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  • Box Office: ‘Zootopia 2’ Shatters Another Record, Zooms Past ‘Minecraft’ to Top 2025 Domestic Chart

    Box Office: ‘Zootopia 2’ Shatters Another Record, Zooms Past ‘Minecraft’ to Top 2025 Domestic Chart

    Zootopia 2 continues to make history at the box office.

    On Tuesday, the Disney Animation Studios blockbuster passed up A Minecraft Movie ($423.9 million) to rank as the highest-grossing domestic release of 2025 with $424.2 million in ticket sales. The Oscar-nominated pic was already the top-grossing Hollywood title of the year at both the global and international box office, animated or otherwise.

    That’s not all. The latest milestone caps one of the most surprising, and remarkable, runs in the history of the genre. When the sequel opened over Christmas, no one could predicted it would become the top-grossing animated film of all time, not adjusted for inflation. Through Tuesday, the film’s global haul stood at roughly $1.85 billion.

    The sequel opened to a record-breaking $559.5 million globally over its five-day Christmas launch, the largest animated opening in history for the genre on its way to becoming both the fastest animated or PG film ever to reach $1 billion, a task it completed in 17 days.

    Now in its 13th week, the film has remained in the top 10 domestically for 13 consecutive weeks.

    And it’s the first Hollywood film in recent memory to do mega-business in China, where it has earned north of $650 billion to become the top-grossing Western film of all time, surpassing Avengers: Endgame. It has also shattered records in markets across the globe.

    To boot, it ranks No. 8 on the list of the all-time, highest-grossing Hollywood films, unadjusted.

    And, excluding China, Zootopia 2 has outgrossed the entire worldwide total of the original Zootopia, which topped out at $1.025 billion following its release in 2016.

  • ‘Zootopia 2’ Surpasses ‘A Minecraft Movie’ as 2025’s Highest-Grossing Domestic Release With $424 Million

    ‘Zootopia 2’ Surpasses ‘A Minecraft Movie’ as 2025’s Highest-Grossing Domestic Release With $424 Million

    “Zootopia 2” has cemented yet another box office benchmark, surpassing “A Minecraft Movie” to stand as the highest-grossing domestic release of 2025.

    Disney‘s animated sequel, which has been a theatrical juggernaut since Thanksgiving, had notched just about every other one of the year’s box office records, including Hollywood’s biggest earner internationally ($1.425 billion) and worldwide ($1.85 billion). However, “A Minecraft Movie” loomed larger in North America with $424.08 million. Now, after 13 weekends in the top 10 on domestic charts, “Zootopia 2” has officially pulled a hair ahead with $424.2 million in North America.

    Last year marked Disney’s biggest year on record since pre-pandemic times, with “Zootopia 2,” as well as two other billion-dollar behemoths, “Lilo & Stitch” and “Avatar: Fire and Ash,” helping to propel ticket sales past $6 billion globally.

    Released nine years after original, “Zootopia 2” hit theaters ahead of Thanksgiving with $158 million in North America and $559 million worldwide over the five-day holiday weekend. Those revenues ranked as the second largest Thanksgiving launch, the best start ever for an animated film, as well as the fourth-biggest worldwide debut in box office history (following “Avengers: Endgame,” “Avengers: Infinity War” and “Spider-Man: No Way Home”).

    Buoyed by great reviews and stellar word-of-mouth, the family film soon became the fastest PG release ever to reach $1 billion worldwide, crossing the milestone in 17 days. It has since surpassed “Inside Out 2” to become Hollywood’s highest-grossing animated film of all time, and it overtook “Avengers: Endgame” as the biggest Motion Picture Association (MPA) title ever in China. On all-time charts, “Zootopia 2” is currently the eighth-biggest film in box office history.

    Jared Bush and Byron Howard directed “Zootopia 2,” which takes place in a metropolis inhabited by animals and follows a rabbit police officer (Ginnifer Goodwin) and con artist fox (Jason Bateman) as they reunite to pursue a mysterious new reptilian resident (Ke Huy Quan). Given the never-ending box office accolades, it’s only a matter of time before Disney announces the inevitable “Zootopia 3.”

  • Karen Horne Named Executive Director of Mara Brock Akil’s Writers’ Colony Talent Development Program

    Karen Horne Named Executive Director of Mara Brock Akil’s Writers’ Colony Talent Development Program

    Warner Bros. Discovery veteran Karen Horne has been named executive director of showrunner Mara Brock Akil‘s Writers’ Colony talent development program designed to nurture underrepresented writers.

    Horne will be responsible for expanding the residency program that Brock Akil has spearheaded for the past few years. The Writers’ Colony offers three-month intensives for writers from underrepresented backgrounds with the goal of helping them strengthen their craft. The curriculum includes networking and mentoring opportunities and direct help with writing and storytelling development.

    Brock Akil is the creator and showrunner behind “Girlfriends,” “The Game,” “Being Mary Jane,” “Love Is,” “Forever” and other series. She has supported Writers’ Colony program for a handful of cohorts since 2023. Horne will be tasked with raising industry awareness of the program as well as boosting participation.

    “I am ultimately touched to have Karen join the Colony Family. Her leadership, integrity, and the way she champions creatives at every stage of their journey makes her such a beautiful fit for what we’re building. I am confident her years of industry experience, especially her gift for discovering and supporting young talent, will both amplify and expand the Colony experience,” Brock Akil said.

    Horne left Warner Bros. in 2023 after three years as senior VP of North America diversity, equity and inclusion for the studio. She previously worked in talent development and inclusion for NBCUniversal and for Nickelodeon.

    “Joining the Writers’ Colony family is a true honor. I admire the passion for community behind this Colony, and I am excited to step into the Executive Director role which I believe is both meaningful and thoughtfully aligns with my purpose. I can’t wait for this next chapter,” Horne said.

    Horne’s appointment comes amid a busy week for Brock Akil, who is preparing to shoot Season 2 of Netflix’s coming-of-age drama “Forever.” The busy showrunner announced a deal with Crown to publish her first novel, “The Revelation Dionne Daphne,” and on Sunday she will receive the Norman Lear Achievement Award as part of the Producers Guild Awards ceremony.

  • ‘Bride Wars’ TV Series With Emma Roberts in the Works at Peacock

    ‘Bride Wars’ TV Series With Emma Roberts in the Works at Peacock

    A “Bride Wars” TV show starring Emma Roberts is in development at Peacock.

    The project is described as a “loose reimagining” of the original 2009 film starring Kate Hudson and Anne Hathaway. Roberts is set to star as a big-city wedding planner who arrives in North Carolina, sparking an epic showdown with a beloved local planner. “As the two women battle to plan the same wedding, their rivalry quickly escalates into a larger clash over friendship, community, and, ultimately, love,” according to the logline.

    “Bride Wars” does not yet have an official series order. New Regency will serve as the lead studio on the series adaptation, with 20th Television and UCP as co-studios and Roberts’ Belletrist and Alexandra Milchan’s Crescent Line serving as executive producers. Emmy winner Sascha Rothchild (“GLOW,” “XO Kitty,” “The Baby-Sitters Club”) serves as writer, and she executive produces alongside Arnon Milchan, Yariv Milchan and Natalie Lehmann for New Regency; Roberts, Karah Preiss and Matt Matruski for Belletrist; and Alexandra Milchan and Martin Salgo for Crescent Line.

    The original “Bride Wars” followed two childhood best friends (played by Hudson and Hathaway) who turn into rivals when they are forced to share the same wedding venue and date. Directed by Gary Winick, the movie was released by 20th Century Fox and reached $115 million at the global box office. The film was remade in China in 2015.

    Roberts is currently in production on the film “Hal” opposite Alexander Ludwig, and she serves as an executive producer on “Tell Me Lies.” She is represented by Sweeney Entertainment, and her lawyer is JR McGuiness. Crescent Line and Alexandra Milchan are represented by attorney Gavin Wise. 

  • ‘Scrubs’ Star Zach Braff Recalls Auditioning Six Times for the Show 25 Years Ago

    ‘Scrubs’ Star Zach Braff Recalls Auditioning Six Times for the Show 25 Years Ago

    “Scrubs” is back.

    The hospital comedy series, which premiered on NBC 25 years ago in 2001, returns to ABC and Hulu with a revival season that sees original stars Zach Braff, Donald Faison, Sarah Chalke and Judy Reyes returning to Sacred Heart Hospital.

    I caught up with the cast at the revival’s red carpet premiere on Monday night at the Academy Museum in Los Angeles. Braff, who plays John Michael “J.D.” Doria, was working as a waiter when he learned he first booked “Scrubs” years ago.

    “I wore a beige tunic and served French Vietnamese food and was often yelled at that we didn’t serve bread, and so I was lucky enough to audition six times and get this show and it changed my life,” Braff said.

    He admits he never imagined in “1,000 years” that a revival would happen. “I never thought that the demand would continue this many years later and it would still have such a global audience, and it’s crazy that the show just kept going,” Braff said. “In some international countries it’s even bigger than it ever was here.”

    Faison, who plays Christopher Turk, auditioned three times for what he remembers was “the hottest pilot of that season.” “I remember being in a restaurant when my agent called me and told me I got it,” he said. “I remember the wait in between when I heard I got until when we started filming and it was such a long wait and I didn’t have that much money at the time and I was like, ‘I need this thing to start going.’ But once it started going, this has been such an amazing ride and I can’t believe we’re back here.”

    Chalke and her best friend were coming home from a concert when her audition script was dropped off at her door. “I remember opening the envelope and being like, ‘Oh no, oh no, this is the best thing I’ve ever read, and my audition’s in nine hours,’” said Chalke, who plays Elliot Reid. “I remember reading that script and thinking like it was so groundbreaking and so different. I love the combination that [series creator] Bill Lawrence does with all of his shows. There’s heart and comedy and pathos and hope, and I just remember it was so unique and different than anything I’ve read and I just wanted to be a part of it.

    “And then you go through the series of auditions that are like the first one and then the callback with Bill and then the studio and then the network,” Chalke continued. “I remember Bill called me and said, ‘You got the job,’ and I just thought, ‘Oh, my God, I’m so lucky. This is going to be incredible.’ It was life changing.”

    Reyes, who plays head nurse Carla Espinosa, said the first day of filming the revival was a “surreal” experience. “They rebuilt the entire hospital in the stages in Vancouver, so it was kind of hard to get my bearings because it was so strange, but other than that it was it was just like going back because knew each other. The crew had more getting used to each other than we do.”

    While a second season of the revival has not been given the go-aheard just yet, I asked the cast about possible dream guests stars.

    “I want Kate McKinnon to be my patient in an episode,” Chalke said.

    What kind of ailment should the former “Saturday Night Live” player suffer from? “I’m actually not a real doctor so I don’t know,” Chalke said. “But it’s got to be something recurring do that she can stay around for awhile.”

    Faison would like two of his acting idols to make appearances: “Harrison Ford, because he’s one of the reasons why I’m an actor. It’s him and Denzel [Washington].”

    Reyes has few ideas. “I wouldn’t mind a Boris Kodjoe. I wouldn’t mind an Idris Elba. I wouldn’t mind a Bad Bunny,” she said.

    I asked Reyes to brainstorm a storyline for the Grammy-winning Super Bowl halftime performer superstar: “This rapper comes to the hospital. Carla’s a huge fan and every time she goes to see him, she can’t treat him because she feels like throwing up.”

    Braff pitched the return of former guest star Scott Foley: “He used to play Sarah’s love interest. Scott Foley is one of the funniest straight men ever. A lot of people know this because he’s usually playing the heartthrob somewhere, but I’d love for Scott Foley to come back and be my nemesis again.”

  • CJ ENM’s 2026 Visionary Awards Celebrate Originality

    CJ ENM stands out as a forward-looking force in a legacy-driven entertainment industry, bridging cultural heritage with emerging creative voices. As one of the purveyors at the heart of the K-wave sweeping the world, the IP powerhouse celebrated the visionaries shaping Korea’s cultural impact by hosting the 2026 Visionary Awards at the CJ ENM Center in Seoul.

    The Feb. 10 event signaled a new chapter. Beyond celebrating individual achievements, the Visionary Awards highlighted the dynamic synergy between CJ ENM’s iconic characters and the creative minds behind them, showcasing their combined influence on global culture. As a result, CJ ENM honored the forces behind six globally recognized IPs: “Bon Appétit, Your Majesty,” “Boys II Planet,” “Marry My Husband,” “Our Unwritten Seoul,” “Severance” and “Study Group.”

    “Bon Appétit, Your Majesty” was a successful series in 2025, continuing CJ ENM’s trend of international hits, including “Crash Landing on You” (2019), “The Glory” (2022) and “Queen of Tears” (2024). Led by Lim YoonA and Lee Chae Min as Yeon Ji-young and Yi Heon, it captivated global audiences with its unique blend of historical drama, gastronomy and romantic comedy, offering a contemporary reimagining of the Korean historical genre. Director Chang Tae You was recognized for his globally accessible storytelling rooted in Korean sensibilities, and for delivering a refined visual style with a balanced narrative.

    “Boys II Planet” engaged fans across 223 countries and regions through Mnet Plus and redefined the K-pop survival show. Built on a fan-driven model that empowered viewers as “star creators,” the project turns millions of votes into a shared journey. In September 2025, ALPHA DRIVE ONE emerged as a “super rookie” group delivering K-pop’s trademark momentum to a global audience. At the Visionary Awards, producer Kim Shin Young was recognized for turning millions of fans’ collective choices into a cohesive narrative.

    Released concurrently in Korea and Japan, “Marry My Husband” demonstrated cross-border production capabilities, reimagining K-drama storytelling for Japanese audiences while preserving its K-drama appeal. Takeru Satoh portrayed a counterpart who reframes revenge as self-sacrifice, while Park Min Young’s Kang Ji-won redefined the K-revenge heroine by reclaiming her fate. Studio Dragon producer Son Jay was named a Visionary for showcasing the global competitiveness of K-content beyond conventional remake models.

    “Our Unwritten Seoul” exemplified CJ ENM’s hyperlocal-is-global approach and showed how place-rooted stories could resonate worldwide. Set against Seoul’s nuanced urban landscape, the series explored young adults navigating contemporary uncertainties using restrained direction and emotional realism to highlight the global appeal of the healing genre. Park Bo Young’s dual performance as twins Mi-ji and Mi-rae emerged as a powerful symbol of connection and growth, while writer Lee Kang delivered another defining work marked by emotionally resonant dialogue and depth.

    Produced by CJ ENM’s global studio Fifth Season, “Severance” marked a high point in the company’s international production capabilities and showcased bold world-building and sophisticated storytelling within the Hollywood ecosystem. Actor Adam Scott delivered a compelling performance as Mark Scout, a man navigating a fractured identity, while producer Nicholas Weinstock helped drive record viewership and set a new benchmark for premium content.

    “Study Group” proved the global appeal of K-school action, blending academic ambition with high-energy storytelling. Combining school life with adrenaline-fueled sequences, the series resonated with young audiences across cultures. Director Lee Jang Hoon was recognized as a Visionary for unlocking the international appeal of the K-school action genre.

    In 2026, CJ ENM is evolving into a global K-culture platform company. Building on its proven track record of creating mega IPs that have captivated audiences worldwide, the company is now positioning its platforms to bring global viewers together as a new core growth engine.

    In his opening remarks, Yoon Sang-hyun, CEO of CJ ENM, shared the company’s vision: “We will expand ONLYONE IPs and build a new ecosystem for the global cultural business.”

    At the center of this transformation are TVING, the global No. 1 K-culture OTT platform, and Mnet Plus, the global No. 1 K-pop content platform. TVING serves as a comprehensive hub for K-content, and offers Korean dramas, variety shows, films and sports all in one place. TVING is moving beyond its role as Korea’s leading national OTT platform, expanding branded partnerships with major global entertainment companies and creating a new growth model for K-OTT.

    Last year, CJ ENM announced a strategic partnership with a leading global media and entertainment company to launch a TVING brand hub on its premium streaming platform across 17 Asia-Pacific markets, including Hong Kong, Taiwan and Southeast Asia. By directly supplying the latest hit dramas and variety shows to regions with strong demand for K-content, TVING seeks to consolidate global fandoms while enhancing accessibility and brand awareness in key international markets.

    TVING also launched the TVING Collection on another major streaming platform in Japan. Through this collaboration, the partner platform strengthens its competitiveness by leveraging its established local K-content viewership and brand power, while TVING reduces market entry risks and quickly elevates its recognition as a leading K-content platform.

    While TVING serves as a hub for K-content viewing, Mnet Plus serves as a global hub where K-pop fandoms around the world connect, engage and create shared values and experiences. Mnet Plus aspires to be an all-in-one “fan-teractive” platform where K-pop fans worldwide can enjoy everything in one place — from streaming content and voting to supporting artists and participating in community activities.

    Currently available in approximately 250 countries and regions, Mnet Plus has a strong global presence with overseas users accounting for about 80% of total traffic. Its growth has been equally impressive: Mnet Plus’ monthly active users (MAU) increased by approximately 470% by year-end compared to the beginning of 2025, while daily active users (DAU) grew roughly threefold year-over-year, further strengthening the platform’s business competitiveness.

    CJ ENM will continue to deliver well-made content through its domestic and international studios, while planning and producing programming designed to captivate audiences worldwide through strategic partnerships with leading global entertainment companies.

     2026 Visionary — Six Best-Performing Global IPs 

    Marry My Husband
    The series demonstrated the expansive global scalability of Korean IP. Upon release, the Japanese version drew record-breaking viewership over its first month. Star Takeru Satoh detailed what a great honor it was to create an unforgettable character and work with professionals to bring compelling characters to life.

    Bon Appétit, Your Majesty
    The cast and director described the drama as a heartfelt story about the power of Korean food to bring people together, also calling it a true gift and a joyful journey. Embraced by audiences worldwide, the 12 episodes earned industry recognition and ranked No. 1 for two consecutive weeks on Netflix’s global Top 10 (non-English TV), where it remained for 10 weeks.

    Our Unwritten Seoul
    Praised as one of the 10 best K-dramas of 2025, “Our Unwritten Seoul,” starring Park Bo Young, resonated with many viewers around the world. Writer Lee Kang was named a 2026 Visionary for creating a new drama that offered comfort to those navigating life’s uncertainties.

    Boys II Planet
    Through Mnet Plus, the show gave the next generation of K-pop stars a bright spotlight. Members of ALPHA DRIVE ONE accepted the award, acknowledging the power of music from Korea and the producers, including Kim Shin Young, who bring together millions of K-pop fans worldwide.

    Evoto

    Severance
    Earning record-high viewership and numerous nominations, the award-winning U.S. series was recognized for excellence on and off screen. After expressing admiration for fellow global creators telling great stories, producer Nicholas Weinstock thanked CJ ENM for being a company “devoted to boldness and creativity” over just commercial metrics.

    Evoto

    Study Group
    This TVING original was received with great acclaim and won an award for best original production by a streamer (fiction). The accolades continue for director Lee Jang Hoon, who maximized the appeal of characters like Youn Ga-min, portrayed by Hwang Min Hyun.

  • Maggie Winters Sets Comedy Special ‘Marguerite’ With Upright Citizens Brigade

    Maggie Winters Sets Comedy Special ‘Marguerite’ With Upright Citizens Brigade

    Maggie Winters will debut her new comedy special, “Marguerite,” on March 17 on YouTube.

    The stand-up hour comes from a partnership between Abso Lutely Productions and comedy talent incubator Upright Citizens Brigade. “Marguerite” was filmed at the UCB Theatre in Los Angeles.

    The special is described as a one-woman show “culled from Winters’ life experiences coming of age in Chicago.” Winters first toured the show in Chicago, Los Angeles and New York in 2023 before embarking on a month-long run at the 2024 Edinburgh Fringe Festival.

    “Marguerite” is directed by Winters’ proudly Irish brothers Bart and Liam Winters (note that the special debuts on St. Patrick’s Day), who perform as part of Chicago-based band Melkbelly. It’s produced by UCB and Abso Lutely, the banner founded by Tim Heidecker, Eric Wareheim and Dave Kneebone.

    “’Marguerite’ is a killer showcase for Maggie Winters’ voice,” said Kneebone in a statement. “It’s sharp, personal, and funny as hell — and it really shows what’s possible when Abso and UCB team up to give artists real support and room to take big swings.”

    Winters has opened for comedians including Colin Jost, Conner O’Malley and Meg Stalter, and she recently completed her nationwide Fibs & Friends tour with Connor Wood. In 2023, she was named a Just for Laughs “New Face.”

    Winters hosts the podcast “Literally Life Changing With Maggie Winters,” and she can be seen as a recurring cast member on Season 3 of Danny McBride’s HBO comedy “The Righteous Gemstones.”

    Watch a clip from “Marguerite” below.

    https://www.youtube.com/watch?v=nsM6UlfnaDU&feature=youtu.be

  • The rising Celtics, the falling Wolves, Charlotte looks legit & Caleb Wilson shines for UNC with Dane Moore, Drew Carter & Matt Powers

    Kevin O’Connor is joined by Dane Moore to talk Timberwolves on today’s Kevin O’Connor Show. What’s behind the meltdown in Minnesota?

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    Next, KOC is joined by Boston Celtics play-by-play announcer Drew Carter to talk all things Celtics—particularly what needs to be done to right the ship after trading for Nikola Vucevic at the trade deadline.

    Then, KOC mulls over the question: is this year’s Charlotte Hornets team the new Indiana Pacers? What is the key to their newfound success?

    Plus, KOC is joined by Swish Theory’s Matt Powers to chat Draft Class—which draft prospect has improved most in the new year? How does AJ Dybantsa bring BYU out of a 4-game losing streak? That and more on today’s show!

    (0:14) Dane Moore talks Timberwolves
    (30:40) Drew Carter on Celtics
    (1:07:20) Are the Hornets this year’s Pacers?
    (1:13:21) Matt Powers joins KOC’s Draft Class

    MINNEAPOLIS, MINNESOTA - MAY 24: Anthony Edwards #5 of the Minnesota Timberwolves talks with Julius Randle #30 against the Oklahoma City Thunder during the first quarter in Game Three of the Western Conference Finals of the 2025 NBA Playoffs at Target Center on May 24, 2025 in Minneapolis, Minnesota. (Photo by David Berding/Getty Images)

    MINNEAPOLIS, MINNESOTA – MAY 24: Anthony Edwards #5 of the Minnesota Timberwolves talks with Julius Randle #30 against the Oklahoma City Thunder during the first quarter in Game Three of the Western Conference Finals of the 2025 NBA Playoffs at Target Center on May 24, 2025 in Minneapolis, Minnesota. (Photo by David Berding/Getty Images)

    (David Berding)

    🖥️ Watch this full episode on the Yahoo Sports NBA YouTube channel

    Check out the rest of the Yahoo Sports podcast family at https://apple.co/3zEuTQj or at yahoosports.tv

  • How Seattle Won The Super Bowl + What’s Next For Darnold & Drake Maye (ft. Robert Turbin)

    Subscribe to Inside Coverage

    Can Seattle make another run at a Super Bowl? Yahoo Sports’ Andrew Siciliano talks about that possibility with former Seahawks RB and Super Bowl champion Robert Turbin on today’s episode. Later, Ben Fawkes joins the show to break down the big game from the New England Patriots’ side of the ball before closing the show out with their “One More Thing”.

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    (1:30) – Robert Turbin on the Seahawks’ Super Bowl LX victory

    (22:45) – Super Bowl LX reactions: What’s next for Patriots?

    (51:30) – Falcons’ James Pearce Jr. arrested

    (58:20) – One More Thing

    🖥️ Watch this full episode on YouTube

    Check out the rest of the Yahoo Sports podcast family at https://apple.co/3zEuTQj or at Yahoo Sports Podcasts

  • Jazz sit their stars, Pistons & Hornets players suspended + trade deadline fallout for Cavs & Bulls

    Subscribe to The Big Number

    We have an action-packed episode of The Big Number for you! First, Tom Haberstroh and Dan Devine discuss the controversial way the Utah Jazz are utilizing Jaren Jackson Jr.

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    Next, the duo dives into the league-wide tanking concerns and why it is a significant issue in light of the NBA gambling indictments. What solutions can the league establish? Later, Dan and Tom discuss the small numbers, including James Harden’s role in the Cavaliers’ success and why Donovan Mitchell is thriving with Harden.

    Also, they break down how many teams will have salary cap space this summer, the number of trades the Bulls have made and whether the Bulls are a hopeless organization.

    Plus, they discuss the suspensions following the Detroit Pistons-Charlotte Hornets fight earlier this week. What are the implications of the suspensions for the race in the East? Can the Pistons maintain their top spot?

    All that and more on The Big Number! The Big

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    Number: 00:00:28
    The Little Numbers: 00:26:19
    Pistons and Hornets Suspensions: 00:41:46

    NBA commissioner Adam Silver speaks during the pre-game press conference. Photo: Soeren Stache/dpa (Photo by Soeren Stache/picture alliance via Getty Images)

    NBA commissioner Adam Silver speaks during the pre-game press conference. Photo: Soeren Stache/dpa (Photo by Soeren Stache/picture alliance via Getty Images)

    (Photo by Soeren Stache/picture alliance via Getty Images)

    🖥️ Watch this full episode on the Yahoo Sports NBA YouTube channel

    Check out the rest of the Yahoo Sports podcast family at https://apple.co/3zEuTQj or at yahoosports.tv