Statistics found that the median annual earnings for full-time employees in the UK was £39,039.

    So using this average salary, you’d need to work 58 years to match the average salary of a UK-based OpenAI worker.

    However, according to the Guardian, there’s reportedly a large discrepancy between the AI company’s lowest and highest earners.

    The largest pay packets are dished out to researchers who help to build OpenAI’s models, including Astra.

    It’s also important to note that the figures are from 2025 when there was a bit of a talent war amongst AI companies to land themselves the best and brightest staff.

    Other companies in the space, such as Meta, were reportedly offering multi-year salary packages that amounted to hundreds of millions of dollars.

    When approached by the Guardian, OpenAI declined to comment on its salaries.

    Meanwhile, last month, it was revealed that OpenAI was offering up very generous compensation packages as it builds out its robotics efforts.

    The company had more than two dozen robotics jobs listed on its careers page in September, across various areas, including software, hardware and data collection.

    It isn’t the only tech giant spending big on hiring talent ( Samuel Boivin/NurPhoto via Getty Images)

    It isn’t the only tech giant spending big on hiring talent ( Samuel Boivin/NurPhoto via Getty Images)

    And these new roles came with some top-notch salaries, with publicly available information showing that the base wages ran from a way-above-average $177,000 (£133,600) to a frankly-staggering $500,000 (£377,400) a year, before equity.

    The roles on offer included a lab tech tasked with helping to ‘develop, build, test, and iterate on robotic systems’ and actuator design engineers who are responsible for building the various parts of bots that help them move.

    The highest-paid listing, as reported by Business Insider, was for a role for a ‘machine learning engineer’ who would be working on distributed data systems, infrastructure for processing, and moving huge amounts of robotics training data across computers.

    Now, while that might all sound like an awful lot to get your head around, it does come with a salary of a half a million dollars per year.

    Anyone else wishing they’d paid more attention in their IT classes?

  • New poll reveals number of brits who wouldn’t fight for the uk if war broke out

    New poll reveals number of brits who wouldn’t fight for the uk if war broke out

    Half of the public say under no circumstances they would go to war for the UK, according to a new poll.

    48 percent of voters said they would not join the army, despite the ongoing threat from the likes of Russia, China and Iran.

    Ipsos said the figure is unchanged from last year’s poll, as 36 percent, this year, said there were circumstances in which they would fight, up one percent from previous.

    Hamish Mundell, an associate fellow at the Royal United Services Institute, said there were questions about ‘Britain’s willingness to fight and make sacrifices’, but added the Ipsos poll did not suggest the country would be unable to mobilise in the event of WW3.

    “I think the most important thing to take away from this polling is that we should be careful about confusing what people say they would do in peacetime with how they might actually behave in a national emergency,” he told the Press Association.

    Many Brits wouldn't want to go for war for the UK despite rising concern about the threat from Russia, China and Iran (Getty Stock Images)

    Many Brits wouldn’t want to go for war for the UK despite rising concern about the threat from Russia, China and Iran (Getty Stock Images)

    Mundell thinks the army won’t be overly concerned by the poll because their main concern is being able to train and prepare people for war, not getting extra people to sign up.

    He added: “I can’t see the number of people willing to fight decreasing if the UK started suffering at the hands of a foreign power during a conflict.”

    In the male category, more people said they would fight than would not, with 48 percent saying there were circumstances in which they would go to war, while 40 percent saying they would not be willing to do so.

    The majority of women and people aged 35-54 said they would not fight, the poll found.

    Although Mundell said the figures were ‘hardly surprising’, he said it was ‘disheartening that we don’t seem to have any form of leadership from the Government on a pathway to Britain’s 3.5 percent Nato commitment’.

    Half of the public say under no circumstances they would go to war for the UK (Getty Stock Images)

    Half of the public say under no circumstances they would go to war for the UK (Getty Stock Images)

    Last year, the UK and other Nato allies agreed to spend 3.5 percent of GDP on ‘core defence’ by 2035 under pressure from Donald Trump to increase military spending.

    Mundell added: “I am sceptical that we need another national conversation before we can make those decisions.

    “We need political leaders to explain the threats facing the country, set out what needs to be done and just go and do it, even where that might prove contentious.”

    The Ipsos poll surveyed 1,090 British adults between 29 September and 1 October.

    A Ministry of Defence spokesperson said: “In an increasingly dangerous world, we are stepping up to protect the UK.

    “There has never been a more important time to join defence and with more people now joining the armed forces than leaving, that reflects the growing confidence in the opportunities and benefits that service life offers.

    “This Government is determined to build on that progress.

    “A career in the armed forces provides incredible opportunities for people from all backgrounds to develop their skills, fulfil their potential and come together in the shared defence of our nation.”

  • Kirti Kulhari’s Production Debut ‘Kinaare’ to Premiere at Dharamshala, Rima Das’ ‘Not a Hero’ to Open Festival

    Kirti Kulhari’s Production Debut ‘Kinaare’ to Premiere at Dharamshala, Rima Das’ ‘Not a Hero’ to Open Festival

    Kirti Kulhari’s first feature as a producer, “Kinaare” (“Shores”), will premiere at the 15th Dharamshala International Film Festival (DIFF), which will open with Rima Das’ Berlin-awarded “Not a Hero.”

    The festival will run Oct. 29–Nov. 1 at the Tibetan Children’s Village in Upper Dharamshala, with an online edition to follow Nov. 2–9.

    Written and directed by brothers Akbar Quadri and Azam Quadri, “Kinaare” stars Kulhari as Amina, a single woman in a village near Delhi who spends her days looking after her elderly parents and the family home. Her cousin, played by Azam Quadri, turns up without warning after 15 years away, and his visit brings back the events that once split the family. By the time he leaves, Amina has made her peace with the past. Rajeev Siddhartha, Alka Amin and Ravi Taneja complete the cast.

    Kulhari produced the film through her banner Kintsukuroi Films, with Abhishek Koka and Maansi Guptey as co-producers.

    “It’s a script that really resonated with me. It’s a simple, heartwarming, and subtle film. I find all these adjectives in Iranian films – which I’ve always really loved – so when something like this came to me, I knew I had to make it,” Kulhari said. “This is exactly how I wanted to make this film: independently, make it the way I see it, the way we all see it collectively.”

    Siddhartha said every actor hopes for a script that values the written word and also pushes them to explore the spaces between the words. “And with ‘Kinaare,’ I got to do that as an actor. I feel ‘Kinaare’ has such a universal theme that everybody who sees it will definitely be touched, be moved and be slightly changed from within after the experience,” he said.

    The film’s crew includes cinematographer Arjun Sundaram, composer Mohan Kannan, editor Bakul Matiyani and sound designer Sanjay Chaturvedi.

    “Not a Hero,” an India-Singapore co-production, will have its South Asia premiere as the festival’s opening night film. It debuted at the Berlinale earlier this year, where it took a Crystal Bear Special Mention in the Generation Kplus strand, and later won best indie film at the Indian Film Festival of Melbourne. It has also played Zlín, Zurich and Busan.

    The film centers on a boy packed off from the city to his family’s ancestral village. There he meets a distant aunt, makes friends with a horse and falls in with a pack of local children, finding both a life away from screens and a courage he did not know he had.

    Das is known for “Village Rockstars,” “Bulbul Can Sing,” “Tora’s Husband” and “Village Rockstars 2.” Her films have screened at more than 150 festivals and collected over 75 awards.

    The latest additions to the DIFF lineup also include Don Palathara’s “The Uncertainty Principle,” set among young people in Kochi chasing careers in cinema, and “Cool Ladies Club,” a documentary co-directed by Shilpi Gulati and 10 women from Mumbai’s eastern suburbs who made the film together over 18 months.

    Also on the slate are Tanushree Das and Saumyananda Sahi’s Kolkata-set Berlin-debuting family drama “Shadowbox,” Rafael Kapelinski’s Poland-Hungary title “Budapest Diaries” and Eimi Imanishi’s Western Sahara-set “Nomad Shadow.”

    They join titles from the festival’s initial lineup, among them Gurvinder Singh’s Locarno title, India-France co-production “Rehmat,” which weaves together three stories set in present-day Punjab; “Termite,” a short set in 1990s Old Delhi that marks the first fiction film from Oscar-nominated documentarian Shaunak Sen; and Oliver Laxe’s Cannes-winning “Sirāt.”

    The first wave also includes Sompot Chidgasornpongse’s Cannes-debuting Thai family pilgrimage drama “9 Temples to Heaven,” Sara Dosa’s Iceland-set “Time and Water,” R. Gowtham’s Berlin-bowing grief drama “Members of the Problematic Family” and Dennis Harvey and Lars Lovén’s Irish folk music documentary “Celtic Utopia.” Samreen Farooqui and Shabani Hassanwalia’s documentary “The Ordinary Star” follows Nawazuddin Siddiqui as he studies the real-life occupant of the room he would use while shooting “Star,” Dibakar Banerjee’s segment in the 2013 anthology “Bombay Talkies.”

    DIFF was founded by filmmakers Ritu Sarin and Tenzing Sonam. This year’s edition will also run its fellowship program, with seven fellows mentored by Bhutanese director Dechen Roder and Indian independent filmmakers Umesh Kulkarni and Dominic Sangma.

  • Child, 10, almost blinded after copying YouTube influencer’s ‘life hacks’

    Child, 10, almost blinded after copying YouTube influencer’s ‘life hacks’

    The mother of a 10-year-old girl who poured nail polish remover in her eyes says she can’t wait for a blanket ban on social media for under-16s to come into effect.

    Rebecca Soal said she was horrified to discover her 10-year-old daughter, Phoebe, had wiped the solvent across her lips before putting several drops in each eye after seeing an influencer ‘hack’ on social media.

    “This stupid video said it’s a good alternative to eye drops,” Rebecca, from Caerphilly, Wales, said.

    “She went into the bathroom, grabbed my nail varnish remover, tapped it on a cotton bud and wiped it all over her lips.

    “Then she dropped [some] drops in each eye.”

    The stay-at-home mum revealed that she only became aware that Phoebe had done so after smelling nail varnish remover while taking her younger daughter upstairs to bed.

    10-year-old Phoebe ended up in hopsital after copying an influencer 'hack' she'd seen online  (Kennedy News and Media)

    10-year-old Phoebe ended up in hopsital after copying an influencer ‘hack’ she’d seen online (Kennedy News and Media)

    “I got that gut feeling, I went to my daughter, and it clicked. It was frightening,” the mum said. “Her lips and eyes were red.”

    Rebecca went on to explain that it took a while for Phoebe to admit that she’d used the nail polish remover after seeing videos online, adding: “They use water in the videos to gain likes, they’re joking, but kids take it literally.

    “We’ve seen a lot of similar videos and it’s absolutely disgusting.”

    “You don’t expect kids to take part in trends.”

    Petrified that her daughter had permanently damaged her eyesight, Rebecca rushed her daughter to the hospital, where doctors flushed each eye with a litre of saline water in order to ensure all of the chemicals were washed out.

    While the nail polish remover was acetone-free, meaning that Phoebe avoided causing serious permanent damage to her eyes, the family do not know how her vision will be affected in the long term.

    “We’re waiting for a specialist appointment for her eyes,” Rebecca explained. “So we don’t have the full picture at the moment.”

    While the nail polish remover was acetone-free, it did contain the eye irritants ethyl acetate, isopropanol and bitrex (Kennedy News and Media)

    While the nail polish remover was acetone-free, it did contain the eye irritants ethyl acetate, isopropanol and bitrex (Kennedy News and Media)

    Phoebe also suffered a chemical burn to her lips, which the family are treating with Vaseline to make sure it doesn’t crack.

    “Doctors said she was really lucky,” she added.

    Rebecca has since banned her children from social media, stating that the family were now going to be a lot more ‘vigilant’ when it comes to monitoring their online activity.

    She is also in full support of the UK’s upcoming social media ban, which will effectively lock anyone under the age of 16 out of platforms such as Facebook, Instagram, X and TikTok.

    Announced back in June, the Labour government hoped the move, which mirrors a similar social media ban in Australia, will kickstart a ‘cultural shift’ and allow children to grow up offline.

    “It’s just scary. We can’t wait for this government ban because it’s not safe to do anything anymore,” she said.

    Rebecca now says she 'can't wait' for the social media ban to into effect (Kennedy News and Media)

    Rebecca now says she ‘can’t wait’ for the social media ban to into effect (Kennedy News and Media)

    “They go on YouTube to watch their favourite Roblox videos, you don’t expect kids to take part in trends,” she continued.

    “All my children now are on a ban, we can’t take any more risks.”

    When approached about the videos, YouTube said it was investigating how the clips made it onto the platform. A quick search on the video-sharing platform returned no results for nail polish remover hacks.

    “Be more vigilant with your children,” Rebecca added. “I know you trust your children, but do you trust them enough not to be influenced?

    “I’m hoping she understands what she has done now.”

  • Anti-Bitcoin Peter Schiff Warns: Switch to Gold Before the Market Crashes!

    Anti-Bitcoin Peter Schiff Warns: Switch to Gold Before the Market Crashes!

    According to Schiff, political developments in the US, rising inflation, and bond yields are among the factors that could put pressure on risky assets. The renowned investor believes these conditions could lead to a broader correction in financial markets.

    Schiff, in particular, highlighted the potential impact of rising bond yields on asset prices and expressed doubts about the sustainability of the current market outlook.

    Schiff, known for his criticisms of Bitcoin, considers gold a long-term store of value. In his latest statement, he reiterated his view that people should invest in gold instead of Bitcoin.

    Schiff’s assessments are based on the belief that Bitcoin’s current price levels do not adequately reflect economic risks. However, these statements reflect the investor’s personal market expectations.

    Bitcoin’s future price movements will depend on global economic conditions, investor demand, and developments in financial markets. Whether the sharp decline predicted by Schiff will materialize remains uncertain.

    *This is not investment advice.

  • Gersh Launches Victoria House, Expanding Into Scripted Films, True Crime and International Co-Productions (EXCLUSIVE)

    Gersh Launches Victoria House, Expanding Into Scripted Films, True Crime and International Co-Productions (EXCLUSIVE)

    Gersh is stepping up its international content ambitions with the launch of Victoria House, the new identity of Emmy-winning Spanish production outfit You First Originals, as the U.S. talent agency completes the integration of You First under its global brand on Oct. 15.

    The move gives Victoria House access to Gersh’s international talent network and opportunities to explore new financing and co-production partnerships, while preserving the Spanish company’s creative independence.

    The rebranding follows Gersh’s 2024 acquisition of Madrid-based You First, a move into global sports representation that doubled the agency’s workforce to more than 600 employees and extended its reach to 22 offices across 14 countries.

    “It’s not easy to find a production company with access to an international talent network as powerful as Gersh’s,” Victoria House managing director Javier Martínez told Variety. “At the same time, we have the creative freedom to develop original stories and work with talent, creators and IP from any source.”

    Martínez continues to lead the company alongside Luis Miguel Calvo, head of content at Gersh International. Both oversee the creative direction and serve as executive producers on Victoria House projects. Joanna Pardos, with the company since 2022, heads projects and content development, having directed “It’s All Over,” “Alexia” and the upcoming “Criminopatía.”

    Lucía Alemany directs ‘Alexia’ Courtesy of Victoria House

    Scripted fiction is a key growth driver, with Victoria House co-producing Lucía Alemany’s “Alexia,” inspired by the early life of Spanish soccer star Alexia Putellas, alongside LaZona, LaCima Producciones and Odessa Films. Backed by Movistar Plus and 3Cat, the film is slated for theatrical release in 2027. Victoria House previously produced Prime Video’s International Emmy-nominated docuseries “Alexia: Labor Omnia Vincit.”

    Looking ahead to 2028 and 2029, Victoria House is developing two further scripted features, including what Martínez describes as “a kind of Spanish ‘Billy Elliot,’” inspired by an extraordinary true story with strong emotional and social dimensions.

    “We want to diversify into fiction, documentaries and entertainment while staying true to our DNA: talent-driven stories with social relevance and the ability to reach broad audiences,” Martínez said.

    The company is also expanding its true-crime business, following HBO Max’s “11 Tiros.” Set for 2027, its Netflix documentary series “Criminopatía” adapts Clara Tiscar’s successful true-crime podcast, bringing an established IP with a loyal following to television. Further investigative projects are being developed around exclusive access to compelling real-life stories.

    The new slate builds on five years of production for Netflix, Prime Video and HBO Max under the You First Originals banner, during which the company earned two International Emmy nominations and won the 2025 International Emmy for Best Sports Documentary with “It’s All Over: The Kiss That Changed Spanish Football.”

    The newly rebranded producer will operate within Gersh International’s content division, alongside its podcast, YouTube and branded entertainment businesses.

  • BlackRock’s Fink names a U.S. recession trigger, sounds alarm over $40 trillion national debt

    BlackRock’s Fink names a U.S. recession trigger, sounds alarm over $40 trillion national debt

    He also pointed to data centers’ job creation, noting demand for construction workers, energy infrastructure and AI compute hardware.

    Moody’s estimates planned capital spending on U.S. data centers at $700 billion this year, rising to between $2.4 trillion and $2.48 trillion through 2030. Globally, spending is expected to reach $7 trillion by the end of the decade.

    Any attempt to stifle that spending could have wide-ranging effects. The U.S. economy is already stressed on several fronts, including sticky inflation and rising bond yields.

    A recession would matter for crypto traders too, since it typically reduces investors’ appetite for risky assets. Bitcoin proponents hail it as a haven, but it has historically faced selling pressure during broad-based risk aversion. At press time, the cryptocurrency traded near $81,200, down 0.8% since midnight UTC.

    BlackRock’s iShares Bitcoin Trust (IBIT) is the world’s largest publicly listed bitcoin fund, with cumulative net inflows of $65.62 billion since its debut in January 2024, according to SoSoValue.

    $40 trillion debt

    Fink also pointed to government borrowing. “U.S. deficits are starting to have a serious impact,” he said, noting the national debt has gone from $8 trillion in 2000 to $40 trillion in 2026.

    “We grew $32 trillion in 26 years,” Fink said. “That’s a massive impact on demand for credit. The government is demanding more and more credit, and bond auctions are getting larger and larger.”

  • Netflix’s ‘Victorious’ Spinoff ‘Hollywood Arts’ Is a Bland Copy of Shows From a Past Era: TV Review

    Thirteen years after Nickelodeon’s “Victorious” did its final curtain call, Netflix is returning to the Los Angeles-based performing arts school with a brand-new spinoff, “Hollywood Arts.” Created by Jake Farrow and Samantha Martin, the series follows Trina Vega (Daniella Monet reprising her role) as a struggling actress stuck in the shadow of her superstar sister, Tori (Victoria Justice). With zero acting gigs on the horizon and weary of taking handouts from Tori, Trina returns to Hollywood Arts for a substitute teaching position. Though she is in no way qualified for the job, Trina realizes she can inspire a new class of performers using her eccentric lessons and ideas. Hokey, over-the-top and full of garbled dialogue, “Hollywood Arts” is a near-carbon copy of its predecessor. Still, if Gen Alpha has similar tastes to Gen Z, the show will win over a new generation of kids while offering a Lisa Frank-esque idea of what high school could be.

    The 12-episode first season opens amid Mr. Sikowitz’s (Eric Lane reprising his role) abrupt retirement. Blindsided, Principal Helen (Yvette Nicole Brown) comes in to tell his class she’s found a temporary instructor. Wearing impractical stilettos and clutching a massive Stanley cup, Trina is introduced to her new pupils. Qwest (Peyton Jackson) is a musician who has lied to his parents about being at Hollywood Arts on a basketball scholarship. There’s Oscar (Martin Kamm), the school’s biggest star, and his sister Emmy (Alyssa Miles), nicknamed Techie, who works solely behind the scenes as a stage manager and runs the school’s social media accounts. Finally, frenemies Jen (Erika Swayze) and Pepper (Emmy Liu-Wang) are constantly in competition with one another.

    The teens are excited to get the deets on Trina’s sister, Tori, but they quickly realize that Trina has no real insight into the entertainment industry overall. The rest of the season is full of hijinks, crushes and the typical fare found in tween-targeted sitcoms. The series is light-hearted and unserious, just like the rest of the shows that were Nickelodeon and Disney Channel’s crown jewels in the early 2000s.

    “Hollywood Arts” won’t gain many viewers with fully formed frontal lobes. Yet, Farrow, Martin and Vega nail the distinctiveness of being a millennial. Unlike previous kid-centered shows where the adults appear as frumpy old folks who bask in rigidity or live on a different planet, Trina is a thirtysomething who doesn’t have her life together, yet is stylish, upbeat and continuously striving to achieve her dreams. “Hollywood Arts” isn’t realistic, but depicting a young woman navigating the ups and downs of a life she couldn’t have predicted is a strong underlying trope rarely seen in children’s television programming. Like her students — specifically Emmy, who realizes her talent might be better served center stage — Trina is just trying to figure it all out.

    Despite its over-the-top performances, the “Hollywood Arts” cast is talented. Belting out random songs while delivering high-level physical comedy and acting takes skill. Liu-Wang, specifically, has an incredible singing voice, and the ensemble works together like a well-oiled machine.

    “Hollywood Arts” isn’t innovative, yet it fills a void for preteens who aren’t quite mature enough to watch YA series like Prime Video’s “Sterling Point” or Netflix’s “Crew Girl.” Recycling an old playbook (this time without the involvement of disgraced creator/producer Dan Schneider), Farrow and Martin deliver a silly, stylish, idealized version of high school to a new era of kiddos. But by centering Trina, they also present a version of adulthood that looks much more realistic than audiences may expect.

    “Hollywood Arts” is now streaming on Netflix.

  • Arthur Hayes Reveals He Prefers Buying Bitcoin and Ethereum Instead of Focusing on the AI Bubble!

    The BitMEX co-founder emphasized that he maintains his bullish view on Bitcoin and Ethereum, in line with this expectation. Hayes’ approach focuses on the impact of potential economic stimulus policies on financial markets, rather than price movements in the AI sector.

    The main scenario highlighted in Hayes’ assessment was the possibility of large-scale financial bailout measures being implemented in the future. Such interventions are considered to potentially alter liquidity conditions in the markets and affect cryptocurrency prices.

    However, Hayes specifically stated that he did not foresee a collapse in the AI sector. His remarks did not provide details on when or under what conditions any rescue package might be implemented.

    Hayes’ optimistic approach to Bitcoin and Ethereum is based on the expectation of potential future liquidity expansion. However, there is no certainty that this scenario will materialize or lead to a rise in cryptocurrency prices.

    *This is not investment advice.

  • Selma Blair breaks down in court after shocking flight arrest

    Selma Blair breaks down in court after shocking flight arrest

    Actress Selma Blair appeared emotional in a New York City courtroom on Monday, October 12, 2026, after being arrested following an alleged disturbance aboard a Delta Air Lines flight from Los Angeles to New York.

    The 54-year-old Legally Blonde and Cruel Intentions star pleaded not guilty to two counts of second-degree assault during her arraignment in Queens Criminal Court. The appearance came after allegations that she injured flight attendants and later assaulted a police officer and a nurse while receiving medical attention.

    Selma Blair on June 20, 2026 in New York City. © WireImage
    Selma Blair on June 20, 2026 in New York City.

    Blair, who has publicly discussed living with multiple sclerosis (MS), appeared tearful while standing before the judge in handcuffs, wearing jeans and a white hooded sweatshirt. Her attorneys argued that the incident was connected to a medical emergency rather than intentional violence. 

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    The courtroom appearance has raised questions about what happened during the flight, Blair’s health, and the legal consequences she could face.

    Why Was Selma Blair in Court?

    Blair appeared in Queens Criminal Court following her arrest at John F. Kennedy International Airport on Sunday, October 11. According to authorities, police responded to reports of a disruptive passenger aboard a Delta flight arriving from Los Angeles.

    Selma Blair appears emotional in a New York courtroom after her arrest over an alleged airplane assault. Her lawyers reveal a possible medical emergency and next steps© FilmMagic
    Selma Blair appears emotional in a New York courtroom after her arrest over an alleged airplane assault. Her lawyers reveal a possible medical emergency and next steps

    Two flight attendants reportedly suffered injuries during the incident, with one requiring hospital treatment. Air traffic control communications referenced a bloody nose and bite marks, although the complete circumstances surrounding those injuries have not been publicly established.

    Blair was also taken for medical evaluation.

    According to a criminal complaint, the actress allegedly kicked a Port Authority police officer multiple times while being transported for treatment. Prosecutors also allege that she kicked a nurse in the chest at Jamaica Hospital Medical Center.

    Selma Blair Appears Tearful as Lawyers Explain Her Medical Condition

    One of the most significant moments during the arraignment came when Blair’s legal team addressed her medical history. Attorney Shawn Barnes argued that her behavior was unintentional and attributed the episode to a combination of missed medication, physical exhaustion, and an injury sustained during the flight. “This was not an intentional assault,” Barnes told the court, according to reporting cited by TV Insider.

    Barnes explained that Blair had missed several doses of medication used to manage severe neurological symptoms associated with her condition.

    He also said the actress had been working extensive hours before boarding the flight and had fallen and struck her head while aboard the aircraft. “These factors, coupled with the altitude, resulted in a state of severe confusion and disorientation,” Barnes told the court. 

    The explanation offered by Blair’s defense team has not been independently established as the medical cause of the incident.

    Judge Says Selma Blair Will Not Receive Celebrity Treatment

    During the hearing, Blair’s other attorney, Joshua Reitzas, appealed to the actress’s public reputation and her work as an advocate. “Consider her body of work and what she’s done for people,” he told the judge, according to courtroom reporting.

    He described Blair as someone deserving of admiration, calling her “the gold standard.” However, Judge Indira Kahn made clear that Blair’s celebrity status would not influence how the court handled the case. “Ms. Blair should not get special treatment because she is a celebrity,” the judge responded.

    The judge set bail at $20,000 cash or $60,000 bond, with a partially secured bond also permitted. Blair posted the cash bail and was released from custody. The court also ordered her to stay away from the nurse involved in one of the alleged assaults. 

    What Did Selma Blair’s Representatives Say About the Flight Incident?

    Blair’s representatives issued a statement addressing her condition after the reported disturbance. “Selma experienced a medical emergency that led to the alleged conduct,” the statement said, as reported by CNN. The representatives added that Blair received immediate medical attention after the aircraft landed and was in stable condition.

    Delta Air Lines also addressed the situation, reiterating its policy against disruptive or unlawful passenger conduct and emphasizing the safety of passengers and crew.

    Selma Blair on September 23, 2026 in Beverly Hills, California. © Variety via Getty Images
    Selma Blair on September 23, 2026 in Beverly Hills, California.

    The FBI is separately investigating the allegations involving conduct aboard the aircraft, which falls under federal jurisdiction. 

    What Happens Next in Selma Blair’s Court Case?

    Blair is scheduled to return to Queens Criminal Court on January 19, 2027. She faces two state-level second-degree assault charges. Reports indicate that a conviction could carry a prison sentence of two to seven years, depending on the applicable sentencing circumstances.

    Separately, the FBI issued a federal violation notice concerning allegations of assault aboard the aircraft. That matter is expected to be handled in federal court in Brooklyn, although no appearance date had been announced as of October 13.

    For now, Blair remains out on bail while the legal proceedings continue.