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The Louis Theroux Podcast will return for a seventh season.

Spotify and Mindhouse have confirmed that the popular interview show, hosted by the beloved British broadcaster and documentary-maker, will launch on March 3.

Theroux is back opposite some of the most intriguing names in entertainment, film, sport and more, including tennis maverick Boris Becker, Twin Peaks‘ detective Kyle Maclachan, singer Lulu, comedian Stewart Lee, Icelandic singer-songwriter Laufey, and investigative journalist and author Patrick Radden Feefe. A bonus episode and more guests will be announced in due course.

“Someone once said to me that the key to a great conversation is genuine curiosity. ‘Could you repeat that?’ I replied. ‘I wasn’t listening,’” Theroux joked to The Hollywood Reporter. “But seriously — who could fail to be curious when faced with guests as fascinating, whose lives and work are as full of incident, insight, and artistry, as Boris Becker, Lulu, Stewart Lee, Laufey, Kyle MacLachlan, Patrick Radden Keefe, and Yorgos Lanthimos?”

“Each one, it strikes me now, comes from a different area of professional life, but all of them practise their art forms at the highest levels,” he continued. “It’s a real pleasure having these conversations, and being allowed the space to let them flow and go in surprising directions, and with no topics off the tables. Thanks for watching!”

Since its launch in 2023, The Louis Theroux Podcast has cemented Theroux as one of the U.K.’s most successful podcasters. Last year, it was the third most-listened-to podcast overall in the U.K., according to Spotify Wrapped data — climbing from sixth place in 2024.

Series six saw Florence Pugh dissecting the pros and cons of intimacy coordinators, Steve Coogan got candid on his most challenging role yet, and Malala Yousafzai discussed her university experience as a Nobel prize winner.

The podcast’s back-catalogue also boasts recordings with Little Simz, Ed Sheeran, Michael Cera, Nick Cave and Tracey Emin, alongside headline-making episodes with Jimmy Carr, Bella Ramsey and many more.

The Louis Theroux Podcast is a Spotify podcast from Mindhouse, available on all podcast platforms, with video episodes exclusively on Spotify. Series 7 launches Tues, Mar. 3, 2026.

BAFTA-winning Glaswegian writer-director Lynne Ramsay will receive the Cinema City Honorary Award at the Glasgow Film Festival.

She will get the honor on March 6 at a special In Conversation event entitled “From Page to Pulse,” which will be hosted by Glasgow filmmaker Adura Onashile (Girl) and be part of the festival’s annual Industry Focus strand. In it, the director will take “a deep dive into her unparalleled approach to adaptation,” organizers said.

The filmmaker made her feature film debut in 1999 with the Glasgow-shot Ratcatcher, which won the BAFTA for Outstanding Debut. “Throughout the last three decades Lynne has become renowned for her distinctive visual style and powerful storytelling, having directed Hollywood titles that include We Need to Talk About Kevin, Die My Love, and You Were Never Really Here,” the festival said.

Launched in 2024, the Cinema City Honorary Award recognizes filmmakers who have made “an outstanding contribution to cinema.” The name of the award stems from the 1930s when Glasgow was home to more cinemas per person than any other place in the U.K. and it became affectionately known as the Cinema City.

Previous recipients of the award are Viggo Mortensen and Glaswegian Hollywood star James McAvoy.

“Lynne Ramsay is one of a very small number of filmmakers who have the seemingly miraculous power of taking a unique vision in their minds and creating it onscreen exactly as they imagined,” said Paul Gallagher, GFF head of program. “Her films have changed our understanding hiiiof what cinema can do and be.”

Added Samantha Bennett, GFF industry manager:“It is a true honor to welcome a homegrown talent of Lynne’s calibre to the Industry Focus program.”

GFF’s 2026 lineup of guest will also include a variety of other stars and filmmakers. McAvoy will attend GFF’s closing gala for the U.K. premiere of hos directorial debut California Schemin’, joined on the red carpet by film cast members Samuel Bottomley, Séamus McLean Ross and Lucy Halliday
Glasgow-based director Felipe Bustos Sierra (Nae Pasaran) will return to the fest for the opening gala of Everybody to Kenmure Street, after the film won an award at Sundance.

Other filmmaking talent attending the festival includes Alice Winocour, Mark Jenkin, Polly Findlay, Marc Evans, Iain Forsyth and Jane Pollard, and Edinburgh filmmaker Sean Dunn for the U.K. premiere of his black comedy The Fall of Sir Douglas Weatherford.

The 22nd edition of GFF will take place Feb. 25-March 8.

In any other market during any other holiday, a blockbuster opening of over $300 million would be an instant cause for celebration. But the $369.3 million debut of race-car comedy Pegasus 3 during the first six days of China‘s Lunar New Year holiday came with a potentially worrying caveat.

The film pulled far ahead of the competition during the opening stretch of China’s biggest moviegoing week of the year, leaving Zhang Yimou’s espionage thriller Scare Out in a distant second place with $110.7 million, martial arts epic Blades of the Guardians in third with $97.3 million and family animation Boonie Bears: The Hidden Protector in the third at $89.7 million, according to data from Artisan Gateway covering Feb. 17–22. Jackie Chan’s action-comedy sequel Panda Plan 2 took up the rear with $24.6 million.

Total ticket revenue during the holiday so far, however, has amounted to $715 million (RMB 5.1 billion), a 38.6 percent drop from the first six days of Chinese New Year in 2025 ($1.2 billion, or RMB 8.3 billion).

China’s theatrical film market has grown so top-heavy in recent years that the Lunar New Year holiday corridor generally sets the tone for the whole year. Last year’s holiday winner, animated sequel Ne Zha 2, went on to smash global records with a $2.2 billion box office total, ensuring that China’s film market staged a full-year recovery even though most major domestic releases disappointed throughout the rest of the calendar.

Pegasus 3 is currently on track to top out at around $622 million (RMB 4.3 billion) — a huge number, for sure, but not enough to save the market amid the relatively weak performance of its fellow holiday releases. To date, China’s theatrical box office is down 65 percent compared to the same period in 2025.

Pegasus 3 is the latest installment of blogger-turned-blockbuster director Han Han’s hit racing-comedy franchise, again led by Shen Teng as underdog driver Zhang Chi. In the latest installment, Zhang returns to competition to lead a newly assembled team in a high-stakes international rally. The film’s producers include Shanghai Tingdong Film Co., Maoyan Damai Entertainment, Bona Film Group, Wanda Pictures and others.

Zhang Yimou’s Scare Out, which opened in second place, marks the veteran filmmaker’s return to the espionage genre following the success of Cliff Walkers (2021). The contemporary spy thriller stars Jackson Yee and Zhu Yilong and centers on a national-security investigation triggered by the leak of sensitive military intelligence. The project is produced by Damai Entertainment, with Alibaba Pictures handling distribution.

In third position, Blades of the Guardians is a star-driven wuxia spectacle directed by legendary action choreographer Yuen Woo-ping and adapted from the popular manhua Biao Ren. The film features a marquee ensemble led by Wu Jing, Nicholas Tse, Yu Shi, Tony Leung Ka-fai and Jet Li. Production is backed by Woo Ping Pictures and Beijing Dengfeng International Culture Communications Company, alongside Damai Entertainment, China Film Group, Huaxia Film and other partners.

Fourth-place finisher Boonie Bears: The Hidden Protector continues the long-running animated franchise’s regular Lunar New Year presence for family audiences. Directed by Lin Huida and produced by Fantawild Animation, the installment follows Briar, Bramble and their human companion Vick as they encounter Nian — the mythical beast associated with the Lunar New Year — whose arrival grants them mysterious new powers and draws them into a fantastical city inhabited by supernatural forces.

The overall softness of the lineup compared with recent years’ holiday hauls underscores the growing volatility of China’s theatrical sector, where a single breakout hit can disproportionately determine the market’s annual trajectory. Theater operators have now started 2026 at a deficit, placing added pressure on the local industry to deliver major hits later in the year that can reverse the downward momentum at the country’s cinemas in recent years.