Author: rb809rb

  • Watch the trailer for Louis Theroux’s new documentary ‘Inside the Manosphere’

    Netflix has unveiled a trailer for its upcoming documentary Louis Theroux: Inside the Manosphere set to arrive on March 11th. It will be the first full-length Netflix documentary for Theroux, and see him interview “manosphere” influencers like Sneako, Justin Waller and HS Tikky Tokky, aka Harrison Sullivan. “I’ve made documentaries for over 30 years now, and in a way, this subject feels like the final boss,” the filmmaker told GQ.

    “From Miami to Marbella, meet the men that are reshaping and radicalising young men’s ideas about masculinity and manhood,” Netflix’s description reads. In the trailer, we see Theroux interview the influencers and get the tables turned on himself. “I know that they would be streaming or filming me and would put that content out,” Theroux told Deadline. “And I hoped we’d get this feedback loop where there was a meta narrative that was then affecting my approach to the story.”

    On top of making documentaries (and being famous for Jiggle Jiggle), Theroux is known for his Louis Theroux Interviews… podcast in which he interviews stars like Sean Penn and Florence Pugh. Prior to that, he did stories on conspiracy theories, UFOS and the porn industry, topics that he said were once niche but are now driving the internet and culture.

    “I wouldn’t be the first to point out that a lot of this is down to the influence of social media and the way in which it has given vent to the darkest parts of the human soul. Not just given vent to them, but actively amplified them and pushed them into our feeds. So yeah, this is not a niche subject.”

  • The Picture Changes in Bitcoin (BTC) and Ethereum (ETH) ETFs After the Rise! “Highest Price in the Last Three Weeks!”

    Bitcoin ($BTC), Ethereum ($ETH), and altcoins saw a recovery last night after recent declines. The cryptocurrency market turned green after a long period, and this was reflected in US spot ETFs as well.

    US spot Bitcoin and Ethereum ETFs saw net inflows for the second consecutive day.

    According to SoSoValue data, US spot Bitcoin ETFs recorded a total net inflow of $506.5 million on February 25th. BlackRock’s IBIT fund saw $296.75 million, Fidelity’s FBTC fund $30.09 million, Bitwise’s BITB fund $39.37 million, Ark Invest’s ARKB fund $2.29 million, VanEck’s HODL fund $15.61 million, Grayscale’s GBTC fund $102.49 million, and Grayscale Mini $BTC fund $19.29 million in inflows.

    US spot Ethereum ETFs saw net inflows for the second consecutive day.

    According to SoSoValue data, US spot Ethereum ETFs recorded net inflows of $157.1 million on February 25th. BlackRock’s ETHA fund saw $31.21 million, Fidelity’s FETH fund $61.94 million, Bitwise’s ETHW fund $1.48 million, VanEck’s ETHV fund $3.03 million, Grayscale’s ETHE fund $33.87 million, and Grayscale Mini Trust’s $ETH fund $25.55 million in inflows.

    Vincent Liu, Chief Investment Officer at Kronos Research, said, “The inflows indicate that institutional sentiment has shifted from a prolonged period of risk aversion to cautious accumulation. However, positioning remains moderate, suggesting that sentiment is stabilizing.”

    *This is not investment advice.

  • Aave Surpasses $1T in DeFi Lending Milestone

    Aave Surpasses $1T in DeFi Lending Milestone

    • Aave has surpassed $1 trillion in cumulative lending.
    • The protocol has $27.2 billion in total value locked, dominating the DeFi lending space.
    • Aave aims to integrate more with banks and fintech companies.

    Aave has surpassed $1 trillion in cumulative lending, making it the first decentralized finance protocol to do so. This milestone further solidifies Aave’s position as the leading on-chain lending solution.

    Aave Labs CEO Stani Kulechov called the milestone proof that decentralized finance has matured into a core component of digital markets. He emphasized that Aave aims to build the most efficient liquidity network in global finance.

    Over the past 30 days, Aave generated $83.3 million in fees. The protocol currently secures $27.2 billion in total value locked (TVL), nearly four times more than its closest competitor.

    From ETHLend to DeFi Leader

    Kulechov originally launched Aave as ETHLend in November 2017. He rebranded the protocol to Aave in September 2018. Since then, the platform has expanded into a multi-chain lending infrastructure that allows users to deposit crypto assets and borrow against them instantly.

    Aave now leads several prominent DeFi lending protocols in TVL. Competitors such as Morpho, JustLend, SparkLend, Maple, Kamin Lend, and Compound Finance each hold more than $1 billion in value. However, none match Aave’s scale.

    The protocol supports permissionless lending and borrowing with the retention of overcollateralization protection. Users earn interest on their deposits and have access to liquidity without the need for traditional banks.

    Institutional Push With Aave Horizon

    Aave has intensified its efforts on traditional finance integrations. In August, Aave Labs launched Aave Horizon on Ethereum. The product targets institutional participants who want to borrow stablecoins against tokenized real-world assets.

    Firms such as VanEck, WisdomTree, and Securitize have already engaged with Aave’s institutional offerings. The move positions Aave as a bridge between decentralized liquidity and regulated financial entities.

    Kulechov also highlighted the potential of tokenizing “abundance assets” like solar infrastructure, battery storage systems, and robotics. He projects these assets could represent $50 trillion in value by 2050.

    You can track Aave’s real-time TVL on DefiLlama and monitor Ethereum network activity on Etherscan.

    Governance Tensions Within the Ecosystem

    Despite its growth, Aave faces internal governance debates. Tokenholders are currently voting on a proposal that could allocate up to $42.5 million in stablecoins and 75,000 AAVE tokens to Aave Labs.

    In exchange, Aave Labs would direct all revenue from Aave-branded products into the Aave DAO treasury under a DAO-funded operating model. The proposal has raised questions about revenue control and decentralization tenets.

    The proponents believe that the funding will synchronize incentives and hasten development. The opponents are concerned about the focus of power at Aave Labs.

    Aave’s trillion-dollar lending milestone comes at a critical juncture. The protocol is currently navigating the challenges of scaling and governance development.

    As the DeFi space evolves, Aave remains committed to its role as building block infrastructure for on-chain liquidity. This can be achieved through consumer lending, institutionalization, or real-world asset tokenization.

  • U.K. Media Giants, Including BBC and Sky, Form AI Publishing Rights Coalition, Ask Global Leaders to Join to “Protect Original Journalism”

    U.K. Media Giants, Including BBC and Sky, Form AI Publishing Rights Coalition, Ask Global Leaders to Join to “Protect Original Journalism”

    U.K. media bosses have formed a coalition over AI publishing rights and penned an open letter pleading with fellow global leaders to join them.

    Outgoing director-general at the BBC Tim Davie, Sky News executive chairman David Rhodes, CEO at the Telegraph Media Group Anna Jones, CEO of The Guardian Anna Bateson, and CEO of the Financial Times Jon Slade published the letter on Thursday, inviting others to come aboard SPUR — the Standards for Publisher Usage Rights coalition.

    “We write to you at a pivotal moment for our industry. Artificial intelligence is fundamentally reshaping how content is created, distributed, discovered and monetised,” the letter began. “We believe we need to come together to protect original journalism and secure the long-term sustainability of our industry.”

    “AI brings opportunities for publishers and our audience,” said the SPUR members. “Our organisations are already at the forefront of using AI in responsible ways to benefit our audiences. But AI also raises urgent questions about fairness, consent, attribution, transparency and trust.”

    Across the industry, they say, “our reporting, our archives, our original content, have become foundational training material for AI systems.” This material has been “scraped, copied and reused with no common standards to enable permission or payment, weakening the economic model that supports journalism.”

    The lack of transparency about how AI answers are created “risks eroding public trust in both the news and the technologies used to access it,” they add.

    The SPUR mission is to establish shared technical standards and licensing frameworks that ensure AI developers can access high-quality, reliable journalism in “legitimate, responsible and convenient ways,” while guaranteeing publishers “retrain practical control of their content.” They vow to “bridge the gap” between publishers and AI developers, and ensure content can be accessed through rights-cleared, accountable channels.

    The letter calls the issue “a global challenge, and SPUR’s ambition is to be a global coalition.”

  • Paramount Stock Price Targets Cut After Earnings, But All Eyes Are on Warner Bros. Chase

    Paramount Stock Price Targets Cut After Earnings, But All Eyes Are on Warner Bros. Chase

    Paramount‘s second quarterly earnings report under the leadership of CEO David Ellison is in, but Wall Street attention remains focused on the company’s attempts to acquire Warner Bros. Discovery, in a showdown with Netflix, via a sweetened bid.

    Ellison highlighted in a letter to shareholders after the Wednesday market close that he and his team see the potential mega-deal as a key strategic focus. “While we are confident in our standalone strategy and growth trajectory for Paramount, we view WBD as an accelerant to achieving these goals more quickly,” he highlighted.

    Wall Street analysts on Thursday started dissecting Paramount’s results and latest management commentary. Here is The Hollywood Reporter‘s look at their takeaways.

    Analyst: Michael Morris, Guggenheim
    Stock rating and price target: neutral, $16, down $5
    Key takeaways:
    “Early Skydance playbook on track,” Morris highlighted in the headline of his report, noting that results were “largely in line” with management guidance. And he shared this takeaway: “Strong cost discipline at TV Media offset weaker than forecast operating income before depreciation and amortization at direct-to-consumer/film.”

    The analyst said he cut his price target by $5 after applying a lower earnings multiple, which he noted was “in line with the current media peer group average, which has also declined.” And Morris noted: “We believe that the outcome of bidding for WBD will continue to impact investor sentiment on Paramount shares, with concern toward a potentially higher bid and/or failure to win the asset as overhangs on investor confidence during the bid process.”

    The Guggenheim analyst’s conclusion: “While we view a WBD combination as potentially transformational, significant execution and regulatory hurdles remain.”

    Analyst: Laurent Yoon, Bernstein
    Stock rating and price target: underperform, $12
    Key takeaways
    : “TV Media declined 9 percent in fiscal year ’25, Filmed Entertainment was down 5 percent, but direct-to-consumer (DTC) grew 12 percent, driven by subscription revenue,” Yoon summarized in his report. “Consistent with industry trends, TV Media will continue to face headwinds, and the company’s growth will rely primarily on DTC, with some support from Filmed Entertainment. … DTC still has a long road, but progress is visible.”

    The analyst put that into the broader M&A context, concluding: “It’s a tough setup, and the headline numbers underscore the challenges ahead and the urgency of accelerating DTC growth – hence the pursuit of WBD.”

    Yoon also highlighted what he called the “NFL overhang” for the stock. “The NFL renegotiation continues to be a thorny issue for Paramount and peers,” he explained. “Although the topic received limited attention in the [earnings] call – given ongoing uncertainty around timing, package, and participants – we anticipate a potential material step-up in costs to remain an overhang throughout the year. It does not appear that anyone will emerge from the process unscathed.”

    Analyst: Doug Creutz, TD Cowen
    Stock rating and price target: hold, $13, down $2
    Key takeaways
    : After the earnings update, Creutz’s key takeaway for the company’s financial outlook was simple: “Management reiterated prior 2026 guidance, with improving profitability for DTC, a return to profitability at studios, and stable linear contributions, helped by cost cutting.” The analyst kept his 2026 revenue estimate unchanged, but raised his earnings per share forecast for the year from 62 cents to 71 cents, while cutting his stock price target.

    He also highlighted the continued investor deal focus in the title of his report: “Management maintains outlook for 2026 while we wait on WBD outcome.”

    Creutz summarized his investment view this way: “Paramount Skydance has some attractive video content assets, including the most-viewed network in the United States. We believe the company has enough high-quality content to continue to survive in an increasingly challenging video content ecosystem. New management’s plan to invest aggressively in content offers the chance for meaningful upside if the company can grow share, but could also accelerate problems if new projects fail to capture sufficient audience attention.”

    Analyst: Robert Fishman, MoffettNathanson
    Stock rating and price target: neutral, $14
    Key takeaways: It may have been earnings time for Paramount, but Fishman highlighted that “investor focus remains on what comes next with the company’s revised bid” for WBD. “The key question is whether Paramount’s revised bid is truly ‘best and final,’ or whether further back-and-forth lies ahead before WBD’s fate is decided.”

    The analyst also shared his take on the company’s studio segment outlook: “Without a marquee blockbuster comparable to last year’s Mission Impossible: The Final Reckoning, the segment theatrical revenue is set to be down but offset by Skydance revenue consolidation and higher licensing revenues.”

    Plus, Fishman addressed “softness” at Paramount’s advertising-supported streaming service Pluto TV, “with weaker monetization despite growing monthly average users.” He expects the company “to right-size the platform over the course of the year as engagement grows and older content libraries continue to be added.” But he emphasized: “The bigger question is how effectively the company can integrate its DTC offerings more holistically – for example, leveraging Pluto TV as an entry point for future Paramount+ subscribers.”

  • NY AG: Valve’s loot boxes can get kids hooked on gambling

    NY AG: Valve’s loot boxes can get kids hooked on gambling

    New York Attorney General Letitia James has accused Valve of promoting illegal gambling through its video games in a lawsuit filed by her office. According to the AG’s announcement, her office conducted an investigation and had concluded that Valve enabled gambling by enticing users to pay for a chance at rare items from loot boxes in Counter-Strike 2, Team Fortress 2 and Dota 2. In the lawsuit, the New York AG stressed that Valve’s loot boxes are “particularly pernicious,” because the games are popular among children and teenagers.

    The lawsuit described the loot box model, which requires a player to open a mystery chest for the possibility of winning rare items, as “quintessential gambling.” It argued that people introduced to gambling at an early age are at a significantly higher risk of developing gambling addictions later on, based on research. In addition, it explained that gambling is mostly illegal in New York.

    Players have to pay for chests or boxes and the keys to be able to open them in Valve’s games, and the company has reportedly sold billions of dollars’ worth of keys for Counter-Strike alone. The lawsuit said that Valve has made tens of millions of dollars in fees from the sale of virtual items on the Steam Community Market, as well. In addition to being able to sell items on Steam for funds directly credited to their Steam Wallet, players can also sell on third-party marketplaces for cash.

    According to James’ office, Valve facilitates and even assists third-party marketplaces in their operations, based on its investigation. Engadget has asked Valve for a statement about the lawsuit, but we have yet to hear back. However, the company previously denied being involved with third-party marketplaces that allow the sales of its game items for real-world money. In a response to an inquiry by the Danish Gambling Authority, Valve explained that those third-party websites create sock puppet accounts to sell and receive items on Steam in exchange for cash. “[T]his behavior is in violation of our terms of service,” Valve said.

    The lawsuit also pointed out that there’s a huge market for Counter-Strike skins and referenced a Bloomberg article from 2025, which reported that the market for those skins had already surpassed $4.3 billion. As an example of in-game items sold for real money, it cited the sale of a Counter-Strike 2 AK-47 skin in 2024 for $1 million. The Attorney General’s Office wants the court to stop Valve from violating New York laws, to give up money it allegedly earned from illegal activities and to pay a fine three times what it allegedly earned from illegal business practices.

  • ICP price retests key level: what’s the outlook?

    • Internet Computer token $ICP traded to highs of $2.58 to extend its uptick.
    • Gains came amid a notable spike in volume as crypto prices bounced higher.
    • $ICP could target $4.00 or higher, though risks of a sharp pullback remain.

    Internet Computer ($ICP) price has retested the pivotal supply zone above $2.50 as bulls edge higher from the seven-day low near $2.

    The retest occurs amid broader recovery efforts across the cryptocurrency market, with $ICP among the top altcoin gainers on the day.

    With prices up 9% in the past 24 hours, and volume up 93% to over $125 million, it’s likely bulls could target resistance at higher levels.

    Internet Computer price jumps above $2.50

    $ICP currently boasts intraday gains of about 9% over the past 24 hours, with the price currently trading down from its peak in the period.

    But having pushed from a low near $2, it appears bulls have their sight on more.

    Gains for $ICP mirror broader market sentiment, where Bitcoin tested highs near $70,000 amid Nvidia-driven risk appetite.

    The AI narrative also pushed tokens like NEAR, Bittensor, and Render higher.

    The uptick to intraday highs of $2.58 sees the Internet Computer token trade at levels last seen in mid-February.

    $ICP price technical picture

    From a technical standpoint, $ICP’s retest of the $2.50 hurdle marks a potentially critical flip.

    The price action signals buyer interest, and a breakout from a long-term downtrend line is likely to strengthen.

    Bulls now need to successfully hold above this level to validate a bullish reversal pattern.

    Targets on the upside include resistance at $3.21 and $4.00, with volume confirmation key to buyer conviction.

    <span class=$ICP Price Chart “>

    Internet Computer price chart by TradingView

    RSI on the daily chart suggests bulls may have room to test bears’ resilience, while the MACD also displays potential bullish strength.

    However, price is below key moving averages, and the shape of the 50 and 100-day simple moving averages outlines overhead resistance.

    If price drops from current levels, robust support lies at $2.00 and the October 10 low of $1.98.

    The token changed hands at around $2.41 at the time of writing.

    Key $ICP proposal

    Notably, $ICP is rising amid Internet Computer’s recent proposal for a tokenomics upgrade.

    In its plan, DFINITY Foundation seeks the introduction of revenue-funded burns, with 20% from cloud engine fees alongside usage-based node rewards being removed.

    This will directly tie $ICP supply reduction to network demand, a mechanism that then sees 80% of cloud engine revenue allocated to node providers.

    In this case, the Internet Computer wants to shift from fixed subsidies to performance-linked incentives, a model that would mirror other cloud compute-focused chains.

  • Warner Bros. Discovery Cuts Losses in Q4, Despite Box Office, TV Woes; Nears 132 Million Streaming Subs

    Warner Bros. Discovery Cuts Losses in Q4, Despite Box Office, TV Woes; Nears 132 Million Streaming Subs

    While at the center of a tug-of-war between Paramount Skydance and Netflix, Warner Bros. Discovery reported its fourth-quarter 2025 earnings results Thursday.

    According to the David Zaslav-led company, WBD narrowed its losses to $252 million during the October-December quarter and saw streaming subscribers reach nearly 132 million amid an increased international rollout for HBO Max.

    “With the successful recent launches of HBO Max in Germany and Italy, as well as the upcoming launches in the United Kingdom and Ireland on March 26th, we expect to finish the first quarter of 2026 with more than 140 million subscribers, well on our way to more than 150 million subscribers by year end,” Warner Bros. Discovery said in a letter to shareholders accompanying the financials.

    In these materials, Warner Bros. Discovery stated CEO Zaslav and other WBD brass “will not be answering any questions” during the earnings call with analysts Thursday regarding WBD’s pending acquisition battle between intended buyer Netflix, which already has a merger agreement in place to buy WBD’s studio and streaming assets, and eager suitor Paramount, which just upped its bid for the whole company, including the linear networks.

    “While the Netflix Merger Agreement remains in effect and the Board continues to recommend the Netflix transaction and has not withdrawn or modified its recommendation, the Board recently determined that the latest proposal from Paramount Skydance could reasonably be expected to lead to a ‘company superior proposal’ as defined in the Netflix Merger Agreement,” the company wrote. “WBD continues to engage with PSKY to determine if a proposal that constitutes such a ‘company superior proposal’ can be reached. There can be no assurance that the Board will conclude that the transaction proposed by PSKY is superior to the merger with Netflix or that any definitive agreement or transaction will result from Warner Bros. Discovery’s discussions with PSKY. The Board remains committed to maximizing shareholder value and certainty while mitigating downside risks, and the Board will evaluate any proposal against that standard with the objective of delivering the best deal for our shareholders.”

    Streaming revenue was up 5% year-over-year to reach $2.8 billion. Sales for the studio segment were down 13% at $3.2 billion. WBD’s global TV channels division saw a 12% drop to $4.2 billion.

    Within the streaming business, distribution sales were up 3% ($2.4 billion) and ad sales jumped 18% to $278 million.

    Streaming subscribers reached 131.6 million, an increase of 3.6 million customers vs. the July-September 2025 period. Domestic subscribers were up 1.2 million and international subscribers rose 2.4 million. Overall, streaming subscriptions were up 14.7 million vs. Q4 2024.

    Turning to WBD’s studios segment, box office was down 11%, TV revenue was down 18% and gaming sales dropped a whopping 34%.

    Warner Bros. Discovery’s global linear networks saw an 8% decrease in distribution revenue and 14% drop in ad sales. WBD attributes that advertising revenue decrease primarily to U.S. audience decline of 22% and the loss of its NBA rights.

    Wall Street forecast earnings per share (EPS) of 0 cents on $9.37 billion in revenue, according to analyst consensus data provided by LSEG. WBD reported a diluted loss per share of 10 cents, or a net loss of $252 million, on $9.5 billion in revenue.

    Free cashflow stood at $1.4 billion. The company’s debt currently stands at $33.5 billion.

  • ‘The Voice of Hind Rajab’ Director Kaouther Ben Hania Set for Career Honor From Italy’s Biografilm Festival (EXCLUSIVE)

    ‘The Voice of Hind Rajab’ Director Kaouther Ben Hania Set for Career Honor From Italy’s Biografilm Festival (EXCLUSIVE)

    Tunisian director Kaouther Ben Hania, whose “The Voice of Hind Rajab” is a contender in the 2026 Oscars for Best International Feature, will receive a special tribute at Italy’s Biografilm Festival, the unique event billed as a cinematic celebration of human lives.

    Ben Hania – who in September elicited the longest standing ovation at the Venice Film Festival for “The Voice of Hind Rajab,” which premiered to more than 20 minutes of thunderous applause and then won the Silver Lion – will be feted with the fest’s International Celebration of Lives Award, “recognizing filmmakers whose work has left an indelible mark on contemporary cinema and the art of real-world storytelling,” a statement said.

    The director, whose two previous films — “The Man Who Sold His Skin” and “Four Daughters” — were also Oscar-nominated, has been touring the festival circuit with “The Voice of Hind Rajab,” which centers on a single, haunting voice: that of a real 5-year-old Palestinian girl trapped inside a car that was attacked by Israeli forces in Gaza and later found dead.

    The Biografilm Festival tribute will see Ben Hania return to the Biografilm Festival following her appearance at the event’s 2024 edition for the Italian premiere of “Four Daughters” that weaves documentary and fiction, exploring the story of Tunisia’s Olfa Hamrouni who publicized the radicalization of her two teenage daughters who had left Tunisia to fight with ISIS.

    In a joint statement Biografilm Festival artistic directors Chiara Liberti and Massimo Benvegnù expressed their enthusiasm for this year’s honoree: “In an era of rapid and ephemeral visual stimuli, Kaouther Ben Hania’s cinema provides a vital space for resistance and militancy,” they said. “Her evolution from the intimate, familial narrative of ‘Four Daughters’ to the urgent historical testimony of ‘The Voice of Hind Rajab’ demonstrates a rare mastery. We are honored to celebrate a director who does more than observe reality; she interrogates it with a courage that is as aesthetically bold as it is deeply ethical.”

    Previous recipients of the Celebration of Lives Award award include Werner Herzog, Francis Ford Coppola, Radu Jude, Olivier Assayas, Werner Herzog and Francis Ford Coppola.

    The 22nd edition of the Biografilm Festival will run in Bologna June 5-15