Category: Entertainment

  • BAFTA Film Awards: ‘One Battle After Another’ Wins 6, ‘Sinners’ Makes History With 3, ‘I Swear’ Stuns

    BAFTA Film Awards: ‘One Battle After Another’ Wins 6, ‘Sinners’ Makes History With 3, ‘I Swear’ Stuns

    Paul Thomas Anderson’s political thriller One Battle After Another won six honors at the BAFTA Film Awards on Sunday, with Ryan Coogler’s vampire horror drama Sinners earning three, setting a record for the most honors for a movie from a Black filmmaker. And Kirk Jones’ Tourette Syndrome advocate dramedy I Swear stunned the crowd at the ceremony, hosted by Alan Cumming, the presenter and producer of The Traitors U.S., at London’s Royal Festival Hall, winning two honors voted on by the industry and a third one voted on by the public.

    The film’s star, Robert Aramayo, in fact, left the event with two statuettes, one for Rising Star, the other for best actor, a star-studded category, in which his win was met with audible gasps by the audience. The other award for I Swear came in the best casting category.

    The BAFTA nominations had set up a thrill ride for the British Academy honors, with One Battle After Another earning 14 nods, narrowly edging out Sinners with 13, and Chloé Zhao’s Shakespearean heartbreaker Hamnet and Josh Safdie’s ping-pong caper Marty Supreme with 11 nods each.

    At the end of the night, One Battle After Another could celebrate half a dozen BAFTAs, namely for best film, best director, best adapted screenplay, best cinematography, editing, as well as best supporting actor Sean Penn.

    The best supporting actress honor on Sunday went to Wunmi Mosaku for Sinners, which was also honored with the best original screenplay BAFTA for Coogler and the best original score award. Sinners followed up its record as the most-nominated film by a Black director in the British Academy’s history with a record three wins. Coogler also became the first Black winner of an original screenplay BAFTA on Sunday.

    Three BAFTAs also went to Frankenstein, namely for production design, costumes, and make-up & hair. And Hamnet was honored twice, as the Outstanding British Film of the year, with star Jessie Buckley also winning the best leading actress award.

    At the BAFTA Film Awards 2025Conclave (best film) and The Brutalist (best director and actor) had won four honors each.

    BAFTA chair Sara Putt opened the 2026 festivities Sunday night, lauding this year’s nominees and thanking them for providing audiences with “windows into other worlds and sometimes, yes, a respite from this one.” And she touted the excellence they have shown, “no algorithms involved.”

    A pre-recorded sketch, starring Cumming discussing marketing ideas for the BAFTAs on a video call with Brian Cox, Warwick Davis, Ken Jeong, Jacobi Jupe, Hannah Waddingham, dog LaLa, a muted and video-less Leo DiCaprio, and Paddington Bear then opened the entertainment portion of the night.

    In his opening monologue, Cumming ran through the topics covered by this year’s nominees. “Whatever happened to escapism? I’m exhausted,” he concluded. “It’s almost as though, I don’t know, there are events going on in the real world that are influencing filmmakers. Anyone else, like you Americans in particular?” Cumming then invited everyone in attendance to join him in a collective primal scream at world events.

    Director David Borenstein accepted the honor for best documentary for his Mr. Nobody Against Putin with another U.S. reference, saying: “No matter how dark things get, whether in Russia or on the streets of Minneapolis, we always face a moral choice.”

    Among other political comments during Sunday’s ceremony, My Father’s Shadow director Akinola Davies Jr., who won the Outstanding Debut by a British Writer, Director or Producer honor with his writer and brother Wale Davies, ended his acceptance speech with the words, “Free Palestine!”

    Also on Sunday, Clare Binns, the creative director of Picturehouse Cinemas and Picturehouse Entertainment and “a driving force in the distribution of films in the U.K.,” was honored with the Outstanding British Contribution to Cinema Award at the ceremony. The world needs more neighborhood cinemas, she told the BAFTA crowd. And she lauded the late Robert Redford for founding the Sundance Institute and Sundance Film Festival, saying: “He knew that above all, we should be prepared to take risks.”

    And Donna Langley, the NBCUniversal Entertainment chair and the first British woman to run a major Hollywood studio, received the BAFTA Fellowship, the British Academy’s highest honor, telling the audience that “decency is a superpower.” 

    At the end of a big BAFTA Awards night for One Battle After Another, director Paul Thomas Anderson, who had received a standing ovation, lauded the strong movies of the past year and had this message for people who say movies are no good anymore: “You can p*** right off!”

    Check out the full 2026 BAFTA honors in London below. The winners are highlighted in bold in all announced categories.

    Best Film
    HAMNET Liza Marshall, Pippa Harris, Nicolas Gonda, Steven Spielberg, Sam Mendes 
    MARTY SUPREME Timothée Chalamet, Anthony Katagas, Eli Bush, Ronald Bronstein, Josh Safdie 
    ONE BATTLE AFTER ANOTHER Adam Somner, Sara Murphy, Paul Thomas Anderson 
    SENTIMENTAL VALUE Maria Ekerhovd, Andrea Berentsen Ottmar 
    SINNERS Zinzi Coogler, Sev Ohanian, Ryan Coogler 

    Leading Actress 
    JESSIE BUCKLEY Hamnet 
    ROSE BYRNE If I Had Legs I’d Kick You 
    KATE HUDSON Song Sung Blue 
    CHASE INFINITI One Battle After Another 
    RENATE REINSVE Sentimental Value 
    EMMA STONE Bugonia 

    Leading Actor 
    ROBERT ARAMAYO I Swear 
    TIMOTHÉE CHALAMET Marty Supreme 
    LEONARDO DICAPRIO One Battle After Another 
    ETHAN HAWKE Blue Moon 
    MICHAEL B. JORDAN Sinners 
    JESSE PLEMONS Bugonia 

    Director
    BUGONIA Yorgos Lanthimos 
    HAMNET Chloé Zhao 
    MARTY SUPREME Josh Safdie 
    ONE BATTLE AFTER ANOTHER Paul Thomas Anderson 
    SENTIMENTAL VALUE Joachim Trier 
    SINNERS Ryan Coogler 

    EE Rising Star Award (voted for by the public)  
    Robert Aramayo 
    Miles Caton 
    Chase Infiniti 
    Archie Madekwe 
    Posy Sterling 

    Outstanding British Film
    28 YEARS LATER Danny Boyle, Andrew Macdonald, Peter Rice, Bernard Bellew, Alex Garland 
    THE BALLAD OF WALLIS ISLAND James Griffiths, Rupert Majendie, Tom Basden, Tim Key  
    BRIDGET JONES: MAD ABOUT THE BOY Michael Morris, Tim Bevan, Eric Fellner, Jo Wallett, Helen Fielding, Dan Mazer, Abi Morgan 
    DIE MY LOVE Lynne Ramsay, Martin Scorsese, Jennifer Lawrence, Justine Cirrocchi, Andrea Calderwood, Enda Walsh, Alice Birch 
    H IS FOR HAWK Philippa Lowthorpe, Dede Gardner, Jeremy Kleiner, Emma Donoghue 
    HAMNET Chloé Zhao, Liza Marshall, Pippa Harris, Nicolas Gonda, Steven Speilberg, Sam Mendes, Maggie O’Farrell 
    I SWEAR Kirk Jones, Georgia Bayliff, Piers Tempest 
    MR BURTON Marc Evans, Ed Talfan, Josh Hyams, Hannah Thomas, Trevor Matthews, Tom Bullough 
    PILLION Harry Lighton, Emma Norton, Lee Groombridge, Ed Guiney, Andrew Lowe 
    STEVE Tim Mielants, Alan Moloney, Cillian Murphy, Max Porter 

    Film Not in the English Language 
    IT WAS JUST AN ACCIDENT Jafar Panahi, Philippe Martin  
    THE SECRET AGENT Kleber Mendonça Filho, Emilie Lesclaux 
    SENTIMENTAL VALUE Joachim Trier, Maria Ekerhovd, Andrea Berentsen Ottmar 
    SIRĀT Oliver Laxe, Domingo Corral 
    THE VOICE OF HIND RAJAB Kaouther Ben Hania, Nadim Cheikhrouha 

    Costume Design 
    FRANKENSTEIN Kate Hawley 
    HAMNET Malgosia Turzanska 
    MARTY SUPREME Miyako Bellizzi 
    SINNERS Ruth E. Carter 
    WICKED: FOR GOOD Paul Tazewell 

    Adapted Screenplay 
    THE BALLAD OF WALLIS ISLAND Tom Basden, Tim Key 
    BUGONIA Will Tracy 
    HAMNET Chloé Zhao, Maggie O’Farrell 
    ONE BATTLE AFTER ANOTHER Paul Thomas Anderson 
    PILLION Harry Lighton 

    Original Score
    BUGONIA Jerskin Fendrix 
    FRANKENSTEIN Alexandre Desplat 
    HAMNET Max Richter 
    ONE BATTLE AFTER ANOTHER Jonny Greenwood 
    SINNERS Ludwig Göransson 

    Sound
    F1 Gareth John, Al Nelson, Gwendolyn Yates Whittle, Gary A. Rizzo, Juan Peralta 
    FRANKENSTEIN Greg Chapman, Nathan Robitallie, Nelson Ferreira, Christian Cooke, Brad Zoem 
    ONE BATTLE AFTER ANOTHER Jose Antonio Garcia, Christopher Scarabosio, Tony Villaflor 
    SINNERS Chris Welcker, Benny Burtt, Brandon Proctor, Steve Boeddeker, Felipe Pacheco  
    WARFARE Glenn Freemantle, Mitch Low, Ben Barker, Howard Bargroff, Richard Spooner 

    Cinematography  
    FRANKENSTEIN Dan Laustsen 
    MARTY SUPREME Darius Khondji 
    ONE BATTLE AFTER ANOTHER Michael Bauman 
    SINNERS Autumn Durald Arkapaw 
    TRAIN DREAMS Adolpho Veloso 

    Animated Film
    ELIO Madeline Sharafian, Domee Shi, Adrian Molina, Mary Alice Drumm 
    LITTLE AMÉLIE Mailys Vallade, Liane-Cho Han, Nidia Santiago, Edwina Liard, Claire Le Combe, Henri Magalon 
    ZOOTROPOLIS 2 Jared Bush, Byron Howard, Yvett Merino 

    Editing 
    F1 Stephen Mirrione 
    A HOUSE OF DYNAMITE Kirk Baxter 
    MARTY SUPREME Ronald Bronstein, Josh Safdie 
    ONE BATTLE AFTER ANOTHER Andy Jurgensen 
    SINNERS Michael P. Shawver 

    Casting
    I SWEAR Lauren Evans 
    MARTY SUPREME Jennifer Venditti 
    ONE BATTLE AFTER ANOTHER Cassandra Kulukundis 
    SENTIMENTAL VALUE Yngvill Kolset Haga, Avy Kaufman 
    SINNERS Francine Maisler 

    Outstanding Debut by a British Writer, Director or Producer  
    THE CEREMONY Jack King (Director, Writer), Hollie Bryan (Producer), Lucy Meer (Producer
    MY FATHER’S SHADOW Akinola Davies Jr. (Director), Wale Davies (Writer) 
    PILLION Harry Lighton (Director, Writer)  
    A WANT IN HER Myrid Carten (Director) 
    WASTEMAN Cal McMau (Director), Hunter Andrews (Writer), Eoin Doran (Writer) 

    Original Screenplay 
    I SWEAR Kirk Jones 
    MARTY SUPREME Ronald Bronstein, Josh Safdie 
    THE SECRET AGENT Kleber Mendonça Filho  
    SENTIMENTAL VALUE Eskil Vogt, Joachim Trier 
    SINNERS Ryan Coogler 

    British Short Animation
    CARDBOARD J.P. Vine, Michaela Manas Malina 
    SOLSTICE Luke Angus 
    TWO BLACK BOYS IN PARADISE Baz Sells, Dean Atta, Ben Jackson  
     
    British Short Film 
    MAGID / ZAFAR Luis Hindman, Sufiyaan Salam, Aidan Robert Brooks 
    NOSTALGIE Kathryn Ferguson, Stacey Gregg, Marc Robinson, Kath Mattock 
    TERENCE Edem Kelman, Noah Reich 
    THIS IS ENDOMETRIOSIS Georgie Wileman, Matt Houghton, Harriette Wright 
    WELCOME HOME FRECKLES Huiju Park, Nathan Hendren 

    Documentary
    2000 METERS TO ANDRIIVKA Mstyslav Chernov, Michelle Mizner, Raney Aronson-Rath 
    APOCALYPSE IN THE TROPICS Petra Costa, Alessandra Orofino 
    COVER-UP Laura Poitras, Mark Obenhaus, Olivia Streisand, Yoni Golijev 
    MR. NOBODY AGAINST PUTIN David Borenstein, Helle Faber, Radovan Síbrt, Alžběta Karásková 
    THE PERFECT NEIGHBOR Geeta Gandbhir, Alisa Payne, Nikon Kwantu, Sam Bisbee 

    Make-up & Hair
    FRANKENSTEIN Jordan Samuel, Cliona Furey, Mike Hill, Megan Many 
    HAMNET Nicole Stafford 
    MARTY SUPREME Kyra Panchenko, Kay Georgiou, Mike Fontaine 
    SINNERS Siân Richards, Shunika Terry, Ken Diaz, Mike Fontaine 
    WICKED: FOR GOOD Frances Hannon, Laura Blount, Mark Coulier, Sarah Nuth 

    Production Design 
    FRANKENSTEIN Tamara Deverell, Shane Vieau 
    HAMNET Fiona Crombie, Alice Felton 
    MARTY SUPREME Jack Fisk, Adam Willis  
    ONE BATTLE AFTER ANOTHER Florencia Martin, Anthony Carlino 
    SINNERS Hannah Beachler, Monique Champagne 

    Children’s & Family Film 
    ARCO Ugo Bienvenu, Félix De Givry, Sophie Mas, Natalie Portman 
    BOONG Lakshmipriya Devi, Ritesh Sidhwani 
    LILO & STITCH Dean Fleischer Camp, Jonathan Eirich 
    ZOOTROPOLIS 2 Jared Bush, Byron Howard, Yvett Merino

    Supporting Actor 
    BENICIO DEL TORO One Battle After Another 
    JACOB ELORDI Frankenstein 
    PAUL MESCAL Hamnet 
    PETER MULLAN I Swear 
    SEAN PENN One Battle After Another 
    STELLAN SKARSGÅRD Sentimental Value 

    Supporting Actress
    ODESSA A’ZION Marty Supreme 
    INGA IBSDOTTER LILLEAAS Sentimental Value 
    WUNMI MOSAKU Sinners 
    CAREY MULLIGAN The Ballad of Wallis Island 
    TEYANA TAYLOR One Battle After Another 
    EMILY WATSON Hamnet 

    Special Visual Effects
    AVATAR: FIRE AND ASH Joe Letteri, Richard Baneham, Daniel Barrett, Eric Saindon  
    F1 Ryan Tudhope, Keith Alfred Dawson, Nicolas Chevallier, Robert Harrington 
    FRANKENSTEIN Dennis Berardi, Ayo Burgess, Ivan Busquets, José Granell 
    HOW TO TRAIN YOUR DRAGON Christian Mänz, Francois Lambert, Glen McIntosh, Terry Palmer 
    THE LOST BUS Charlie Noble, Brandon K. McLaughlin, David Zaretti 
     
     
     

  • ‘The Sopranos’ Star Steve Schirripa Claims Someone on Set Was “Selling Information” About Storylines

    [This story contains spoilers for The Sopranos season five.]

    It seems someone working on The Sopranos set couldn’t be trusted.

    During a recent interview with The Independent, Steve Schirripa, who played Bobby Baccalieri on the Emmy-winning series, claimed someone who worked on the show was leaking information, which resulted in the actors only getting their own pages of the script by the end.

    “There was a leak on set because somebody was selling information. We had some suspects,” Schirripa recalled. However, the culprit was never caught.

    To help keep plot details under wraps, creator David Chase also came up with his own plan, specifically for a major spoiler in the season five episode, “Long Term Parking.” Chase filmed two different versions of the scene about Adriana La Cerva’s (Drea De Matteo), Christopher Moltisanti’s girlfriend, fate.

    In 2017, Matteo detailed Chase’s plan during an interview with Entertainment Weekly, recalling, “David came to me and said, ‘I’m going to shoot this two ways: I’m going to kill you and I’m going to let you live. And nobody’s going to know until it airs.’ I’m like, ‘Okay, I’m dying, for sure, but why shoot it two ways?’ He said one reason was he wasn’t sure what he wanted to do, and the other was to keep confidentiality on set. He would go that far to divert the crew from being able to leak anything.”

    The Sopranos, which won 21 Emmys during its six-season run, from 1999 to 2007, centered on New Jersey mob boss, Tony Soprano (James Gandolfini), as he struggles to balance the demands of his violent criminal organization with a dysfunctional family life.

  • ‘KPop Demon Hunters’ Singing Voice Stars Get BAFTA Awards Grooving With “Golden”

    ‘KPop Demon Hunters’ Singing Voice Stars Get BAFTA Awards Grooving With “Golden”

    Netflix‘s KPop Demon Hunters singing voice stars took the stage at the BAFTA Film Awards in London on Sunday evening, getting a game crowd grooving. In their first-ever live performance outside the U.S., EJAE, who provides the singing voice for Rumi, Audrey Nuna, who sings Mira’s lines, and Rei Ami, who stars as the singing voice of Zoey, performed their Grammy-winning hit “Golden” at Britain’s biggest movie awards night.

    Cameras showed audience members nodding along, shaking their shoulders and otherwise getting into the music.

    “Performing at the EE BAFTA Film Awards is a golden moment that our younger selves could never have imagined,” the trio had said when they were unveiled as performers. “We’re so proud to represent Netflix’s KPop Demon Hunters and spread the film’s positive message to fans around the globe.” The movie tells the story of three women who are demon hunters and use their singing voices to create a magical barrier against demons called the Honmoon.

    Emma Baehr, executive director of awards & content at BAFTA, highlighted at the time that the Sony-produced KPop Demon Hunters has had a “phenomenal impact on the hearts and minds of audiences of all ages around the world” since its release last summer. “We are thrilled the talented singers behind HUNTR/X will bring their K-pop energy to the EE BAFTA Film Awards next month.”

    Maggie Kang and Chris Appelhans’ animated musical has become Netflix’s most popular film of all time and is nominated for the Oscar for best animated feature film. “Golden,” the headline track, also scored an Academy Award nom for best original song. It also became the most-streamed song globally last year.

    On Saturday, KPop Demon Hunters swept the Annie Awards, the animation honors handed out by the L.A. Branch of the International Animated Film Association, ASIFA-Hollywood. The film won 10 honors, including for best feature, best FX, best character animation, best character design and best production design.

    The BAFTA Film Awards, hosted by Alan Cumming, were taking place at the Royal Festival Hall at London’s Southbank Center. Find the full winners list here.

  • “Decency Is a Superpower”: Donna Langley Receives BAFTA Fellowship, Touting Cinema’s Power to Help Us “See Each Other More Clearly”

    “Decency Is a Superpower”: Donna Langley Receives BAFTA Fellowship, Touting Cinema’s Power to Help Us “See Each Other More Clearly”

    The star-studded BAFTA Film Awards 2026 ceremony in London on Sunday also put a spotlight on Donna Langley, chair of NBCUniversal Entertainment and the first British woman to run a major Hollywood studio. The top executive, born and raised on the Isle of Wight in the U.K., took to the stage to receive the British Academy’s highest honor, the BAFTA Fellowship, to a standing ovation before highlighting cinema’s power to bring people together.

    “We are … facing moments of change and disruption today,” Langley said. “And my hope is that those of us who help tell stories for a living continue to find inspiration to make popular art that carries over into people’s everyday lives — that helps us understand the world a bit better and to see each other a little more clearly… and reminds us that decency is a superpower.”

    Langley also shared that her parents helped her “see differences as a strength and not a weakness.”

    She continued: “As my career has progressed, I’ve come to believe that the most meaningful part of what we do is the people we choose to support along the way. The voices we encourage. And the talent we protect… long enough for them to find their feet. And the doors we remember to open.”

    Langley ended with a call to action. “As we move forward, let’s remember the future of this business is not something that happens to us,” she emphasized. “It’s something we shape… by the risks we take and the people we back. So, let us continue to adapt, be resilient and make room for new voices.”

    Prince William introduced Langley, lauding, among other things, her “determination and commitment,” and her “strong commitment to inclusion and mentorship.”

    In a video reel showing collaborators praising Langley, Steven Spielberg said: “Donna is a peacemaker and she’s a dealmaker, a creative rights advocate, and she’s always on the forward fringe of new business, new technology, new ideas.”

    He added: “Donna believes that movies and audiences belong in movie theaters, and she’s an advocate of that… to make movies [for people], as Gloria Swanson said in Sunset Boulevard, out there in the dark.”

    Concluded Spielberg: “Her patience is kind of like the bonding agent. It makes us all feel like, in a way, she’s our security blanket.”

    Christopher Nolan said in the reel: “It’s hard to think of a more deserving recipient of a BAFTA Fellowship than Dame Donna Langley. She’s been leading Universal with a very unique blend of filmmaker-friendly creative insights with true leadership that commands respect.” His conclusion: “Donna has a grasp of all the different aspects of the filmmaking process but never loses sight of the audience. [She] is so inspiring to work for and collaborate with.”

    Mamma Mia! producer Judy Craymer lauded Langley as “a titan,” adding: “She’s an outlier. She’s already created an incredible legacy.”

    Working Title Films chairs and producers Tim Bevan and Eric Fellner also feted Langley via the reel. “You have somebody at the very center of the motion picture business who really understands our culture, so that when you take a British idea or a British subject to her, she will understand it,” Bevan highlighted. Added Fellner: “Once she believes in what you’re trying to do, she’s 100 percent behind you.”

    Sara Putt, BAFTA chair, previously lauded Langley for her distinguished career. “The first British woman to lead a major Hollywood studio, Dame Donna Langley’s cultural impact has been exceptional,” she said in unveiling the honor. “BAFTA is honored to celebrate Donna’s transformative studio leadership and strength of her creative relationships, including the many now-iconic films she has brought to audiences around the world.”

    In unveiling details about the latest BAFTA Fellowship, BAFTA said Langley “has consistently served as an advocate for acclaimed and emerging filmmakers and showrunners, resulting in a diverse and enduring slate for NBCUniversal. As a trusted partner to the creative community, she has championed films that have shaped culture, such as Straight Outta Compton, Bridesmaids, Get Out, The Holdovers, and BAFTA’s best film winner Oppenheimer, among many others. All while bolstering beloved franchises – including Fast & Furious, Jurassic World, Bridget Jones, Mamma Mia, and the highest-grossing animated franchise of all time, Despicable Me. Most recently, with Wicked becoming the highest-grossing film musical of all time, Langley has underscored her ability to translate creative ambition into landmark cultural and commercial success.” 
     
    Concluded BAFTA: “She also continues to champion bold, creator-driven shows such as All Her Fault and The Day of the Jackal, helping bring dynamic stories to life for audiences everywhere.  Throughout her career, Langley has maintained a strong commitment to, and investment in, British filmmaking.”

    The BAFTA Awards, hosted by Scottish star Alan Cumming, the presenter and producer of The Traitors U.S., took place at London’s Royal Festival Hall on Sunday evening. Full list of winners here.

  • How to Watch the 2026 BAFTA Awards Online in the U.S.

    How to Watch the 2026 BAFTA Awards Online in the U.S.

    If you purchase an independently reviewed product or service through a link on our website, The Hollywood Reporter may receive an affiliate commission.

    Hosted by Alan Cumming at London’s Royal Festival Hall, the 79th BAFTA Film Awards will, for the first time ever, be broadcast in the U.S. on cable TV. The ceremony airs on Sunday, Feb. 22, at 8 p.m. PT/ET on E!, meaning cord-cutters can watch on any live TV streaming service that carries the network, including DirecTV (with a five-day free trial), Sling and Hulu + Live TV.

    At a Glance: How to Watch 2026 BAFTA Awards Online

    Since select streamers are offering free trials and limited-time discounts, viewers can catch the star-studded evening at no cost; keep reading to learn more about each option, and scroll down for this year’s nominees, performers and presenters.

    Where to Watch BAFTA Awards 2026: Air Date and Time, Stream Free Online in the U.S.

    The 79th BAFTA Film Awards air in the U.S. on Sunday, Feb. 22, at 8 p.m. PT/ET, on E!, which can be livestreamed via DirecTV (with a five-day free trial), Sling or Hulu + Live TV. While the easiest way to watch the ceremony is through DirecTV’s trial period, The Hollywood Reporter is further outlining each streaming option ahead.

    Five-day free trial; packages from $19.99 per month

    E! is included in any of DirecTV’s signature packages: Entertainment, Choice, Ultimate and Premier. Plus, DirecTV is offering a five-day free trial for its streaming service, meaning new subscribers can catch the performance at no cost.

    Learn more about each plan option, including how to build your own channel lineup (starting at just $19.99 per month), at directv.com.

    Half off first month for select plans

    E! is included in Sling’s Blue Plan, starting at $45.99 per month.

    For the best bang for your buck, opt for Sling’s Orange & Blue plan, which is currently half off for the first month: $33 for the first month and $65.99 monthly thereafter.

    Three-day free trial; packages from $82.99 per month

    Watch E! for free with a three-day trial to Hulu + Live TV, which comes bundled with Disney+ and ESPN+, starting at $89.99 per month.

    BAFTA Nominations 2026

    Paul Thomas Anderson’s One Battle After Another leads the film nominees with 14 nods, closely followed by Ryan Coogler’s Sinners with 13. Chloé Zhao’s Hamnet and Josh Safdie’s Marty Supreme earned 11 BAFTA nods each, while Joachim Trier’s Sentimental Value and Guillermo del Toro’s Frankenstein earned eight a piece. Yorgos Lanthimos’ Bugonia and Kirk Jones’ I Swear each received five noms.

    See here for the full list of 2026 BAFTA Awards nominees.

    BAFTA Winners 2026

    The Hollywood Reporter is updating the 2026 BAFTA Film Awards winners live here.

    BAFTA Performers 2026

    KPop Demon Hunters singers EJAE, Audrey Nuna and Rei Ami are performing on Sunday, marking their first live show outside of the U.S. British singer-songwriter Jessie Ware will cover Barbra Streisand during the In Memoriam segment.

    BAFTA Presenters 2026

    BAFTA presenters include Aimee Lou Wood, Bryan Cranston, Cillian Murphy, David Jonsson, Delroy Lindo, Gillian Anderson, Glenn Close, Olivia Cooke, Patrick Dempsey will present awards, alongside BAFTA nominees Ethan Hawke, Michael B. Jordan, Miles Caton, Kate Hudson, Emily Watson, Stellan Skargård, Aaron Pierre, Alicia Vikander, Alia Bhatt, Erin Doherty, Hannah Waddingham, Kathryn Hahn, Karen Gillan, Kerry Washington, Little Simz, Maggie Gyllenhaal, Mia McKenna-Bruce, Milly Alcock, Minnie Driver, Noah Jupe, Regé-Jean Page, Riz Ahmed, Sadie Sink, Stormzy and Warwick Davis.

  • California Dreamin’: NBC Kicks Off 2028 L.A. Olympics Marketing Campaign With Kate Hudson (Exclusive)

    California Dreamin’: NBC Kicks Off 2028 L.A. Olympics Marketing Campaign With Kate Hudson (Exclusive)

    As the 2026 Winter Olympics come to an end Sunday, NBCUniversal is officially kicking off its marketing campaign for the 2028 Summer Games in Los Angeles.

    During the closing ceremonies of the Milan-Cortina games, NBC debuted a two-minute film, starring Kate Hudson and a flurry of summer Olympics stars, set to the tune of The Mamas & The Papas’ 1966 classic “California Dreamin’” and ending with NBC’s LA28 logo, which replaces the “A” with the iconic peacock logo.

    The spot, titled “LA28 Dreamin’,” tees up the next games, which some inside NBCU are betting on being a massive ratings draw, given the U.S. setting, and the addition of sports like baseball, softball, flag football and squash. It was filmed across the city, from Downtown L.A. to Venice Beach, the 6th Street Bridge and the Los Angeles Memorial Coliseum.

    NBC has also lined up 28 L.A. institutions to share the spot on social media, including the Griffith Observatory, the Hollywood Walk of Fame, SoFi Stadium and Universal Studios Hollywood.

    “As the world gathers in Milan to close one Olympic chapter, LA28 Dreamin’ opens the door to what’s next,” says Jenny Storms, NBCUniversal’s CMO for television & streaming. “With LA28 Dreamin’, we wanted to create a moment that feels both iconic and forward‑looking. Kate Hudson brings a deeply personal connection to Los Angeles, and together with the athletes and the music, it sets the tone for the next Olympic chapter — one rooted in culture, creativity, and possibility. With Kate Hudson at its center, this piece captures the spirit and unmistakable energy of Los Angeles — a love letter to the city and a powerful invitation to dream ahead to the Summer Games in 2028.”

    Other athletes featured in the spot include 2028 hopefuls Jack Alexy, Perris Benegas, Rai Benjamin, Jordan Chiles, Kelly Cheng, Jagger Eaton, Jajaira Gonzalez, Jamal Hill, Nick Itkin, Megan Kraft, Blake Leeper, Caroline Marks, Helen Maroulis and Curtis Thompson.

    NBCU, of course, has been using high-wattage stars to get viewers excited for the games going back to the 2024 Paris Summer Olympics. For Milan-Cortina, it dialed that up, not only bringing on talent like Snoop Dogg and Stanley Tucci for coverage, but stars like Matt Damon and Ariana Grande to star in promos teeing up the games.

    Suffice it to say, NBCU is unlikely to dial that back for what it sees as its biggest Olympics yet, set squarely in the global capital of the entertainment business (the squash competition, as it happens, will take place on Universal’s studio lot, in front of the Courthouse Square building known from Back to the Future).

  • BAFTAs Host Alan Cumming Asks for ‘Understanding’ as Tourette Syndrome Campaigner John Davidson Shouts ‘Strong Language’ and Slurs at Winners and Presenters

    BAFTAs Host Alan Cumming Asks for ‘Understanding’ as Tourette Syndrome Campaigner John Davidson Shouts ‘Strong Language’ and Slurs at Winners and Presenters

    BAFTA Film Awards host Alan Cumming thanked the audience for their understanding on Sunday night after a number of outbursts from Tourette’s campaigner John Davidson during the show.

    Davidson, who is the inspiration for BAFTA-nominated movie “I Swear,” was diagnosed with the syndrome at the age of 25. His symptoms, which first began when he was 12, include tics and uncontrollable outbursts, often involving cursing.

    A number of outbursts could be heard throughout the BAFTA ceremony, including “shut the fuck up” being shouted during an introductory speech from BAFTA chair Sara Putt and “fuck you” when the directors of “Arco,” which won the BAFTA for best children’s and family film, accepted their award. During another outburst, the audience inside the BAFTAs heard Davidson shout the n-word when Michael B, Jordan and Delroy Lindo presented the award for best visual effects to “Avatar: Fire and Ash.”

    “You may have noticed some strong language in the background. This can be part of how Tourette’s syndrome shows up for some people as the film explores that experience,” Cumming told the audience, which included the Prince and Princess of Wales. “Thanks for your understanding and helping create a respectful space for everyone.”

    Later on in the ceremony Cumming made a further statement, saying: “Tourette’s Syndrome is a disability and the tics you’ve heard tonight are involuntary, which means the person who has Tourette’s Syndrome has no control over their language. We apologize if you are offended tonight.”

    The outbursts could not be heard in the second half of the ceremony when Davidson appeared to have left the room. Variety understands he left of his own accord and was not asked to leave by BAFTA. A source told Variety earlier that Davidson was an “invited guest” and under no circumstances would he be asked to leave the ceremony. BAFTA did not respond to comment regarding whether the outbursts would be cut for the broadcast, which goes out with a two-hour delay on BBC One in the U.K. (In the U.S. and other international territories it goes out on BritBox International).

    Before the ceremony began the floor manager also introduced Davidson to the audience, saying: “I’d like to welcome John Davidson MBE from one of our nominated films ‘I Swear’. John has Tourette’s Syndrome so please be aware you might hear some involuntary noises or movements during the ceremony.”

    “I Swear” features “Lord of the Rings: The Rings of Power” star Robert Aramayo as Davidson, following him at the age of 25 after his appearance in a seminal BBC documentary “John’s Not Mad,” which first introduced Tourette’s to a wider audience.

    The film, which was directed, written, and produced by Kirk Jones, is up for five BAFTAs, including best leading actor for Aramayo, best supporting actor for his co-star Peter Mullan, best original screenplay and casting (the latter which it won). The film is also competing for outstanding British film.

    Aramayo was also awarded BAFTA’s EE Rising Star award on Sunday night. Collecting his award, Aramayo said: “John Davidson is the most remarkable man I ever met. He’s so forthcoming with education and he believes there should be still so much more we need to learn about Tourette’s. Especially, I just want to say for people who are living with Tourette’s it’s the buzz around them that helped define what their experience is so, to quote the film, ‘They need support and understanding.’”

    Since Davidson went public with his diagnosis four decades ago, a number of public figures have revealed they suffer from the syndrome, for which there is no cure. They include Billie Eilish and Lewis Capaldi.

    In a statement to Variety before the ceremony, Emma McNally, CEO of support and research charity Tourettes Action, said: “We’ve had a huge amount of people reach out to us about ‘I Swear,’ both individuals living with Tourette’s syndrome and those with no previous connection to the condition. All have been deeply affected by the film. It’s clearly created a huge public reaction.”

    “Viewers have told us that seeing John’s real story portrayed with such depth and honesty has given them a far more accurate understanding of what Tourette’s can look like and how it affects the individual – this is something they had given little thought to previously.”

    “We’re hopeful that as more people talk openly and more accurate on‑screen representations appear, we’ll continue moving toward a more inclusive and understanding society for everyone living with Tourette’s.”

  • Box Office: ‘Wuthering Heights’ Surpasses $150 Million, ‘GOAT’ Hits $100 Million Globally

    Box Office: ‘Wuthering Heights’ Surpasses $150 Million, ‘GOAT’ Hits $100 Million Globally

    This weekend at the global box office was the tale of two holdovers as “Wuthering Heights” waltzed to $150 million while “GOAT” hit the $100 million mark.

    Director Emerald Fennell’s gothic romantic drama “Wuthering Heights,” which ceded the top spot in North America to “GOAT,” was No. 1 at the international box office with $26.3 million from 76 markets. In a theatrical surprise, the R-rated film has been a bigger draw overseas with ticket sales having climbed to $91.7 million to date. Top foreign territories include the United Kingdom with $22.5 million, Italy with $9.4 million and Australia with $8.3 million. So far, “Wuthering Heights” has grossed $151.7 million worldwide against an $80 million production budget.

    “GOAT” captured second place with $17 million from 51 territories, representing 70% of its overseas footprint. Sony’s original animated adventure, about an animal who aspires to be a basketball champion, has earned $44 million internationally. The U.K. is the highest-grossing market with $14.5 million, followed by Mexico with $3.4 million and France with $3 million. Along with $58 million at the domestic box office, “GOAT” has generated $102.3 million against a price tag of $80 million.

    Elsewhere at the international box office, Amazon MGM’s heist thriller “Crime 101” added $6.2 million from 75 markets in its second weekend of release. The film, starring Chris Hemsworth and Mark Ruffalo, has stalled with $21.6 million overseas and $46.3 million worldwide. That’s a terrible result for the studio considering it spent $90 million to produce the film (and theater owners keep roughly 50% of ticket sales).

    Outside of Hollywood releases, China’s comedy “Pegasus 3” is dominating with estimates of over $200 million during the Chinese New Year, a popular time for moviegoing in the country. The film is doing especially well in Imax with $21.7 million over the weekend, the second consecutive Chinese-language hit for the company after last year’s phenomenon “Ne Zha 2.”

  • Paul Thomas Anderson Says ‘I Feel Like the Prettiest Girl in the Room’ After Winning BAFTA Best Director Prize, Dedicates Award to Late ‘One Battle’ Producer Adam Somner

    Paul Thomas Anderson Says ‘I Feel Like the Prettiest Girl in the Room’ After Winning BAFTA Best Director Prize, Dedicates Award to Late ‘One Battle’ Producer Adam Somner

    Paul Thomas Anderson won the BAFTA Film Award for best director for his sprawling and politically-charged satire “One Battle After Another,” which has long been an awards season favorite. As he accepted the award, Anderson quipped, “I feel like the prettiest girl in the room right now,” prompting laughter from the crowd.

    But Anderson’s tone soon turned serious as he dedicated the award to the late producer, assistant director and Brit Adam Somner. “You may think that your greatest export is Alfred Hitchcock or Charlie Chaplin, but it wasn’t,” Anderson said. “To me, it was Adam Somner, who was my assistant director and producer for about 20 years. He came over to America and the line was out the door of people who wanted to work with him because he made us all better.”

    Anderson continued: “About three weeks into our film, he found out he was sick, and he made it through production. If you’ve ever gone to work before with someone who’s very ill, there’s something miraculous that makes you pay attention and reminds you the privilege of the work that we do. So thank you for sending him to me.”

    One of contemporary cinema’s most acclaimed directors, the BAFTA win is Anderson’s first for best director, having previously been nominated in the same category for “We Will Be Blood” and “Licorice Pizza.”

    Loosely inspired by Thomas Pynchon’s novel “Vineland,” “One Battle After Another” — PTA’s most epic and ambitious film to date — follows a rabble of ex-revolutionaries reuniting to rescue a comrade’s daughter after an old enemy resurfaces. The ensemble cast includes Leonardo DiCaprio, Sean Penn, Benicio Del Toro, Regina Hall, Teyana Taylor and breakout Chase Infiniti.

    Anderson, also behind films such as “Boogie Nights,” “Magnolia” and “The Master,” can now add another director award to an array of honors that already includes best director at the Cannes Film Festival, the Silver Lion at the Venice Film Festival, and the Silver and Golden Bear at the Berlin Film Festival.

    “One Battle After Another” went into the BAFTA Awards leading the pack with 14 nominations, just two short of the record set by “Gandhi.” For the upcoming Academy Awards, the film has 13 nominations, with hopes that Anderson will finally add a long-awaited Oscar to his collection.

  • ‘Marty Supreme’ Ties BAFTA Record for Most Losses in History

    ‘Marty Supreme’ Ties BAFTA Record for Most Losses in History

    Marty Mauser has lost another critical match — but this time, it was in the awards game.

    Josh Safdie’s sports dramedy “Marty Supreme” left this year’s BAFTA ceremony with an unwelcome distinction, tying the record for most losses in a single night after going 0-for-11.

    The film entered BAFTA with formidable nomination strength and broad expectations of converting in at least a handful of categories — particularly for leading actor Timothée Chalamet, who picked up major stops this season at the Critics Choice Awards and the Golden Globes in Jan. In one of the night’s biggest shocks, Chalamet lost to Robert Aramayo from Kirk Jones’ Tourette’s drama movie, “I Swear.”

    Now, the A24 contender was shut out across the board, joining “Women in Love” (1969) and “Finding Neverland” (2004) as the only films to go winless with 11 nominations. Notably, both of those titles still went on to win a single Oscar on their respective nights: Glenda Jackson for best actress (“Women in Love”) and Jan A.P. Kaczmarek for original score (“Finding Neverland”). The BAFTA result is especially striking given Safdie’s own dominance on the ballot; he is the year’s most-nominated individual with four nominations, spanning his roles as director, co-producer, co-writer and co-editor.

    Despite the BAFTA setback, “Marty Supreme” remains a formidable player in the wider awards conversation, and history offers a reminder that a rough precursor night isn’t always fatal. Another A24 title, “Everything Everywhere All at Once” (2022), managed only one BAFTA win (film editing) before going on to take seven Oscars, including best picture, director and three acting prizes. The moving drama “Moonlight” (2016) also went without a single BAFTA win that year, losing all four of its awards, before pulling off a historic upset in best picture at the Oscars.

    Still, the optics sting with a win-less night and a record-tying losses stat, which is not the kind of headline any campaign wants in the final stretch.

    At BAFTA, “Marty Supreme” was nominated for best film, director, leading actor (Chalamet), supporting actress (Odessa A’zion), casting, original screenplay, production design, cinematography, costume design, film editing and makeup and hairstyling. At the Oscars, the film is nominated for nine, but misses BAFTA nominations for supporting actress and makeup and hairstyling.

    Final Oscar voting runs from Feb. 26 to March 5. The 98th Oscars will be held on March 15 on ABC, hosted by Conan O’Brien.