Category: Entertainment

  • ‘Happy Birthday’ Review: Egypt’s Oscar Submission Is an Accomplished Debut About a Young Cairo Girl’s Difficult Life

    ‘Happy Birthday’ Review: Egypt’s Oscar Submission Is an Accomplished Debut About a Young Cairo Girl’s Difficult Life

    From the trifecta of prizes “Happy Birthday” earned during its Tribeca world premiere in 2025 to the multiple audience awards and other kudos it collected on the international festival circuit, plus, its selection as Egypt’s Oscar submission, the poignant drama is surely one of the best and most awarded foreign features still seeking U.S. distribution. Helmed and co-written by Sarah Goher, the first-ever Egyptian chosen as one of Variety’s 10 Directors to Watch, it illuminates disparities of wealth and class in contemporary Cairo through the affecting story of a resourceful 8-year-old maid whose devoted friendship with the daughter of the household she works for is frowned upon by her employers.

    Goher, a screenwriter and producer making her feature debut, proves herself to be a director-writer of uncommon sensitivity. She draws a performance of astonishing depth from Doha Ramadan as Toha, the illiterate but street-smart young domestic who doesn’t yet understand her position in Egypt’s complex social hierarchy.

    Smart, capable and quick-witted, Toha’s current joy comes from her relationship with Nelly (Khadija Ahmed), the spoiled granddaughter of her employer (Hanan Youssef), a tetchy, elderly diabetic. Toha helps to hide Nelly’s bed-wetting from her soon-to-be divorced mother Laila (Nelly Karim) and covers for her when she’s late or binging on ice cream. Meanwhile, Nelly enjoys having a friend of a similar age right in her own home and ignores her grandmother’s snide comments about Toha being a potential source of lice.

    Now that Nelly’s father has left, financial worries cause the women to prepare to leave their modern home in an affluent gated community. Nelly’s ninth birthday celebration looks to be a casualty of the situation until Toha comes up with a clever plan to get Nelly the party of her dreams. But as the day progresses, Toha, who has no idea of when she was born and has never heard of birthday wishes, finds herself learning some hard lessons that leave the audience quietly devastated.

    Goher’s carefully calibrated visuals in partnership with Seif El Din Khaled’s intimate cinematography perfectly establish the painful paradox of money and class. In the film’s opening moments, the two young girls in their pajamas and wildly curly hair play happily in a pink tent on the early morning of Nelly’s birthday. Sure, one has slightly darker skin and the other more delicate features, but they seem like equals. Then, after the adults come into the frame and Toha dresses in shapeless clothes and a headscarf, their social position and economic circumstances become much clearer. Nelly goes to school while Toha fetches and carries for the “Madames.”

    Despite her menial work, Toha feels lucky. She hates the subsistence fishing that she would have to do if she lived with her family. Although she might not have her own bedroom at Nelly’s house, merely a couch in a living room, at least she has drawers in which to store her things, many of them Nelly’s castoffs. In contrast, at her mother’s ramshackle house the kids sleep where they can and must share all their clothes. No wonder, in her innocence, Toha tells Laila that she hopes she can stay with Laila and Nelly forever.

    (Over)-confident in her ability to make things happen, Toha isn’t conscious of the class-prejudice her mismatched designer cast-offs and headscarf incite at the fancy boutique where she accompanies Laila. But the social boundaries she encounters there are also present in her employer’s household as well as at its very gates.

    Unbeknownst to Toha, her employer arranges for Toha’s sister (Jomana Ibrahim) to pick her up so that she can’t participate in Nelly’s party, even though Toha believes that Nelly wants her there. As the sisters leave the complex, the gate guard insists on rummaging through the bags of food and clothing Laila has given them, even calling the house to make sure they had the right to take them. Fatme feels humiliated, but Toha is too busy plotting how to return from her rundown village near the Nile.

    Ever enterprising, Toha does eventually make her way back to the party, but there, the ultimate dawning of her place outside of Nelly’s circle is heartbreaking. The sheer joy Goher has captured Ramadan experiencing earlier is replaced by confusion, pain and tears. Goher and her charismatic young star understand how to use cinema as a powerful empathy generator. 

  • David Ellison to Attend Donald Trump’s State of the Union Address After Paramount Ups Warner Bros. Bid

    Paramount Skydance boss David Ellison will be in attendance at Donald Trump’s State of the Union address on Tuesday night. The news comes hours after his studio upped its bid for the entirety of Warner Bros. Discovery to $31 per share.

    Sen. Lindsey Graham of South Carolina posted on X Tuesday afternoon that Ellison will be his guest at Trump’s address.

    Reps for Paramount Skydance did not immediately respond to Variety‘s request for comment.

    Warner Bros. Discovery said in a press release on Tuesday that the WBD board “had not made a determination” whether or not Paramount’s offer is “superior” to the deal currently in place with Netflix. If Paramount’s new bid is preferable, Netflix will “have four business days after such determination to negotiate with WBD and to propose any revisions to the Netflix transaction.”

    Netflix’s deal is around $83 billion for just Warner Bros. studios and HBO Max. Paramount wants all of Warner Bros. Discovery, including its linear assets, for $112 billion. Since Netflix’s agreement is still in effect, the WBD board will continue to recommend the deal with the streaming giant, which will go to a shareholder vote on March 20.

    Along with the increased purchasing power of $31 per share, Paramount’s latest offer also includes a ticking fee of 25 cents per quarter starting after Sept. 30, as well as a $7 billion breakup fee if the deal doesn’t clear regulatory scrutiny. Paramount also offered to pay the $2.8 billion fee for Warner Bros. if it terminates its merger with Netflix.

    News of the new deal came at the end of a seven day negotaing window, during which Netflix allowed WBD to “seek clarity” on Paramount’s “best and final offer.”

  • Box Office Preview: ‘Scream 7’ Set to Deliver Year’s Top Opening With $40 Million-Plus

    Box Office Preview: ‘Scream 7’ Set to Deliver Year’s Top Opening With $40 Million-Plus

    Theater owners have good reason to scream for joy as the Scream 7 prepares to open in theaters this weekend.

    From Spyglass and Paramount, the slasher pic is expected to open to at least $40 million, which would mark the best three-day launch of the year to date. Tracking is more bullish, with the National Research Group projecting $45 million. If the leading firm is right, that would also mark the top opening of the franchise ahead of Scream VI, which launched to $44.4 million in March 2023, not adjusted for inflation. It is targeting a $60 million global launch.

    The pic sees Neve Campbell return to the iconic series in the role of Sidney after sitting out Scream VI because of a salary dispute after appearing in every film up to that point.

    Kevin Williamson, who wrote the script for the original ScreamScream 2 and Scream 4, directs the seventh installment. The story follows Sidney as she returns to her hometown with her daughter (Isabel May), who soon cross paths with a new Ghostface killer. The girl is named Tatum, the same name of Rose McGowan’s character in the 1996’s Scream who was murdered.

    A trailer released in March focused on Ghostface targeting Sidney and Tatum, with Sidney teaching her daughter the rules of surviving the brutal killer. Another ad played during the Super Bowl, underscoring how important the franchise is to David Elllison and his new regime at Paramount.

    In addition to Campbell, original star Courteney Cox returns as reporter Gale Weathers.

    Spyglass fully produced the movie, with Paramount co-financing half of the net $45 million budget. If all goes well, it will be the first hit for the studio since Ellison arrived last August.

    Additionally, Scream 7 marks the first installment to screen in Imax. It is also playing across all other premium formats.

    Scream launched in 1996 with the late Wes Craven going on to direct three sequels known for skewering horror genre tropes. In 2022, the fifth film reinvented the franchise under the direction of directing team Radio Silence, with Campbell, Cox and David Arquette returning alongside a crew of new actors.

    They followed it up with Scream VI, which in 2023 became the franchise’s top grossing movie, grossing $108.4 million domestically and $166.6 million globally

    While Campbell’s return marks a highly anticipated moment for fans, two stars of the revival films Scream (2022) and Scream VI will not be back. Melissa Barrera was fired from Scream 7 because of her social media posts about the Israel-Hamas war. Jenna Ortega had already left the film voluntarily before the firing, though it was not made public until after. Christopher Landon, who was set to direct the horror sequel, also exited amid intense fan backlash after Barrera’s firing, despite not being the one to fire the actress.

    Other franchise stars returning include David Arquette as Dewey Riley, completing the legacy trio alongside Sidney and Gale. Matthew Lillard, one of the original co-Ghostface killers, is coming back as Stu Macher, as well as Scott Foley, Scream 3‘s Ghostface Roman Bridger — Sidney’s half-brother. Siblings Chad and Mindy, played by Mason Gooding and Jasmin Savoy Brown are also in Scream 7.

    Newcomers to the franchise include May, Michelle Randolph, Joel McHale, Anna Camp, Mckenna Grace, Ethan Embry, Mark Consuelos, Jimmy Tatro, Celeste O’Connor, Asa Germann and Sam Rechner.

  • Taylor Sheridan Moves ‘Tulsa King’ Spinoff, Starring Samuel L. Jackson, From New Orleans to Texas

    It appears Taylor Sheridan‘s Tulsa King spinoff, starring Samuel L. Jackson, won’t be taking place in New Orleans anymore.

    Paramount+ announced Tuesday that the spinoff, which was originally titled NOLA King and set in New Orleans, will now move to Texas and be called Frisco King. Sheridan has also been tapped to write all eight episodes of the first season.

    The spinoff will center on Jackson’s character, Russell Lee Washington Jr., who was first introduced in the third season of Tulsa King, starring Sylvester Stallone.

    “We are honored to have Taylor Sheridan write the first season of Frisco King and bring to life Samuel L. Jackson’s iconic character,” Matt Thunell, president of Paramount Television Studios, wrote in a statement. “Having him pen all episodes of the season with his singular voice will be a treat for fans of Tulsa King and audiences around the world.”

    Produced by Paramount Television Studios and 101 Studios, Frisco King is executive produced by Sheridan, Stallone and Jackson. David C. Glasser, Ron Burkle, David Hutkin, Bob Yari, Christina Alexandra Voros, Michael Friedman, LaTanya Richardson Jackson and Keith Cox are also executive producers on the series.

    Dave Erickson, the showrunner for the third season of Tulsa King, was initially set to be the showrunner for NOLA King as well, but reportedly stepped away due to scheduling conflicts, leading Sheridan to pen the spinoff.

    Production on Frisco King is set to begin in late March in Fort Worth, Texas.

    “Taylor Sheridan continues to build worlds that attract some of the most iconic talent working today, and Frisco King is no exception,” Jane Wiseman, head of originals at Paramount+, added in a statement. “Having Samuel L. Jackson step into this universe is a testament to the scale and ambition of the storytelling Taylor is crafting. We’re thrilled to expand this storyline with such a powerhouse creative team and cast on Paramount+.”

  • David Ellison, Erika Kirk and Kevin O’Leary to Attend State of the Union as Media Personalities Descend on DC

    David Ellison, Erika Kirk and Kevin O’Leary to Attend State of the Union as Media Personalities Descend on DC

    When President Donald trump delivers his State of the Union address to Congress tonight, the audience will be filled with high-profile media personalities, both old and new.

    That includes David Ellison, the CEO of Paramount, who is seeking to pry Warner Bros. Discovery away from Netflix in a blockbuster deal; and Erika Kirk, who will be attending as Trump’s guest.

    It also includes Nick Shirley, the controversial conservative creator whose expose of Minneapolis childcare centers sparked an entire news cycle in right-leaning media; and Kevin O’Leary, the Shark Tank host and Marty Supreme surprise.

    Only Kirk, the widow of the late conservative activist Charlie Kirk, who was murdered last year, is attending a guest of the president. Ellison is attending as a guest of Sen. Lindsay Graham (R-SC); while O’Leary is attending as a guest of Sen. Rick Scott (R-FL). Shirley is attending as a guest of Rep. Peter Stauber (R-MN).

    While there are plenty of more widely-expected guests attending (NASA astronauts, the family of Jesse Jackson, survivors of Jeffrey Epstein), the media-heavy guest list underscores how the political landscape is increasingly being shaped by new power centers, from digital natives like Kirk and Shirley to new era moguls like Ellison.

    Ellison, of course, is in the midst of trying to steal WBD from Netflix, with the company telling investors Tuesday that it was warming to Paramount’s sweetened bid, which leans heavily on its confidence that it can get the deal through regulatory approvals.

    Attending the SOTU as a guest of one of the most powerful Republican senators may underscore Ellison’s confidence in getting a deal done.

  • ‘Midwinter Break’ Review: Lesley Manville and Ciarán Hinds in a Touching Wee Drama of Late-in-Life Marital Crisis

    ‘Midwinter Break’ Review: Lesley Manville and Ciarán Hinds in a Touching Wee Drama of Late-in-Life Marital Crisis

    Lesley Manville and Ciarán Hinds are such terrific actors that a lot of us would follow them anywhere. But in the wee drama “Midwinter Break,” these two pour their skills into playing a couple of fuddy-duddies — a homepsun Northern Irish married couple, Stella and Gerry, who have reached their early seventies and are so set in their dainty, placid ways that they’ve become like two old pieces of cozy matching furniture. They sit, they read, they have a drink, they have a meal, they exchange comforting pleasantries…and then another day is behind them. And another, much the same, lies ahead.

    The whole design of the movie is to take these two out of their comfort zone, to dip beneath the stodgy surface contentment of their well-worn habits and touch the explosive emotions that the couple — or, at least, one of them — has been covering up.

    At Christmastime, they’re at home, Gerry seated in the living room nursing an evening cocktail, when Stella asks if she can still tempt him; we wonder if she means something erotic, and when he turns her down, we really wonder. (Is the threadbare dimension of their marriage that the fire has gone out in the bedroom?) But no, she’s just talking about going to church. Stella and Gerry exist in a state that looks halfway between retirement heaven and a coma. The two have a son, who is grown, who they don’t see very much. They are also exiles: residents of Glasgow, Scotland, even though the film presents them as Irish to the core. There’s a reason they left their homeland behind.    

    In the middle of the night, Stella gets up and goes over to the computer, acting on a sudden inspiration. A bit later, after exchanging Christmas presents, she hands Gerry an envelope with a surprise gift inside: two plane tickets to Amsterdam, where she has arranged for them to have a four-day getaway. She wants to shake up their routine. But as soon as they arrive in that elegant Dutch city of bridges and hidden corners, it’s clear that it’s going to take more than a change of locale to do it.

    The movie opens with a jarring flashback. We see the young Stella (Julie Lamberton), very pregnant, being rushed to a hospital after some kind of accident (she has blood on her arm). A cataclysm took place, but we’re not sure what, and our first thought is: Did she lose the baby? Is their son not their actual son?

    As Stella and Gerry settle into their Amsterdam vacation, having breakfast at the hotel, visiting a fabled art museum, always lubricating the day with a pint, a glass of wine, a tumbler of Scotch (Gerry brings a bottle along with him in case he needs a quick refill), we register the depth of their connection. (In the bedroom, it turns out, the fire is still alive.) These two fit into each other’s lives as snugly as nesting dolls, to the point that they may have no surprises left, nothing new to discover.

    Except that they do. Stella wants to visit a women’s housing facility that’s also a stately convent: a Catholic retreat nestled right in the middle of Amsterdam. A devout Catholic herself, she’s intensely interested in the women who live there. She tells Gerry, who has always been a secular man, that she wants to find a way to be more devout in her own life. And the reason for that is that she wants…more. More than what the two of them already have. This leaves Gerry flabbergasted. What’s the “more” that she could be talking about? He has no concept of it. He thinks their lives are perfect.

    It all connects, of course, to that opening flashback. But what happened there is not, perhaps, what we suspect. Was it a miracle? Stella thinks it was. But the real point may not be about what did or didn’t happen. It’s about how two people in a marriage this close could be so cut from the same cloth and, at the same time, so different. Not because there’s some deep dark secret, but because people are…different. Gerry, we can see, drinks too much (he’s the definition of a happy “functional” alcoholic), and Stella has a problem with that, but the real problem isn’t the drinking. It’s the void Gerry is covering up. And Stella now wants to fill her own void with faith.

    The director, Polly Findlay, presents all of this in a fluid and fastidious prestige-teleplay-of-the-week way. Adapting a 2017 novel by Bernard MacLaverty (the script is by MacLaverty and Nick Payne), she creates a generous space for her actors, who turn what might have been a rather staid movie — and still, at times, is — into a meticulous duet.

    Manville has often played characters of magnetic will (just think of her domineering snob of a sister in “Phantom Thread,” her lusciously obnoxious tippling receptionist in “Another Year”), but in “Midwinter Break” she throws us for a while because her Stella, at first, seems the picture of dowdy devotion. But it turns out that she’s devoted to something deeper, a mystery she can no longer repress. Manville, in a nifty feat of acting, lets that unruly spirit poke through, even as she persists in trying to keep a polite lid on it. She shows us the spirituality of an ordinary woman. And Hinds, dolefully bearded, makes Gerry as comfy and trusting as an old sheepdog: a genuinely benevolent man, yet one who is starting to drown in his quiet complacency. “Midwinter Break” does nothing earth-shattering (it remains wee), but the movie touchingly colors in how it might be possible for two people to know each other too well and also not well enough.

  • Samuel L. Jackson’s ‘Tulsa King’ Spinoff Gets New Title, With All Eight Episodes to Be Written By Taylor Sheridan

    Samuel L. Jackson’s ‘Tulsa King’ Spinoff Gets New Title, With All Eight Episodes to Be Written By Taylor Sheridan

    Samuel L. Jackson‘s long-gestating “Tulsa King” spinoff is finally moving forward — but with a new title and setting. Paramount+ announced Tuesday that “Frisco King” — formerly titled “NOLA King” — will start production next month in Ft. Worth, Texas.

    “Tulsa King” creator Taylor Sheridan is now set to write all eight episodes of “Frisco King” Season 1, which comes from Paramount Television Studios and 101 Studios. News that Sheridan would write all of “Frisco King” comes seven months after Variety first broke the news that original “NOLA King” showrunner Dave Erickson had exited the spinoff.

    “We are honored to have Taylor Sheridan write the first season of ‘Frisco King’ and bring to life Samuel L. Jackson’s iconic character,” said Paramount Television Studios prexy Matt Thunell. “Having him pen all episodes of the season with his singular voice will be a treat for fans of ‘Tulsa King’ and audiences around the world.”

    Back when it was called “NOLA King,” the spinoff was to have been set in New Orleans. But with the title change also comes a setting change: “Frisco King” will mostly be set in Frisco, Texas. (According to insiders, the show will still briefly visit New Orleans, but the bulk of the story now takes place in Frisco.)

    Jackson was introduced to “Tulsa King” viewers in Season 3 as Russell Lee Washington Jr., “who, after befriending Dwight Manfredi (Sylvester Stallone) during a ten-year stint in federal prison, is sent to Tulsa by New York’s Renzetti crime family to take Dwight out once and for all.” Instead, per the original logline, he’s “inspired by what Dwight created in Tulsa and impressed with the possibilities of second chances.”

    Said Paramount+ head of originals Jane Wiseman: “Taylor Sheridan continues to build worlds that attract some of the most iconic talent working today, and ‘Frisco King’ is no exception. Having Samuel L. Jackson step into this universe is a testament to the scale and ambition of the storytelling Taylor is crafting. We’re thrilled to expand this storyline with such a powerhouse creative team and cast on Paramount+.”

    Production was previously announced to begin in early 2026; now, the word is cameras will start rolling late March in Fort Worth.

    Sheridan, Stallone and Jackson are all EPs on “Frisco King.” David C. Glasser, Ron Burkle, David Hutkin, Bob Yari, Christina Alexandra Voros, Michael Friedman, LaTanya Richardson Jackson and Keith Cox also executive produce.

    Paramount+ noted that “Tulsa King” hit Nielsen’s top 10 streaming originals chart for eleven consecutive weeks in Fall 2025.

    Jackson’s recent TV output includes the Apple TV limited series “The Last Days of Ptolemy Grey,” the Marvel-Disney+ show “Secret Invasion,” and Peacock’s “Fight Night: The Million Dollar Heist.” He also previously voiced the title character in the animated series “Afro Samurai.”

  • Guthrie Sheriff’s Former Political Rival Rips Chris Nanos’ Handling of Investigation (Exclusive)

    Guthrie Sheriff’s Former Political Rival Rips Chris Nanos’ Handling of Investigation (Exclusive)

    In 2024, Republican candidate Heather Lappin lost out on the Pima County sheriff’s seat to incumbent Democrat Chris Nanos, the man currently in charge of finding Nancy Guthrie, by 481 votes in a recount. More than 487,000 people voted in the election, making the margin of victory less than 0.1 percent.

    There is no love lost between Lappin and her former boss, and you can count Lappin among those who believe Sheriff Nanos is currently bungling the Guthrie kidnapping case, which may soon be a murder case. Speaking with The Hollywood Reporter, Lappin, a former Nanos lieutenant (literally — that was her rank), had nothing nice to say about America’s Sheriff.

    “He is a tyrant,” Lappin says. “He tries to be super charming. Like when he did his quote [at the Guthrie press conference], ‘I’m not used to people hanging on my every word and trying to hold me accountable.’ And then he put his hands on his hips because he was trying to be cute. Nobody thinks you’re cute. You’re a 72-year-old man, nobody thinks you’re cute.”

    OK, so maybe some of Lappin’s grievances are a little petty. But not all of them.

    After her loss, Lappin says she asked to be transferred to another county department — any of them. The request was denied and she eventually relocated to Phoenix, a one-hour, 40-minute drive from Tucson, where she found new employment.

    It’s been a ride. After challenging him for the sheriff’s post, Lappin claims Nanos transferred her to a corrections role at the Pima County Adult Detention Center. Lappin had no corrections experience (but 20 years as a cop on the street), and by then, the jail was a very bad place to be — even for jail.

    “We had an exorbitant amount of jail death because Nanos decided to come in and fire corrections officers only for not getting the COVID vaccine,” Lappin says. “They didn’t fire deputies, they only fired corrections officers.”

    Nanos lost an election for sheriff in 2016 amid a RICO investigation. He won in 2020. The same year, COVID-19 began to kill inmates, but so did the realities of a small staff, Lappin says. “[The inmates] were literally kept in these rooms, just getting food,” she adds. “That’s it — no exercise, no nothing.”

    It was also difficult for the remaining corrections officers to monitor drugs coming into the prisons, she says.

    In a few years, Lappin would face those challenges, the consequence of being on the ballot opposite Nanos, she contends. Her new work was hard and unfamiliar, and her nights weren’t a whole lot better than her days. Lappin says she was the target of 13 internal affairs investigations in just six months, each allegedly an effort for Nanos to discredit his political opponent.

    Nanos also attempted to “intimidate” Lappin at campaign events, she claims. “He sent his two female captains to my campaign events to try to intimidate me,” Lappin says. “He’s like a mafioso, that’s what he’s like.”

    “Right now, our focus is on this investigation and serving the victims and this community. Political commentary distracts from this active investigation, and it is unfortunate,” Sheriff Nanos tells THR when asked for comment on the accusations in this story. “My focus remains on justice and transparency.”

    Nanos has recently sat for interviews with select media on the ground in Tucson. He has tussled with some of the conservative outlets.

    Savannah Guthrie with mom Nancy Guthrie (left) on NBC’s ‘Today’ in 2019.

    Nathan Congleton/NBCU Photo Bank/NBCUniversal via Getty Images via Getty Images

    After Nanos won by a razor-thin margin, Lappin says, “He just kept coming after me.” The result of the efforts was an administrative leave for Lappin, where she says she was basically put under “house arrest.” She sued for $2 million.

    Now, Lappin is trying to not talk about the Guthrie case — but she did criticize the sheriff’s work. (Lappin declined to comment on plans to run for Pima County sheriff in 2028, though she says she can from an eligibility standpoint.)

    Earlier this month, Nancy Guthrie, the elderly and infirm mother of Today show co-anchor Savannah Guthrie, was violently taken from her home in Tucson, Arizona. More than three weeks into the investigation, law enforcement, which now includes the FBI, have no real leads.

    “A lot of the Guthrie case is just consequences of his really bad decision making, the years of decimating his units,” Lappin says. “Three of our best homicide detectives, probably in [all of] southern Arizona, were removed from Homicide because they supported me [in the election].”

    One popular criticism of Nanos, who to his credit has taken much of it head on, is a reported rift between his office and the feds. It is not entirely clear who has primary jurisdiction as the details of the crime remain so unknown. Lappin says she would have handled the case differently.

    “Why didn’t you become the support agency and give this to the FBI? They have the resources. They can bring in the hundreds and hundreds of people that command those tip lines. He’s trying to do that with 395 deputies — we don’t have the resources,” Lappin says.

    In our phone call, I informed Lappin of the latest beat of the ongoing Nancy Guthrie case: a $1 million reward “for any information that leads to her recovery,” as Savannah Guthrie laid out in a Tuesday video. An individual close to the family told THR the Guthries wanted the reward out there on day one, but law enforcement discouraged the idea in an effort to prevent fake tipsters.

    “[Nanos’] ego doesn’t let him make the decision to give it up because he thinks it’s going to make him look bad,” Lappin says. “When you put your own ego and your own [image] to the public over the health and safety of an 84-year-old woman, then that’s a problem.”

  • Gavin Newsom Memoir Hits Top of Bestsellers Chart Hours After Release

    Gavin Newsom Memoir Hits Top of Bestsellers Chart Hours After Release

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    Gavin Newsom‘s new memoir has shot to the top of the bestsellers charts just hours after its release online.

    Young Man in a Hurry: A Memoir of Discovery is billed as an “intimate and poignant account of identity, belonging, and the defining moments that inspired a life in politics,” and the book comes amidst speculation that the California Governor is considering a 2028 presidential run.

    Released Feb. 24, Newsom’s book is currently at the top of Amazon’s political biographies chart and in the Top Five of the site’s bestselling memoirs chart as of this writing.

    HARDCOVER VERSION

    Released by Penguin Press, the book is available now as a 304-page hardcover. Newsom also narrates the audiobook version of “Young Man in a Hurry,” which you can listen to for free right now with a free trial to Audible here.

    Newsom has made headlines in recent months both for squaring off with Donald Trump and for his grand plans to halt Hollywood’s so-called “filming exodus.” The Governor has pledged to return television and movie production to California, signing a bill last year that would double the state’s tax incentives for film and TV projects from $330 million to $750 million annually. Still, Newsom has faced his fair share of detractors — even from Hollywood insiders — on issues outside of the industry.

    In October, Joseph Gordon Levitt said the Governor was “too scared” to veto legislation that would have banned companies from making AI chatbots available to people under the age of 18 (Newsom attributed his decision to the bill’s “broad restrictions,” though he did sign a law that requires platforms to remind users they are interacting with a chatbot and not a human, as well as prevent the promotion of self-harm content). Halle Berry, meantime, criticized Newsom in December for vetoing a menopause bill she backed, adding that, “That’s okay, because he’s not going to be governor forever, and the way he has overlooked women… he probably should not be our next president either.”

    The new book was written too late to respond to the criticisms, but nevertheless seeks to position Newsom as an underdog, who took up baseball as a way to deal with his family dysfunction and his long time struggles with dyslexia. The running theme throughout Newsom’s memoir: This is just a guy who has lived his whole life trying to make his home state proud.

    “Born in San Francisco, his parents divorced at a young age, and his childhood was spent being tugged between two worlds: his mother worked three jobs in order to care for her children while his father, a close friend of the Getty family, brought Newsom into San Francisco society, a world of wealth and connections,” reads a book description. “The dissonance was frustrating, and made all the more difficult because of undiagnosed dyslexia, but the vantage point was valuable: he inherited his mother’s perseverance and his father’s reverence of California, not only its wildness, but its opportunity.”

    For what it’s worth, Newsom has never lived outside of California — something that has both endeared him to locals and left him open to critique from potential voters in the rest of the country. The 58-year-old also memorably saw off a GOP-led recall effort in 2021.

    For Newsom, “the California Dream” is what keeps him going, the publishers’ notes say. “His great-great-grandfather, a cop, walked a beat in San Francisco, where almost 150 years later, Newsom would be elected as mayor, running on the values instilled in him by his family history: that California’s open arms must continue to extend to each new generation,” a description reads.

    Of course the book chronicles Newsom’s entire political career, including his time as Mayor of San Francisco, where he issued marriage licenses to same-sex couples, more than ten years before the Supreme Court made same-sex unions legal. The book also lauds his “bold efforts” to “counter climate change, improve mental health care, and enhance gun safety.”

    AUDIOBOOK VERSION

    Download or stream the audiobook version of Newsom’s memoir with a free trial to Audible here.

    As the book description states, Newsom’s memoir is a “deeply resilient California story of identity, belonging, and the defining moments that inspired a life in politics.”

    Read and buy Gavin Newsom’s new memoir here.

  • Whistleblower Claims Paramount President Jeff Shell Leaked Details of $7.7 Billion UFC Deal

    Whistleblower Claims Paramount President Jeff Shell Leaked Details of $7.7 Billion UFC Deal

    Paramount president Jeff Shell improperly disclosed specific details about the timing, cost and structure of the public company’s $7.7 billion media rights deal with the Ultimate Fighting Championship almost a month before its August 2025 announcement — that’s the allegation of leaked confidential data that an outside law firm is now investigating, The Hollywood Reporter has learned. The SEC is also now reviewing a related whistleblower complaint.

    UFC parent TKO Group Holdings’ stock price surged 10 percent following news of the Paramount pact.

    The reporting party is R.J. Cipriani, a high-stakes gambler with a documented history as a federal whistleblower. He’s been in settlement negotiations with Shell over a dispute involving consultation services. He declined to comment.

    Both men have shared the same attorney: noted Hollywood power lawyer Patricia Glaser, who no longer reps Cipriani.

    When asked for comment, Glaser said in a statement, “we were presented with a draft complaint riddled with clear errors of fact and law and the threat that it would be filed, but if he makes the mistake of going ahead with it, we will strongly respond.”

    The Shell investigation surfaces at a sensitive time for Paramount, which on Feb. 23 sweetened its politically charged bid to purchase larger competitor Warner Bros. Discovery — and, in the process, elbow out Netflix. The streaming giant previously entered a $82.7 billion deal for WBD. Shell is said to have notified Paramount once he learned of the whistleblower’s draft complaint.

    In 2023, Shell was terminated from his previous top job as NBC Universal’s CEO over allegations of inappropriate conduct involving a CNBC correspondent. Yet he found resurrection in Paramount owner David Ellison, who elevated Shell to his current post from an interim perch with private equity firm RedBird Capital Partners, which helped Ellison’s Skydance Media acquire the studio.

    Cipriani is a colorful figure whose exploits as a high roller and government whistleblower have included battles with a Las Vegas casino behemoth as well as an international drug lord. He told THR in September 2025 that a Mark Wahlberg-produced Amazon Prime docuseries about the latter saga, Cocaine Quarterback, portrayed him in a false light. Cipriani has said he’s been in development on a scripted project about the risky business that is his life. The working title is Jackpot, which is the codename the FBI conferred on him.