Category: Entertainment

  • Ariana Grande Clarifies Upcoming Break and Says It Was Planned in Advance: ‘Boundaries, They Need to Be Set’

    Ariana Grande Clarifies Upcoming Break and Says It Was Planned in Advance: ‘Boundaries, They Need to Be Set’

    Ariana Grande has spoken out about her upcoming break from her professional career after a representative said that she will step out of the public eye following the conclusion of her “Eternal Sunshine” tour in early September.

    During her first of three performances at Chicago’s United Center on Monday night, Grande paused at the front of the stage to address news of her upcoming hiatus, which coincided with the announcement that she would be dropping out of Stephen Sondheim’s West End revival of “Sunday in the Park With George.”

    “So basically, the announcement that was made yesterday was not a reactive or impulsive thing,” she told the crowd. “It is something that I had decided to plan that I had quietly made a long time ago and it’s a decision that was made from a thoughtful and empowered place. And I want you to know many things can be true at the same time. I want to share this because I heard that my fans were worried that negativity was ruining things for me, but I just have to say that could not be more the fuck opposite. Honestly, this is not what that is. And I just want to be very, very clear: Multiple things can be true at the same time. Yes, boundaries, they need to be set. Human beings can need a break sometimes. And also, this can be and will continue to be the greatest experience of my professional and creative life.

    “No matter what noises exist out there, nothing will ever be able to distort my reality or be more real to me or elaborate to me than this love that we share,” she continued. “The rest of that shit is not mine to carry, so I don’t carry it. I need to get out here and differentiate that from my truth for you all because I love you and this tour has been the most healing, beautiful, corrective, magnificent, special experience of my life.”

    On Sunday, a rep said that Grande will be “taking a step back from visibility after she completes the Eternal Sunshine tour. She looks forward to finishing the tour and ending it on a high note, both healthily and happily, and then taking a much-deserved break from public-facing work and appearances, which had led to endless, ongoing public scrutiny.”

    Grande had just released her new album “Petal” two days prior, along with a music video for the title track that drew scrutiny for her appearance. The pop star is currently wrapping up her tour, which concludes on September 1 at London’s O2 Arena.

  • Ariana Grande Wants to “Clear the Air” About Upcoming Break From Public Eye: “Not a Reactive or Impulsive Thing”

    Ariana Grande Wants to “Clear the Air” About Upcoming Break From Public Eye: “Not a Reactive or Impulsive Thing”

    Ariana Grande is offering some clarifications for her fans after it was revealed on Sunday that she will be “taking a step back from visibility” after her Eternal Sunshine Tour wraps.

    The singer-actress took a moment during her concert on Monday night at the United Center in Chicago to “clear the air about a few things.”

    “Sometimes when a story comes out that’s not directly from me, things can get a little blown out of proportion, so I just wanted to speak to my fans directly tonight because I love you so much,” Grande began, via videos shared on social media. “The announcement that was made yesterday was not a reactive or impulsive thing. It was something that I have decided. A plan that I had quietly made a long time ago. It was a decision that was made from a thoughtful and empowered place. And I want you to know that many things can be true at the same time.”

    “I heard that my fans were worried that negativity was ruining things for me, but I just have to say that could not be more the far opposite. This is not what that is. And I just want to be very, very clear, multiple things can be true at the same time: boundaries need to be set, human beings can need a break sometimes and also, this can be and will continue to be the greatest experience of my professional and creative life,” she continued, drawing loud cheers from the audience. “No matter what noises exist out there, nothing will ever be able to distort my reality or be real to me or louder to me than this love that we share, or even how it feels to make art with the people that I love and respect.”

    “This is what I will always take with me and carry with me, because the rest of that shit is not mine to carry so I don’t carry it. And I wanted you to hear that from me. I needed to get out here and differentiate that from my truth for all of you because I love you and this tour has been the most healing, beautiful, corrective, magnificent, special experience of my life,” Grande concluded.

    The Wicked star’s new comments came a day after her rep told The Hollywood Reporter that she will be stepping back from the public eye after her tour concludes on Sept. 1, following her 10-show residency in London.

    “She looks forward to finishing the tour and ending it on a high note, both healthily and happily, and then taking a much-deserved break from public-facing work and appearances, which has led to endless, ongoing public scrutiny,” the rep added. “This tour has been a beautiful experience for her. She loves her fans and has loved every minute of this tour so much.”

    THR also learned that Grande dropped out of the West End revival of Stephen Sondheim’s Sunday in the Park With George, which is set to open next summer.

    The “petal” singer has had a busy few years, between starring in Wicked: For Good and Wicked, the latter of which earned her an Oscar nomination for her role as Glinda. She’s also released two albums over the last two years, including 2024’s Eternal Sunshine and Petal, which dropped last month. Grande next stars in Focker-in-Law, hitting theaters on Nov. 25.

  • ‘Ice Cream Man’ Review: Eli Roth’s Children-of-the-Damned Splatter Movie Is No Treat

    Horror-movie directors are always looking for new ways to transgress. Eli Roth is a prime example — he once transgressed brilliantly, in “Hostel: Part II” (an eerily plausible movie about members of the elite paying huge sums to murder people in a warehouse in Slovakia), and he did it in an impish way in “Thanksgiving,” the holiday-horror expansion of his “Grindhouse” trailer. But with “Ice Cream Man,” Roth tries to go “over the line” in a way that’s shamelessly derivative, jaw-droppingly bare-bones basic as filmmaking, and way too ludicrous to scare you. The movie wants to be a lark, but it’s such a preeningly garish and ham-handed piece of shock theater that it makes “Thanksgiving” look like “Vampyr.”

    In the picturesque town of Bayleen Bay, a sunny Little League game is followed by the arrival of the ice-cream man (Ari Millen), who drives up in a blue-and-white truck heralded by his jingling-bell theme music (which sounds like Eddie Cochran’s “C’mon Everybody”). All the kids rush over to get ice cream. But this ice-cream man is a sinister psycho creep. In his pristine 1950s ice-cream-parlor hat and suit, flashing a grin under a sardine mustache, he’s mute, like Art the Clown in the “Terrifier” films, and he gives off the pervy vibe of the shoe-store clerk in ZZ Top’s “Legs” video.

    Is he a mad killer? No, he’s a pied piper, handing out demonically possessed ice-cream cones (the flavors advertised on his truck have names like Locust Lick and Serpent Swirl) that turn the local middle schoolers into slasher zombies who kill every teacher and parent in sight. It’s a “Village of the Damned” meets “Weapons” meets the opening scene of “Halloween” situation. But those movies all tower over “Ice Cream Man,” a one-joke piece of hyped-up kiddie zombie splatter schlock.

    We know the kids have become a killer cult when they start skulking around with blue and chocolate ice-cream smears (with sprinkles!) around their mouths, as if they had just barfed up a double-scoop cone. Then they go on the attack. The first murder is a girl slicing into her slumbering mother’s neck with a hacksaw; then her brother pounds his father’s face in with a baseball bat. Roth himself plays the hero’s geek dad, who will get his just desserts. As the rampage ramps up, assorted tools and weapons are employed: an electric sander, a garden shears, a garbage disposal, a fishbowl, a baggie, bricks tossed from a rooftop — Roth’s slaughteriffic imagination is very analog suburban. And let’s not forget that old favorite: falling over backwards on a ladder and getting your face reduced to jelly by having it bashed in with a fire extinguisher. At one point the ice-cream man hands a girl a scoop, which juts out a blade, which she uses to saw the top of a teacher’s head off and then scoop out his brains and feed it to him. Fun!

    I share the nostalgic affection, and even admiration, that people have these days for practical effects, but there’s a way that the reverence for them can be overstated. The use of practical effects in “The Odyssey”  is talked about in awed tones, as if it made up for the film’s storytelling lapses, and in “Ice Cream Man” Eli Roth’s obsession with decapitations and disembowelings and severed body parts — some of this is done practically, some digitally — is a thin step up from the carny-barker grisliness of Herschell Gordon Lewis. At the film’s frenzied climax, children jump rope on the playground using an intestine, and they play tetherball with a chain attached to a severed head. I’ve praised the “Terrifier” films for what may sound like the same thing, but the director of those movies, Damien Leone, uses practical effects to create escalating arias of gore. And Art the Clown’s mime-of-mayhem harlequin ghoulishness is part of the extremity. Since kids aren’t naturally aggressive in that way, seeing them become insane slashers is off-putting, in part because it feels so fake.

    What “Ice Cream Man” comes down to, after a while, is an army of teen actors glowering in zombie ice-cream-barf makeup. The idiot-stooge middle-school teachers keep getting it, which gives the movie a musty we’re-not-gonna-take-it “anti-establishment” vibe that’s very 1980s. And the film’s cheesy, functional, overbright look feeds right into that.

    There are three kids who aren’t infected, led by Jared (Charlie Zeltzer), the shrimpy geek who’s lactose intolerant (so he can’t have ice cream). They escape the madness just in time to land in a freezer, where a dour priest (Benjamin Byron Davis) explains the ice-cream man’s backstory. It has something to do with a Catholic child-sex-abuse scandal and his being unfairly blamed for it, an origin saga so preposterous it would make Freddy Krueger groan. (My favorite part: the ice-cream man showing up in court…in his ice-cream-man suit.) That the film knows it’s preposterous is supposed to be redeeming. But Roth’s it’s-all-a-big-joke attitude here is a cop-out that’s beneath him, a way to avoid making a horror movie that truly engages us. With a slight nudge, “Ice Cream Man” could be a “Saturday Night Live” horror trailer. The Grindhouse might turn it down.

  • Mary Rivera, ‘Spider-Man: No Way Home’ Actress, Dies at 82

    Mary Rivera, ‘Spider-Man: No Way Home’ Actress, Dies at 82

    Mary Rivera, who played the grandmother of Jacob Batalon’s Ned in “Spider-Man: No Way Home,” has died. She was 82.

    According to her obituary, Rivera was born on June 2, 1943, in Iloilo, Philippines, and died on April 15 in Honolulu, Hawaii. A family member told TMZ that Rivera suffered a stroke and had to be put on life support. The family member also told the outlet that Rivera was “extremely proud” of her role in “No Way Home,” and that landing the part was one of her most cherished accomplishments.

    Rivera shares her memorable “No Way Home” scene with Andrew Garfield’s Peter Parker, Ned and Zendaya’s MJ. Before her brief appearance, Ned and MJ are in a tense standoff with Peter, who just emerged from the multiverse to help save their universe’s Spider-Man, played by Tom Holland. Rivera then enters the room, breaking the suspense. Via Ned’s translation, she asks Garfield’s Spider-Man to climb across the ceiling and clean a cobweb from a hard-to-reach corner.

    A tribute on her obituary page reads, “Tita Mary, as my mentor and colleague, you will be missed tremendously. My deepest and most heartfelt sympathies go out to the Rivera family during this difficult time.”

    “Love you, miss you Nanay,” read another remembrance. “My memories with you are vast and long, beginning with you telling me to say: ‘Biva Marcos Lopez’ as a toddler, to three generations taking Cover Look photos, to saying goodbye. Imagining you watching us.”

    Rivera is survived by her husband, Alejandro Rivera, and her children, Carmela Jones, Paul Rivera, Edwin Rivera and Angela Kelly.

  • Nordstrom Anniversary Sale Ends Soon — 27 Steals From Hollywood’s Most-Loved Labels

    Nordstrom Anniversary Sale Ends Soon — 27 Steals From Hollywood’s Most-Loved Labels

    If you purchase an independently reviewed product or service through a link on our website, The Hollywood Reporter may receive an affiliate commission.

    From discounted designer gems to the best of premium beauty, summer’s steepest savings are served courtesy of Nordstrom’s Anniversary Sale — but come Monday, Aug. 10, prices will be right back where they began.

    Ahead, 27 of the most sought-after styles for this season and beyond, but for even more tailored recommendations, check out The Hollywood Reporter‘s category-specific shopping guides here:

    Nordstrom Anniversary Sale 2026: Shop 27 Best Deals

    An everyday staple, this limited-edition silhouette is structured with a hint of slouch.

    Smart shoppers know to grab Le Labo’s rarely-discounted fragrances. This set includes Another 13, Rose 31, Santal 33, Thé Matcha and Thé Noir (a personal favorite).

    It always pays to invest in a timeless pair of everyday diamond studs. Price per wear will be minuscule, especially given the 25 discount. These natural diamond earrings are available (and on sale) in a variety of carat weights.

    Or test the waters by getting the look for less.

    We’ve said it before, and we’ll say it again: Diptyque is worth every penny.

    Uggs under $70 are far and few between.

    Give those chunky trainers a break with a streamlined pair of low-profile leather and suede sneakers.

    While Nordstrom’s fashion and beauty deals may first come to mind, homeware is a sleeper hit year after year.

    online trunk show-exclusive

    Features a 0.35ct. lab grown diamond paired with 18k gold vermeil.

    These classic Frye knee highs will serve you from festival season well into fall.

    No explanation needed.

    Test out two of the cult-favorite clean makeup brand’s most-loved shades: blush in shade Petal and highlighter in shade Nectar.

    Another cheek duo for those partial to a liquid formula.

    Discounted in all three colorways.

    Prep for summer showers with Barbour’s water-repellant jacket, available in both olive and black.

    Therabody can do no wrong.

    Transition from chilly summer nights to breezy fall days with Faherty’s trending rugby shirt, available in three striped varieties.

    Also available in pink stripe.

    A summer-friendly alternative.

    Hop on the animal print wave with four patterned variations of the limited-edition Nordstrom x Flabelus collab.

    Nordstrom Credit Card Benefits​ and Sign Up Bonus

    For those considering signing up for Nordstrom’s credit card, now is the most strategic time to do so: Through Aug. 9, new cardmembers will receive $60 off their next purchase. Card members also get automatic Influencer status, which grants early sale access for future events (since the early access window has already concluded for this event). See all benefits and apply for a credit card now at Nordstrom.com.

    Nordstrom Anniversary Sale Dates and Early Access

    While the 2026 Nordstrom Anniversary Sale opened to the general public on Saturday, July 18, rewards members could enjoy early access as soon as Tuesday, July 14. Customers’ access dates depend on their membership tier in The Nordy Club, the retailer’s free-to-join loyalty program. Access dates for the 2026 sale are as follows:

    • Icons: July 14
    • Ambassadors: July 15
    • Influencers: July 16
    • Everyone: July 18

    Influencer status can be achieved either by opening a Nordstrom Credit Card or reaching a purchase balance of $500. Ambassador status is unlocked with a minimum annual spend of $5,000, and Icon status is achieved once reaching a minimum annual spend of $15,000 using your Nordstrom card. The sale ends for everyone on Sunday, Aug. 9.

  • St. Vincent Wraps Orchestra-Backed Tour With Cinematic Hollywood Bowl Show

    St. Vincent Wraps Orchestra-Backed Tour With Cinematic Hollywood Bowl Show

    St. Vincent wrapped up her critically lauded orchestral tour run in her “adopted hometown” of Los Angeles at the Hollywood Bowl Sunday night, enlisting the venue’s famed orchestra to help turn her discography into a full-on theatrical experience.

    The concert marked the culmination of a concept years in the making, starting with when the singer-songwriter — real name Anne Clark — was first invited last year for BBC Proms, where she collaborated with conductor Jules Buckley for a concert at Royal Albert Hall. That resulted in St. Vincent’s latest album, Live in London!, which dropped in March, and a now-completed two-month trek that had her and Buckley playing with local symphony orchestras all over the country from Pittsburgh, Philadelphia, Boston, New York and Detroit, among many more.

    Still, the Hollywood Bowl is the only locale appropriate to wrap up something as cinematic as this, and Clark delivered, bringing an hour-and-a-half set that flew by as she added yet another layer to her already genre-bending mix of art-rock and pop.

    The orchestral accompaniment lends itself well to St. Vincent’s music, adding a certain dramatic flair to an already very visual discography. The strings help bring out the Bond Theme quality of “Violent Times.” “Smoking Section” gets a bit more grandiose and takes on an almost Spaghetti Western vibe, while “Los Ageless” gets scaled back, going much more intimate from its hardened industrial rock, with swelling strings and piano emphasizing the longing in the song’s chorus: “how could anybody have you and lose you and not lose their minds, too?”

    And while an orchestra of dozens of players can make it harder for any one instrument to stand out, it only further emphasized Clark’s inventive guitar work, adding a Zeppelin-esque light and shade quality where her heavily distorted six-string could suddenly cut through the daintier score, only to disappear again as she went back to a verse.

    She emphasized the drama with her own physical performance too. During show opener “We Put a Pearl in the Ground,” she held her arm out, fingers crossed for much of the track. On “Marrow,” she hits the body of her guitar like she’s thumping her chest as she spells “H-E-L-P.” And during “The Bed,” she kept her fingers on the vein on her left arm by the pit of her elbow, as if to check her pulse.

    For an Orchestra-backed show, Clark was never above getting loose. Toward the end of the set during “New York,” Clark had taken to the edge of the stage, walking just above the concert-goers in the pool circle section, grabbing someone’s popcorn and pouring it all over herself. She reached for another before pulling back. “The popcorn bit only works once,” she said, soon after grabbing someone’s glass of wine and splashing that all over her chest and waist as well.

    As she’s done throughout much of the tour, she wrapped up her set with the fitting, string-laden Masseduction standout “Slow Disco.”

    Setlist:
    “We Put a Pearl in the Ground”
    “Hell Is Near”
    “Reckless”
    “Violent Times”
    “Black Rainbow”
    “Marrow”
    “The Bed”
    “Smoking Section”
    “Now, Now”
    “Live in the Dream”
    “The Nowhere Inn”
    “Digital Witness”
    “Los Ageless”
    “New York”
    “Paris Is Burning”

    Encore:
    “Slow Disco”

  • Anya Taylor-Joy Says ‘Women Don’t Method Act Because We Have Things to Take Care of and Can’t Lose Our Minds’ or Be ‘Assholes’ on Set

    Anya Taylor-Joy Says ‘Women Don’t Method Act Because We Have Things to Take Care of and Can’t Lose Our Minds’ or Be ‘Assholes’ on Set

    Anya Taylor-Joy is known for giving full-bodied performances in the likes of “The Witch,” “The Queen’s Gambit,” “Furiosa” and more, but she’s never gone full Method on a set before nor does she have plans to in the future. The way Taylor-Joy sees it, women do not have the opportunity like men do when it comes to being a Method actor.

    “If you’ll notice, women don’t method act because we have things to take care of, so we can’t completely lose our minds,” Taylor-Joy recently said in a viral interview with Complex News. “I see acting as a controlled psychosis in a way. You’re pretending to be somebody else and having their thoughts 16 hours a day and moving like them, in their house, in their clothes. It’s like having a sister or a roommate check in up [in my mind] for a little bit.”

    Taylor-Joy continued, “I’m just very grateful that the people in my life understand that and know that. Sometimes if it gets out of hand, they’ll call me by the character name and they’ll be like ‘we need to check in again.’ But I can’t imagine keeping it up all the time because, again, you’re going to work with hundreds of people and it is your responsibility to be good to them and to help them do their best job. If you’re too invested in being an asshole then that’s not gonna be very fun.”

    Kristen Stewart shared a similar viewpoint last December when she told The New York Times that acting is “quite embarrassing and un-masculine” by nature and that going Method is a way for some male actors to temper the “inherently vulnerable” side of being a performer.

    “Performance is inherently vulnerable and therefore quite embarrassing and unmasculine,” Stewart said at the time. “There’s no bravado in suggesting that you’re a mouthpiece for someone else’s ideas. It’s inherently submissive. Have you ever heard of a female actor that was method?”

    Daniel Day-Lewis is perhaps the most well known Method actor if his generation, and he spent much of his 2025 press tour for “Anemone” defending the performance technique.

    “All the recent commentary in the last few years about Method acting is invariably from people who have little or no understanding of what it actually involves,” Day-Lewis said at the London Film Festival last year. “It’s almost as if it’s some specious science that we’re involved in, or a cult. But it’s just a way of freeing yourself so that the spontaneity, when you are working with your colleagues in front of the camera, that you are free to respond in any way that you’ll move to in that moment.”

    Day-Lewis then stressed to Big Issue that Method acting is simply about “freeing yourself so you present your colleagues with a living, breathing human being they can interact with,” adding: “It’s very simple. So it pisses me off this whole ‘Oh, he went full Method’ thing. What the fuck, you know? Because it’s invariably attached to the idea of some kind of lunacy. I choose to stay and splash around, rather than jump in and out or play practical jokes with whoopee cushions between takes or whatever people think is how you should behave as an actor.”

    Watch Taylor-Joy’s full interview with Complex in the video below.

  • ‘New Girl’ Creator Liz Meriwether Reacts to Reunion Rumors Fueled by Max Greenfield

    ‘New Girl’ Creator Liz Meriwether Reacts to Reunion Rumors Fueled by Max Greenfield

    It appears the New Girl cast and creator aren’t exactly on the same page about the rumored reunion.

    After Max Greenfield, who played Schmidt on the hit sitcom, fueled speculation that the gang might be getting back together, creator Liz Meriwether playfully took to Instagram to offer her thoughts on the matter.

    “As far as I know, it’s happening,” Greenfield recently said on Today with Jenna & Sheinelle about a potential New Girl reunion. He added that he’s “seen scripts” Meriwether’s written and that they’re “amazing.”

    However, according to Meriwether, Greenfield actually wasn’t a big fan of her alleged scripts. “Max told everybody that there’s amazing scripts of a New Girl reunion that I’ve written. Um — and just an update on that — the scripts were pretty good until everybody just started giving me notes on every little thing,” she joked.

    The creator then went on to list all of the script changes that she claimed each actor requested. “Jake wants Nick to be, like, really thin — and wants to kind of be naked a lot, showing off his body,” Meriwether quipped of Jake Johnson, who played Nick on the show. “He asked to have a dance number with him, fully nude, dancing to ‘Levitating,’ by Dua Lipa.”

    Meriwether said that “it didn’t really make any sense in the story,” so she had to figure out a way to shut down Johnson’s idea. She joked that he got “really upset” in response.

    As for Lamorne Morris, who played Winston Bishop, the creator quipped, “Lamorne keeps asking for more and more jewelry. For his character, he wants a very long chain, like a chain all the way down to his knees.”

    Lastly, she said Greenfield “has been very adamantly asking to be the new girl. Like, he wants the title to be, ‘Max Greenfield is the New Girl.’”

    “Again, I thought that would throw audiences and, you know, nobody really wanted that,” Meriwether jokingly added. “I wasn’t going to say any of this publicly, but then Max decided to make it all public, so again, I have to comment.”

    While there’s been no official confirmation of a New Girl reunion, aside from Greenfield trolling fans, it’s safe to say no one will be returning to apartment 4D until they all get on the same page about these rumored scripts that everyone keeps talking about.

    Johnson also joked on his Instagram Story Monday that he thinks Greenfield was confused when he called the reunion scripts amazing. “I think I figured out what happened with this Max Greenfield and the script thing for New Girl. I just saw Liz Meriwether’s new show, Furious. I think Max read those scripts,” he said. “I totally get it. It happened to me too many times. I love you, Max, but that’s a different show, my brother.”

    New Girl, which also starred Zooey Deschanel, Hannah Simone and Damon Wayans Jr., ran for seven seasons from 2011 to 2018.

  • CBS Orders Comedy Pilot ‘Hilda! (In Lights!)’ About 70-Year-Old Woman Pursuing Broadway Dreams

    CBS Orders Comedy Pilot ‘Hilda! (In Lights!)’ About 70-Year-Old Woman Pursuing Broadway Dreams

    CBS has given a pilot order to a comedy series titled “Hilda! (In Lights!)” about an elderly woman who moves to New York City to pursue her Broadway dreams.

    Three scripts for the single-camera project, from writer and executive producer Abbey Caldwell, were announced as being in development at the studio in April. The logline reads: “One of those classic shows about a plucky small-town optimist who moves to the big city to pursue her lifelong dream of starring on Broadway. There’s just one teeny, tiny, totally inconsequential difference… our hero Hilda is a 70-year-old woman from Nebraska with absolutely no experience.”

    Caldwell’s non-writing executive producers include Will Graham, Max Linsky and Tonia Davis for Invitation Media. The project is produced by CBS Studios.

    The “Hilda! (In Lights!)” news comes as CBS has taken bets on a handful of new, original projects. “Eternally Yours,” a vampire comedy from “Ghosts” duo Joe Port and Joe Wiseman, is premiering on Oct. 8 alongside the Silicon Valley-set legal drama “Cupertino” from Robert and Michelle King. Tara Hernandez’s comedy pilot “The Tillbrooks” (formerly known as “Regency”) — a historical spin on the classic multi-camera family sitcom — was also ordered to pilot but will not be moving forward.

    On the CBS 2026-2027 schedule is the new “NCIS” spinoff “NCIS: New York,” which will see LL Cool J reprising his role as Sam Hanna. That show will debut on Oct. 6.

    New series “Einstein,” a dramedy starring Matthew Gray Gubler as the brilliant but directionless great-grandson of Albert Einstein, will premiere in the second half of the season.

  • Dermot Mulroney Says He’s ‘Sad to See it Go’ After ‘Chicago Fire’ Exit: ‘We Gave it Our All for Two Seasons’

    Dermot Mulroney Says He’s ‘Sad to See it Go’ After ‘Chicago Fire’ Exit: ‘We Gave it Our All for Two Seasons’

    News broke on Friday that Dermot Mulroney will leave NBC’s “Chicago Fire” in its upcoming 15th season. During a recent appearance at Flash Weekend Chicago Horror Convention (via People), Mulroney opened up about his exit.

    “Loved every minute of it. Became friends with this incredible crew of people,” Mulroney said. He later noted that the show gave him some “incredibly challenging scenes,” but luckily, he had an “incredible cast” to back him up.

    The “My Best Friend’s Wedding” star explained that he only has one more episode left in Season 15, and then “they write the character off.” He said of his time on “Chicago Fire,” “We gave it our all for two seasons.”

    “They wrote an incredible storyline that put me as an actor on [a] high challenge,” Mulroney added. “I loved every minute of it. Sad to see it go.”

    Mulroney joined “Chicago Fire” in Season 13 as Chief Dom Pascal. His exit is expected to come early in Season 15, which premieres on Oct. 7 at 9 p.m. ET.

    “I can’t tell you how many people come up, and they’d much rather have an autograph on ‘Scream VI,’ but [they ask for] Chief Pascal for their dad,” he later shared. “It’s an amazing thing to see and that’s how meaningful that is. Which makes it that much more, I won’t say bittersweet. It’s bitter to have to leave that.”

    Mulroney’s “Chicago Fire” exit came just a couple of days after it was revealed that original cast member Joe Miñoso would also soon leave the drama series. Miñoso’s character, firefighter Joe Cruz, will likewise be written off in Season 15.