Category: Entertainment

  • Red Sea Film Festival Cancels 2026 Edition, Will Return Next Year

    Red Sea Film Festival Cancels 2026 Edition, Will Return Next Year

    Saudi Arabia’s Red Sea Film Festival, the most prominent film event and market in the Arab world, has canceled its sixth edition that was scheduled to take place from Dec. 3 to 12.

    The event will return in the fourth quarter of 2027 with a “renewed vision and a program that continues to celebrate cinema and filmmakers from Saudi Arabia, the region and around the world,” according to a press release.

    “The decision follows a comprehensive review of a range of considerations relating to the timing of the next edition, including the logistical requirements involved in staging an international event of this scale,” the release continues. “It reflects the [Red Sea Film] Foundation’s commitment to ensuring the Festival takes place at the right time and under the right conditions to deliver the experience for which the Red Sea International Film Festival has become known.”

    Earlier this year, the Saudi Arabian Formula One Grand Prix auto race, scheduled to take place at the Jeddah Corniche Circuit from April 17 to April 19, was canceled due to the fallout from the war in Iran.

    Saudi Arabia is currently facing a sharp escalation in its conflict with Yemen’s Iran-backed Houthi rebels, who have targeted several Saudi cities. Last week, Saudi officials said they had shot down a Houthi drone near Mecca, Islam’s holiest city, which is located roughly 50 miles from Jeddah. The Houthis have been targeting oil production infrastructure in the Saudi kingdom, which supports Yemen’s government, and oil shipments on the Red Sea.

    The decision to cancel the fest’s 2026 edition is believed to have been taken by Saudi Culture Minister Prince Badr Bin Abdullah Bin Farhan (pictured above).

    The Red Sea fest and market was established in 2019, with its inaugural edition taking place in 2020, two years after Saudi Arabia lifted its 35-year ban on commercial movie theaters. The event has since grown to become a cornerstone of Saudi Arabia’s ambition to become a major international film and TV hub, which in turn is touted as a pole of the country’s 2030 strategy aimed at opening the country up and shifting the economy away from a reliance on oil.

    Last year’s edition of the Red Sea Fest was also the first one held under the watch of Saudi Arabian film industry pioneer Faisal Baltyuor, who in May 2025 was appointed CEO of the Red Sea Foundation that oversees the festival as well as the Red Sea Fund and its year-round Red Sea Labs.

    The Red Sea Fund and Red Sea Labs will continue despite the festival’s cancellation, Monday’s announcement stated, and year-round programming at Culture Square in Jeddah will be introduced in November to establish it as an “ongoing destination for film screenings, cultural events and specialized film industry programs.”

    Sean Baker presided over the jury of a star-studded 2025 edition of the Red Sea Fest that kicked off with Dakota Johnson, Uma Thurman, Ana de Armas, Queen Latifah, Vin Diesel and Michael Caine among stars on the red carpet.

    The Red Sea Film Festival’s film market, known as the Red Sea Souk, saw senior executives from major Hollywood players such as Netflix, Amazon, Disney and regional giant MBC head to Jeddah to take part in dozens of panels.

    Sitting a year out will allow Red Sea Film Festival to undergo a necessary re-organization following the exit in June of its general manager, former Dubai Film Festival manager Shivani Pandya Malhotra, who had played an instrumental role in building the event from scratch. Her position remains to be replaced.

    It is believed that Baltyuor’s vision for the fest going forward clashed with Pandya Malhotra’s mode of operation, according to sources.

    Speaking at the recent Lumiere Summit in France, where global industry leader convened to explore the future of film, Baltyuor underlined in a speech that the Red Sea Film Festival Foundation “is not just a festival,” as he put it. “The foundation is building an ecosystem,” the Red Sea chief added, noting that he had just come from the Venice Film Festival where the selection comprised 11 films from the region supported by the Red Sea fund and that there were also eight Arab films supported by the fund in Toronto.

    One big question is: where will the Arab films that had been slated to have their regional premieres at Red Sea (that is a prerequisite to get Red Sea funding) now get their Middle East fest launch?

    The Marrakech Film Festival, which runs Nov. 20-28 — and also features a robust regional market — will certainly absorb some of these Arab titles. Other options for regional premieres will be the nascent new-format Doha Film Festival that will run Nov. 19-27, almost concurrently to Marrakech. Then there is also Egypt’s El Gouna Film Festival, running Oct. 15-23, and the Cairo Film Festival slated to take place Nov. 11-20.

    Next year, the Red Sea Fest will have to compete with the revived Dubai International Film Festival that will hold its first edition starting Dec. 8, 2027.

    Though the Red Sea Fest’s one-year hiatus is certainly bad news for the Arab film industry and for international film executives interested in doing business in Saudi, the pause will allow the event to be properly reconfigured according to the vision of Baltyuor. He has been a driving force in the Saudi film industry ever since a religion-related ban on cinema was lifted in late 2017, holding posts as the first head of Ithra Cinema, which is financed by Saudi Aramco Oil Company, and then by founding and running Saudi distributor CineWaves Films, which has the biggest library of Saudi films, as well as holding the post of CEO at Muvi Studios, the production arm of Saudi’s biggest cinema chain.

  • New Music Friday: Maluma & Shakira, Feid, MILEY, Michelle Maciel, Zulia, and more

    New Music Friday: Maluma & Shakira, Feid, MILEY, Michelle Maciel, Zulia, and more

    It’s officially the last New Music Friday of the summer, and artists did not play when it came to dropping fresh bangers. From A-list names and collaborations to highly anticipated albums, get your playlist ready and let’s have some musical fun. 

    Maluma & Shakira – AGUA

    Shakira and Maluma  reunite on “Agua,” their first major collaboration since 2018’s “Clandestino.” It marks their first merengue together, and they did not miss. The Colombian superstars turn up the heat and show off their chemistry and sexual energy in the spicy music video. Shakira looks incredible, per usual, as she flaunts her amazing body and signature dance moves. 

    CA7RIEL, Paco Amoroso, PinkPantheress, Fred again..–Sexy Magic 

    CA7RIEL, Paco Amoroso, PinkPantheress, and Fred again come together for “Sexy Magic,” which is featured on the long-awaited Grand Theft Auto VI soundtrack. CA7RIEL and Paco Amoroso are on fire, scoring 7 nominations at the Latin GRAMMYS, the second most after producer Edgar Barrera.

    Piso 21, Micro TDH & Gangsta – Segunda Cita

    Piso 21, Micro TDH & Gangsta will have you feeling flirty and ready for date night with “Segunda Cita.” It’s a powerhouse collaboration with all the artists seamlessly blending their sounds. It includes a sweet moment with Micro TDH celebrating their first collab with Piso 21, “Te VI’s” initiation into the billions club on Spotify.

    Michelle Maciel –  espresso martini

    Mexican singer-songwriter Michelle Maciel begins a new chapter with her album La Gloria, a 13-track project that explores love, personal growth, and experimentation while blending corridos, reggaetón, and boleros. The album’s focus track, “Dolencias,” featuring Ana Gloria, brings the two artists together for a fun, dance floor-ready collaboration that highlights Maciel’s ability to move between genres. 

    Zulia – Birkin 

    Following the release of his album Ya No Me Importa Si Nadie Me Escucha, Venezuelan rising star Zulia drops “Birkin.” The singer has one of the most unique voices in music, with bold, sensual lyrics, and a smooth sound. 

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    Guaynaa- SE PARECE AL PAI 

    Puerto Rican singer Guaynaa gets into his salsa swag with “SE PARECE AL PAI.” The catchy track has incredible instrumentals, an infectious melody, and lyrics inspired by his own life as a father. It stars his wife, Lele Pons, and their daughter, Eloísa. 

    Rodrigo y Gabriela – Somos Como Tú

    GRAMMY-winning Mexican guitar duo Rodrigo y Gabriela release their new album OurHome. They step into new territory with “Somos Como Tú,” their first-ever song featuring lyrics and vocals. The track explores migration, displacement, and the connections that unite people across cultures, marking a new chapter for the duo as they continue to expand beyond their signature acoustic sound.

    Feid, Bad Gyal – DE DIOR XL 

    After postponing its release, Feid drops his new EP, EL GREEN PRINT: La Saga (Disc 2) – EL CLUB DE LAS 19 FLORES, the next chapter of his Green Print era.  It includes collaborations with Vicente García, El Americano 4KT and Pirlo, Divino and Baby Ranks, Icon, Yandel, and Spanish star Bad Gyal. 

    Elvis Crespo, beele – PA´BAILAR  

    The one and only Elvis Crespo adds another collaboration with the new generation, this time with Beele. The genre-blending track has merengue, urban, and pop sounds with exciting instrumentals that will have you ready to move your hips. 

    MILEY – Let’s Get Married

    Miley’s highly anticipated album Bass Persuades is here, and it’s beautiful. It’s the first album since dropping Cyrus and shows off the multifaceted sides of the singer. “Let’s Get Married” is a gorgeous track dedicated to her fiancé, Maxx Morando, and comes with an intimate music video starring the couple. 

  • Presley Gerber, Son of Cindy Crawford and Rande Gerber, Dies at 27

    Presley Gerber, Son of Cindy Crawford and Rande Gerber, Dies at 27

    Presley Gerber, the son of Cindy Crawford and Rande Gerber, died Sunday, according to multiple reports. He was 27.

    “The family is asking for privacy during this very difficult and painful time,” a rep for the family told The Hollywood Reporter.

    A rep told TMZ that Presley died earlier Sunday. According to the Los Angeles County Medical Examiner, he died at a rehab facility.

    Presley also is survived by a sister, model-actress Kaia Gerber, 25, who most recently appeared in Ryan Murphy’s The Shards.

    TMZ is reporting that an autopsy has not yet been completed. The Hollywood Reporter has reached out to reps for the family.

    Presley began modeling in his teens alongside Kaia. He was signed by IMG Models at age 15 and made his runway debut in a Moschino show in Los Angeles before appearing on the runway for Dolce & Gabbana in Milan and in a Calvin Klein campaign.

    Presley has had trouble with the law. In 2019, he was arrested and charged with a DUI. He was sentenced to three years’ probation and ordered to complete a DUI program and two days’ community service.

    He also has opened up about struggling with his mental health and depression.

    In 2020, he got a tattoo on his face that read “MISUNDERSTOOD” but later seemingly had it removed.

  • John Oliver Mocks Ted Cruz With Dr. Seuss-Style Rhyme After Senator Was Booed During ESPN Interview

    John Oliver Mocks Ted Cruz With Dr. Seuss-Style Rhyme After Senator Was Booed During ESPN Interview

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  • Mark Ruffalo Urges California AG to Not Settle Antitrust Suit Against Paramount-Warner Bros. Merger: “Do Not Cave”

    Mark Ruffalo Urges California AG to Not Settle Antitrust Suit Against Paramount-Warner Bros. Merger: “Do Not Cave”

    Amid reports that Paramount is in “advanced talks” to settle the antitrust lawsuit filed by 12 state attorneys general led by California against the company’s takeover of Warner Bros. Discovery, Mark Ruffalo is urging Rob Bonta to “not cave.”

    “Don’t you dare @AGRobBonta, do not cave. 5,670 film makers put their necks on the line for you to fight this merger. Another 75,000+ and counting have signed to tell you not to concede in just 3 weeks,” the actor wrote on X. “You work for the people — the very people who will be hurt if you let this lousy deal filled with empty promises go forward.”

    The Wall Street Journal reported Friday that Paramount and the states are closing in on a deal to settle the lawsuit.

    Ruffalo included a link to sign a petition in support of the merger being blocked. “Please sign to send a message to the AG’s and Paramount. Reject the deal. The people don’t want it!” he added.

    The Task star has been very candid about his opposition to the merger; he testified against the merger to a Senate hearing and signed an open letter alongside many actors also against Paramount’s potential takeover of Warner Bros.

    In an August Instagram post, he noted Oracle’s (founded by Larry Ellison, the father to David Ellison) ties to the Israeli military, sharing a clip of former Oracle chief Safra Catz talking about Oracle’s tech at the Israeli-American Council National Summit in 2024 as it related to Israel’s war effort in Gaza. In the video, the executive spoke about “profoundly scary technologies” the company built that could be deployed. Ruffalo detailed the war as a “genocide” that “was built on an apartheid system of oppression powered by Oracle.”

    A spokesperson for Paramount shared a statement in response to Ruffalo, calling his remarks “antisemitic.”

    “We are, as always, troubled when antisemitic tropes are invoked in purported service of a business dispute,” the statement read in part. “Words like ‘genocide’ and ‘apartheid,’ applied to a corporate transaction, aren’t just wrong — they’re a bridge too far, and they cheapen the very real suffering those words are meant to describe. This doesn’t deserve a response in kind — and to be clear, we don’t tolerate prejudice of any kind, against anyone.”

    The Avengers actor refuted the statement made by a Paramount rep, writing on X, “The accusation that I am antisemitic is appalling and fundamentally dishonest.”

    On July 13, the states filed a lawsuit alleging that the merger would combine two of Hollywood’s top five studios, which would lead to higher prices, less movies in theaters and a decrease in the variety and quality of content. “There is no debate here: This merger will snuff out competition, drive up prices, diminish content quality, and produce fewer movies and shows each year,” said California Attorney General Bonta at a press conference at the time.

    The filing of the suit led to a temporary pause on the merger, ruled by U.S. District Judge Araceli Martínez-Olguín on July 20; that temporary restraining order was subsequently extended on July 23. One day later, Paramount agreed to hold off on the acquisition until the court makes a decision of whether or not the deal violates antitrust laws.

  • ‘The Traitors’ Cast: Kristin Chenoweth, Chloe Kim, Rashad Jennings, Whitney Leavitt and More Join Peacock Hit

    ‘The Traitors’ Cast: Kristin Chenoweth, Chloe Kim, Rashad Jennings, Whitney Leavitt and More Join Peacock Hit

    The Traitors‘ next celebrity season is set to be released in 2027, and Peacock has unveiled its star-studded cast.

    Musical theater icon Kristin Chenoweth, Olympic gold medalist Chloe Kim, The Secret Lives of Mormon Wives Leavitt and former NFL player Rashad Jennings are among the upcoming season. The next season will feature much more Hollywood talent, including several actors, than normal. There’s also plenty of love for the Bravo-universe this season, although that’s no surprise.

    The new season’s full cast is: RuPaul’s Drag Race’s Bianca Del Rio, content creator Boman Martinez-Reid, The Real Housewives of Salt Lake City’s Bronwyn Newport, actress Casey Wilson, Kim, singer Cody Simpson, Southern Charm’s Craig Conover, The Real Housewives of Atlanta’s Cynthia Bailey, actor Dominic Monaghan, Next Gen NYC’s Emira D’Spain, The Real Housewives of Potomac’s Gizelle Bryant, Love Island’s Iain Stirling, Big Brother and Amazing Race’s Jag Bains, Love Island USA’s JaNa Craig, The Bachelor’s Joey Graziadei, actor Johnny Sibilly, Chenoweth, Survivor and The Challenge’s Michele Fitzgerald, Survivor’s Q Burdette, The Challenge’s Rachel Robinson, Jennings, Big Brother and Amazing Race’s Taylor Hale and Leavitt.

    The Traitors — based on a Dutch format — is a competition where contestants are split into two categories: Faithfuls and Traitors. All 23 contestants will start as Faithfuls before Cumming decides which (typically) three players will become Traitors. The titular role then works to sneak past the rule-following players who are attempting to figure out who the Traitors are while choosing a Faithful player each night to “murder.” Studio Lambert produces the series, which utilizes reality TV stars and other media personalities for its contestant pool.

    The Traitors has already been renewed for another three seasons following the upcoming celebrity season, bringing its total expected seasons to at least nine. In the wake of The Traitors success, NBC has debuted a civilian version of the series, The Traitors: New Blood. This is technically considered the show’s fifth season, making the celebrity version its sixth.

    More to come.

  • New Music Friday: Maluma & Shakira, Feid, MILEY, Michelle Maciel, Zulia, and more

    New Music Friday: Maluma & Shakira, Feid, MILEY, Michelle Maciel, Zulia, and more

    It’s officially the last New Music Friday of the summer, and artists did not play when it came to dropping fresh bangers. From A-list names and collaborations to highly anticipated albums, get your playlist ready and let’s have some musical fun. 

    Maluma & Shakira – AGUA

    Shakira and Maluma  reunite on “Agua,” their first major collaboration since 2018’s “Clandestino.” It marks their first merengue together, and they did not miss. The Colombian superstars turn up the heat and show off their chemistry and sexual energy in the spicy music video. Shakira looks incredible, per usual, as she flaunts her amazing body and signature dance moves. 

    CA7RIEL, Paco Amoroso, PinkPantheress, Fred again..–Sexy Magic 

    CA7RIEL, Paco Amoroso, PinkPantheress, and Fred again come together for “Sexy Magic,” which is featured on the long-awaited Grand Theft Auto VI soundtrack. CA7RIEL and Paco Amoroso are on fire, scoring 7 nominations at the Latin GRAMMYS, the second most after producer Edgar Barrera.

    Piso 21, Micro TDH & Gangsta – Segunda Cita

    Piso 21, Micro TDH & Gangsta will have you feeling flirty and ready for date night with “Segunda Cita.” It’s a powerhouse collaboration with all the artists seamlessly blending their sounds. It includes a sweet moment with Micro TDH celebrating their first collab with Piso 21, “Te VI’s” initiation into the billions club on Spotify.

    Michelle Maciel –  espresso martini

    Mexican singer-songwriter Michelle Maciel begins a new chapter with her album La Gloria, a 13-track project that explores love, personal growth, and experimentation while blending corridos, reggaetón, and boleros. The album’s focus track, “Dolencias,” featuring Ana Gloria, brings the two artists together for a fun, dance floor-ready collaboration that highlights Maciel’s ability to move between genres. 

    Zulia – Birkin 

    Following the release of his album Ya No Me Importa Si Nadie Me Escucha, Venezuelan rising star Zulia drops “Birkin.” The singer has one of the most unique voices in music, with bold, sensual lyrics, and a smooth sound. 

    You may also like

    Continue reading

    Guaynaa- SE PARECE AL PAI 

    Puerto Rican singer Guaynaa gets into his salsa swag with “SE PARECE AL PAI.” The catchy track has incredible instrumentals, an infectious melody, and lyrics inspired by his own life as a father. It stars his wife, Lele Pons, and their daughter, Eloísa. 

    Rodrigo y Gabriela – Somos Como Tú

    GRAMMY-winning Mexican guitar duo Rodrigo y Gabriela release their new album OurHome. They step into new territory with “Somos Como Tú,” their first-ever song featuring lyrics and vocals. The track explores migration, displacement, and the connections that unite people across cultures, marking a new chapter for the duo as they continue to expand beyond their signature acoustic sound.

    Feid, Bad Gyal – DE DIOR XL 

    After postponing its release, Feid drops his new EP, EL GREEN PRINT: La Saga (Disc 2) – EL CLUB DE LAS 19 FLORES, the next chapter of his Green Print era.  It includes collaborations with Vicente García, El Americano 4KT and Pirlo, Divino and Baby Ranks, Icon, Yandel, and Spanish star Bad Gyal. 

    Elvis Crespo, beele – PA´BAILAR  

    The one and only Elvis Crespo adds another collaboration with the new generation, this time with Beele. The genre-blending track has merengue, urban, and pop sounds with exciting instrumentals that will have you ready to move your hips. 

    MILEY – Let’s Get Married

    Miley’s highly anticipated album Bass Persuades is here, and it’s beautiful. It’s the first album since dropping Cyrus and shows off the multifaceted sides of the singer. “Let’s Get Married” is a gorgeous track dedicated to her fiancé, Maxx Morando, and comes with an intimate music video starring the couple. 

  • Ready, SETT, Go: SETT Execs Drill Down on the Spanish Sovereign Venture Capital Fund That Will Drive Industry Conversation at San Sebastián

    Ready, SETT, Go: SETT Execs Drill Down on the Spanish Sovereign Venture Capital Fund That Will Drive Industry Conversation at San Sebastián

    One of the major industry narratives at this year’s San Sebastián Festival, running Sept. 18-26, will be the presentation of SETT, the venture capital fund of Spain’s Ministry for Digital Transformation.
    SETT director general Javier Ponce and its audiovisual director María Coronado deliver a practical guide to Spain’s governmental investment drive powering up companies in Spain: What it’s doing, why, and where it could go in the future. The companies it s investing in – with more to be revealed – are likely to be among the most dynamic in Spain.
    What, explained very briefly, are the objectives of SETT’s Spain Audiovisual Hub strategy?
    Javier Ponce: SETT is a public investment entity that manages investments in strategic, transformative sectors, including the audiovisual industry. It serves as a public catalyst for growth, employment, innovation and talent—all core elements of the audiovisual sector. SETT has managed the Spain Audiovisual Hub Fund, an instrument established under Spain’s Recovery Plan and financed through the European Union’s Next Generation funds.
    Through the Spain Audiovisual Hub Plan, SETT provides financing and equity or quasi-equity investments, either directly to companies in the sector or through financial intermediaries active in the audiovisual industry. The objective has been to attract private investment and improve access to finance for projects related to films, television, animation, multimedia and interactive content, among others. Priority has been given to high-impact projects focused on creating audiovisual content and intellectual property rights while ensuring that those rights remain with the production companies.
    And the rationale of a sovereign venture capital fund’s co-investment model?
    Ponce: It is based on public-private collaboration to launch transformative initiatives that, because of their innovative nature, involve additional risks that make it difficult to attract purely private funding. Only highly liquid, large-scale markets with a long-established audiovisual industry are able to mobilize sufficient capital to finance major new productions or transformative industry initiatives.
    SETT’s Spain AVS Hub fund could draw down up to €1.5 billion ($1.75 billion) from NextGeneration E.U. funding. According to María Gonzalez Veracruz, investments made are just under €250 million. Her explanation is that you simply ran out of time. Could you comment?
    Ponce: Indeed, European funds have been fundamental for Spain, and the Recovery Plan has played a key role in driving major structural reforms and stimulating economic growth. However, it is also true that these funds came with specific requirements, including strict implementation deadlines, which made optimal execution more challenging.
    For the audiovisual sector, the possibility of co-investing alongside a public entity represented a major innovation. Time therefore became a critical factor, as market participants first needed to understand the role and implications of partnering with a public investor that shared both risks and returns.
    The next challenge is to ensure that these investments continue to thrive, identify new opportunities, and maintain confidence in the talent and ambition of Spanish audiovisual companies, which now benefit from SETT’s backing.
    SETT, however, is not over, I believe. Obviously it has to exercise governance over investment accords now struck. I believe as well that there are plans to launch a new program España Crece, with a €13.3 billion ($15.6 billion) budget, held by ICO, but whose investments will be handled in part by SETT, if I understand correctly. Could you comment?
    Ponce: The audiovisual sector will remain one of SETT’s strategic areas of activity and will continue under new fund “España Crece”. We have begun discussions with ICO to define the procedures and framework for collaboration between the two institutions, ensuring the continuation of co-investment in strategic technologies and sectors.
    SETT has represented a significant shift in the way public investment in strategic industries is conceived. Through SETT, the State acts as a catalyst and partner in the most innovative areas of the economy, with the objective of positioning Spain at the forefront of transformative industries. That is why we invested in the audiovisual sector and why we will continue to do so.
    Its ability to generate industrial activity, employment and broad economic impact makes it a strategic sector that will continue to enjoy our support.
    Could you illustrate the rationale of SETT’s co-investment model in one or two of the investments made and the obvious benefits it could bring to the companies Spain’s film-TV industry.
    Coronado: The SETT model has been built on three pillars. First, it adopts an industry-wide approach, rather than a project-based one, addressing the entire audiovisual business ecosystem. Second, its investment facilities are directed at the equity capital of companies or regulated investment vehicles. Third, it promotes public-private partnership instruments on a medium-long term.
    Under this model, promoters must convince a genuinely private investor that their company represents a worthwhile investment opportunity. SETT co-invests alongside the private investor on a pari passu basis: public investment is intended to support companies, but always under the same terms and conditions as private capital.
    This approach strengthens both domestic and international private investment in companies based in Spain, while also attracting foreign businesses that see Spain as an attractive location to establish their operations. Clear examples include the South African transactions involving The Refinery and Moonlighting, with a combined investment of €25 million, as well as Amuse Labs and Milo, two leading examples of Spain’s animation industry, which have mobilised €13 million and €19 million respectively.
    My sense is that SETT investors can indeed help companies scale, create more such expertise and build infrastructure. But would you agree?
    Coronado: In my view, the main challenge for the coming years is to consolidate the model we have been promoting and supporting. It is essential to continue strengthening and diversifying support policies so that Spain can establish itself as a global hub for the audiovisual industry over the long term. This means supporting every segment of the industry according to its specific needs.
    Scale is undoubtedly part of the challenge, as is ensuring the availability of the infrastructure needed to accommodate medium- and large-scale productions, strengthening technical training, and fostering talent across the industry. It will also be important to continue enhancing the tax framework and the legal and regulatory environment to maintain Spain’s competitiveness, while further developing public-private investment instruments.
    In addition, it will be essential to understand the cash-flow financing needs of projects to address the full range of companies’ financing requirements. Finally, the industry’s ability to adapt and diversify will remain critical, both in terms of technology and creativity, as well as business models and corporate structures.
    In your view, does the introduction of sovereign venture capital in the Spanish film and TV industry encourage a change of mindset in the industry?
    Coronado: Yes, absolutely. It creates new opportunities. It is essential to think in terms of medium- and long-term business strategy, rather than focusing only on immediate projects. It enables companies to strengthen their capital base, making them more ambitious, better able to protect their intellectual property, diversify, expand internationally, and bring their products to market more effectively.
    What have you learnt in the two years of the Spain AVS Hub Phase II which you would like to apply in future investments by SETT under España Crece?
    Coronado: The main learning here is the confirmation that SETT has a clear and necessary purpose for the industry, both in attracting private investment and foreign companies, and in creating opportunities for the local industry. It is important to allow more time for business plans to mature and for companies to secure private investment.
    Can you outline very briefly what the SETT event at San Sebastián Festival will consist of?
    Coronado: As you would expect, we will have a strong presence at the festival, with a wide range of activities. On Sept. 20, the Secretary of State for Digitalisation and Artificial Intelligence, through the Ministry for Digital Transformation and the Civil Service, which is leading the Government’s Spain Audiovisual Hub Plan, will host an event in which SETT will present the huge progress we have made in financing the audiovisual sector and new ongoing projects. Additionally, on 22 September, I will take part in a panel discussion at the conference organised by the CAA as part of Spanish Screenings Investment & Tech. That same day, we will also host an exclusive roundtable with investment funds and banks specialising in the audiovisual sector, bringing together both international and Spanish participants. We also have a few more surprises in store, which we will unveil throughout this very important festival for the industry.

  • Melissa Barrera Says It’s “Beautiful” to See Macklemore Receive Support After Ed Sheeran Tour Firing: “I Didn’t Get That When It Happened to Me”

    Melissa Barrera Says It’s “Beautiful” to See Macklemore Receive Support After Ed Sheeran Tour Firing: “I Didn’t Get That When It Happened to Me”

    Melissa Barrera, after being fired from the Scream franchise for sharing support for Palestine in 2023, says it’s “beautiful” to see the support Macklemore has received after he was dropped from Ed Sheeran’s tour for his pro-Palestine speeches.

    “It was so beautiful to see Finneas and the band and all the opening acts pulling out in support of Macklemore. It made me emotional, you know,” Barrera told the Associated Press. “I didn’t get that when it happened to me. I didn’t have any of that happen. It was too soon. People were too scared. But it’s good to see that almost three years later, at least things have changed.”

    Macklemore drew backlash while opening for Sheeran and voicing his support for Palestine, and saying “Free Palestine” during the tour’s Sept. 4 and Sept. 5 shows at MetLife Stadium. Days later, he was dropped from the tour, with Sheeran saying that “Macklemore coming off tour was the promoter’s decision, it was not mine.”

    In his statement, Sheeran also shared that he had spoke with Robert Kraft, owner of the Gillette Stadium, an upcoming stop on Sheeran’s Tour; Macklemore said in a statement the day before Sheeran released his own that Kraft “had rallied some of the other stadium owners and collectively they gave him an ultimatum: if Macklemore stays on the tour, you will not be allowed to play in our venues.”

    Following Macklemore’s dismissal, Sheeran’s opening acts, including Finneas, Lukas Graham and Aaron Rowe, exited the tour in solidarity with the “Thrift Shop” singer.

    The two-time Scream actress was fired from the film franchise after social posts she made amid the Israel-Hamas War. “Gaza is currently being treated like a concentration camp,” she wrote in one post on Instagram Stories in 2023. “Cornering everyone together, with no where to go, no electricity no water … People have learnt nothing from our histories. And just like our histories, people are still silently watching it all happen. THIS IS GENOCIDE & ETHNIC CLEANSING.”

    A spokesperson for Spyglass said in a statement at the time that the company has “zero tolerance for antisemitism or the incitement of hate in any form, including false references to genocide, ethnic cleansing, Holocaust distortion or anything that flagrantly crosses the line into hate speech.”

    “When someone is attacked, and there are people behind being like, ‘We’re not gonna allow this,’ and the more that happens, the less that the people in power are going to try to censor it, because eventually it’s not gonna work,” Barrera additionally told the AP. “I can’t help but wonder what would have happened if Ed Sheeran had been like, ‘No,’ and called the bluff. I mean, it’s possible that he still would have had his shows canceled, but I bet you that he could have rebooked those shows in other venues just as easily, and people would have rallied behind him.”

    She continued, “I wish that the people that have power understood the power that they have. I think that the problem is that there’s a lot of people that actually have a lot of power; they think that they don’t, and they’re operating out of fear, and it’s just a shame because, you know, we just saw what happened — the support that rallied behind Macklemore — and I think that’s a big step. I think that what we’re seeing, what we’re witnessing, is going to inspire real change, and I’m very hopeful about that.”

    Sheeran will play his first show since the controversy erupted Saturday night in Philadelphia.

  • Ed Sheeran Says “What Is Happening in Gaza Is Catastrophic” While Addressing Macklemore Backlash During Philadelphia Tour Stop

    Ed Sheeran Says “What Is Happening in Gaza Is Catastrophic” While Addressing Macklemore Backlash During Philadelphia Tour Stop

    Ed Sheeran addressed the ongoing controversy surrounding the removal of Macklemore from his Loop Tour during Saturday’s stop in Philadelphia at Lincoln Financial Stadium.

    “This is not usually how I would open the show, but before I play some songs tonight, I hope it’s okay if I say a few words about this last week. I’m used to my music being criticized, and I’m always happy to take that because I’m lucky. A lot of you like my stuff, and to be honest, I’m surprised,” he began. “But this week, the criticism was about something much more important, and I’ve had to take and make difficult decisions, and I am making mistakes, and I’m so, so sorry.”

    Sheeran continued, “I don’t want to disappoint fans, and I’ve never wanted to be an activist musician, but this has put me in the middle of an important and passionate argument about freedom of speech and the most complex political issue on the planet. My concerts have always been a safe space for everyone, and that matters hugely to me. Honoring my commitment to my fans is also completely essential to who I am, and that is why I’m here tonight on my own and continuing my current tour.”

    The “Thinking Out Loud” singer said he was “deeply worried about the idea that venues pre-approve content for performance.” He added, “This happens in so many places that I perform around the world, but it should never happen in the free world.”

    The Grammy winner continued, “Now, I want to address the question of where I stand in the situation in Israel and Palestine.”

    “I am trying in my career not to be a political commentator of any kind because I want my music and shows to be about unity, not division. About humanity, not politics. But, this is a humanitarian issue, and I cannot hide how I feel about it anymore,” he said. “What happened in Israel and at the Nova Music Festival on October 7th was horrific and compounded centuries of Jewish pain. What is happening in Gaza is catastrophic and unjustifiable, and disproportionate. Our hearts can be broken by the scale of devastation and loss of civilians’ lives, of children’s lives, and the systemic injustice we’re seeing unfold in the West Bank cannot be overlooked.”

    He added, “I am already speaking to people across the spectrum to work out how to make a contribution that helps victims of these terrible times, and listening and learning because I do not know enough.”

    Sheeran’s comments follow backlash he faced for his decision to remove former opener Macklemore from the 22-city North American leg of his world tour after the rapper showed footage of Gaza and made statements in support of Palestine while performing across two shows at New Jersey’s MetLife Stadium on Sept. 4 and 5.

    Following the announcement of Macklemore’s removal, Sheeran’s supporting acts, including Aaron Rowe, Finneas, Lukas Graham, and Sheeran’s backing band, Beoga, announced they were dropping out of the tour in solidarity with the Grammy winner behind the 2024 protest anthem “Hind’s Hall.” Rowe and Graham were also expected to open for Sheeran alongside Macklemore in Philadelphia, with the “Shape of You” singer ultimately going on without any opening act.

    With all of his planned openers removed or withdrawn, ticket holders were notified Friday afternoon that the concert start time had been adjusted from 5:30 p.m. to 8 p.m. — the typical time Sheeran has launched his around two-and-a-half-hour set at previous stops. That was preceded by alleged refunds requested by fans that began earlier in the day, with the lowest ticket prices on Thursday going for $90 before dropping to around $54 on Friday night. By Saturday afternoon, the average was around $62 a ticket, according to a 50 percent drop from a week earlier.

    After playing his opening, Sheeran joked as he acknowledged his lack of openers and described his musical setup without a backing band.

    “I didn’t know whether I’d be here or not,” he told the crowd. “I hope you enjoyed my support performers this evening. I hope you’re great. This is the Loop Tour. The Loop Tour is this thing at my feet, which is called a loop station. It’s this loop station. Everything you hear tonight is completely live. It’s made on the spot, controlled my feet. There’s no backing track whatsoever.”

    Following an inquiry, Ticketmaster told the magazine refund policies are set by event organizers and directed The Hollywood Reporter to Messina Touring Group/AEG. The Loop Tour promoter was contacted for comment.

    Despite the time shift, fans still began filing into Lincoln Financial Field stadium, tailgating as early as 3:30 p.m. on Saturday.

    Outside the venue, a pre-concert rally in part protesting Sheeran as well as Gillette Stadium owner Robert Kraft and Lincoln Financial Field owner Jeffrey Lurie was held by pro-Palestine activists, beginning at 4:30 p.m.

    Inside the stadium ahead of Sheeran’s message, an uneven energy permeated the venue in the act-less two hours before the gates opened, as fans acknowledged the tour fallout in various ways. A particular focus of conversation was the ticket price drops and visible number of empty seats.

    While making her way to her seats, Megan, a mother from New Jersey, was approached by either a member of the venue or event’s staff, and asked if she’d like to move to any of the available lower level seats with her family. Megan told THR that her decision to come was entirely driven by her young daughter.

    “I just wanted to have a night out with my husband and my daughter where we could enjoy music that we love. She’s a huge Sheeran fan,” Megan explained, nodding to her daughter. “I was just hoping we could make it here and not disappoint her and that we would be safe in doing so. We gave [the tickets] to her for the holidays last year as a gift and she’s been waiting all that time asking, ‘How many more months? How many more months?’ I didn’t want to tell her that it wasn’t happening. It’s the last thing I wanted to do.”

    Another attendee, a woman in her late 30s who traveled from New Jersey and requested her name not be used, said she was coming because she “had bought tickets months ago, and I was still coming to see him. No politics involved.” An older mother-daughter duo, who also asked that their names not be used but live in the Philadelphia suburbs, noted that they were both major fans of Sheeran, and the night marked the first time they would see him live together.

    “He was caught between a rock in a hard place,” said the 32-year-old daughter. “With the timing, it was really a lose-lose.” Added her mother: “The entire situation was unfortunate.”

    The backlash to Sheeran and Macklemore’s removal hovered over the concert in big and small ways. At various points, Sheeran made references to the Eagles, arguably Philadelphia’s most popular pro sports team, but whose owner was also allegedly among those who refused to allow the tour to go on with Macklemore still on the bill. The “I Don’t Care” singer also acknowledged the MetLife stadium was “louder” during one moment of call and response. “You’ve got to be louder than MetLife,” he told the crowd. The biggest moment probably came as Sheeran shared that he’d “been feeling [down] all week,” but the crowd had picked him up.

    “There’s been a lot said about the musicians that were playing before me not being here tonight, but also the musicians that I usually play with on stage from being here tonight,” he told the crowd. “At this point in the show, to be honest, I usually go out to a B stage and I’m going to be totally honest with you, I didn’t know what this audience would be like tonight. I didn’t know if I would have things thrown at me. I didn’t know if people would be angry.”

    He revealed he took the B stage out “because I was afraid of what might happen if I stood in the [middle of the audience] and I will admit that. So the show’s a little bit different, but there are certain songs that just don’t work on the loop pedal.”

    Still referring to his backing band as his friends, the musician noted that when they “dropped out of this show, I was thinking, ‘How am I going to keep the show the same? And how am I going to get musicians to stand on stage with me in a week when no one wants to stand on stage with me?’” He shared he found the answer in another friend and artist he toured with “all of last year, all the year before and the year before that. And I said to her, ‘Would you stand on stage with me?’ And she said yes.”

    Sheeran eventually revealed the entire backing band, which learned the music in three days. “They said yes to being on stage with the knowledge that the world thought I was a certain type of person,” he added. “They said yes with the knowledge that the world may hate them too for standing on stage with me. And I am so grateful for them being here.”

    At another point, ahead of singing “Camera,” he expressed “there are very few places in the world where this many people can congregate and all have differing opinions, but then all come together in one night and agree on the same thing. And I think it’s a really wonderful thing.

    “I kind of think without it, without this sort of thing, I think the world is heading to a very, very, very dark place,” Sheeran said. “If we get too divided — we need to come back to humanity and realize that we are all the same and we understand each other. I’ve had a week of learning, that’s what I’ve had, week of learning.”

    Ahead of the concert and protest, a spokesperson for the Philadelphia Police Department told THR in a statement that “as with all large events at the stadium complex, the Philadelphia Police Department is working closely with venue and event organizers to help ensure the safety of concertgoers, employees and neighborhood residents.”

    As part of the department’s routine monitoring and assessment of event capacity and staffing, the city’s Civil Affairs Unit — deployed for potentially contentious public gatherings like protests or labor actions — would be “on hand to ensure everyone’s safety during protected 1st Amendment activity.”

    The protest was organized and supported by a coalition of local groups, including NO ICE Philly, The Philly Palestine Coalition, Philly Writers Against the War on Gaza, the Boycott CookNSolo Coalition and Shut Down Day & Zimmermann. Ahead of Saturday’s event, the group expressed their intention to appear outside Sheeran’s concert, “his first show after caving to Zionist threats and dropping Macklemore as his opening act,” they said in a statement earlier in the week. “On Saturday, we take to the streets to return the conversation to Palestine, and return Philadelphia to action.”

    The group described Macklemore’s removal from the tour lineup as done by Sheeran “in the name of ‘neutrality’ and being ‘apolitical’ and due to threats from stadium owners, including Lincoln Financial Field.”

    Earlier this week, it was reported that alongside Kraft, several other stadium owners allegedly called for Macklemore’s removal from Sheeran’s tour, including Carolina Panthers’ David Tepper, Atlanta Falcons’ Arthur Blank, and Philadelphia’s Lurie.

    THR reached out to representatives of Lincoln Financial Field for comment regarding concert security measures as well as artists’ and guests’ speech policies in and around the stadium.

    Saturday’s events were sparked nearly two weeks earlier, when the “Thrift Shop” rapper appeared on stage and spoke to a packed MetLife Stadium crowd in New Jersey. “One of the reasons why I wanted to come on this tour was because I wanted to stand up here on stages and stadiums across America and say two words that are very near and dear to my heart: Free Palestine!” Macklemore told concertgoers. “I want to say this to all of my Jewish brothers and sisters. Criticism of Israel, criticism of apartheid, being against genocide in no way is a criticism of you.”

    In response, Macklemore was removed from the remaining U.S. Loop Tour dates. Sheeran’s concert promoter Messina Touring Group was the first to confirm that Macklemore would “not be performing on the remaining support dates.” The rapper was scheduled to open at eight out of 10 remaining cities on the tour, including Saturday’s Philadelphia stop.

    In his own public statement following his removal from the tour, Macklemore stated the decision was due in part to the outcome of conversations involving Sheeran, who “told me that the words ‘Free Palestine’ and the image of the Palestinian flag were hurtful to a lot of people he spoke with,” he wrote on his Instagram. “I told him that if those words were more offensive than tens of thousands of Palestinian children being killed by Israel, then there was a fundamental disconnect between where those people stood and where I stood. But he couldn’t get past his public facing, ‘I don’t take sides.’”

    While still referring to Sheeran as a friend, Macklemore also pointed to New England Patriots and Gillette Stadium owner Kraft as the reason he was pulled from the lineup. According to Macklemore, Kraft “had rallied some of the other stadium owners and collectively they gave him an ultimatum: if Macklemore stays on the tour, you will not be allowed to play in our venues.”

    Kraft later confirmed in a statement shared with THR that the decision to remove the rapper from Sheeran’s stadium tour lineup was made “based on Macklemore’s recent actions, material shared from the stage during Ed Sheeran’s shows in New Jersey, and a broader history of antisemitic rhetoric and imagery that we believe has been deeply offensive and hurtful to the Jewish community.”

    Sheeran described the situation as “the promoter’s decision, not mine” and was “based on how Macklemore conveyed part of his message during his performance, rather than on everything that was said.” In that same social media post, he expressed that after discussion with multiple parties, including “direct talks with promoters along with activists on both sides to try and find a mutual resolution for all,” both “the venue’s and promoter’s decision was final.”

    “I would never let down the fans who had made plans, nor would I abandon the touring crew and the other support acts and musicians who rely on me for work and to make a living,” he added. “There is a reason I do not use my professional platform for politics – my audience includes young people, often children, of all backgrounds. Those who come to my shows do not expect a political forum.”

    In the week since, Macklemore shared that he donated “$1 million of my net earnings from Ed Sheeran’s Loop Tour to six organizations working directly to support the Palestinian people,” before calling on Kraft to match the donation. In response, the Patriots owner shared that he and Sheeran had agreed to donate $2 million each “to aid in the region to fight this humanitarian crisis.”

    THR reached out to a representative for the Philadelphia stadium and Lurie for comment on potential plans to match Kraft’s donation.

    More to come.