Author: rb809rb

  • Wall Street’s Interest in This Altcoin Is Growing: The Fund’s Size Has Reached $1 Billion

    The rise in Zcash price has also rapidly increased the size of Grayscale’s $ZEC-focused exchange-traded product.

    Grayscale Zcash ETF, ZCSH, has approached the $1 billion mark in assets under management. This increase in fund size is driven by both new investor inflows and a rise in the market value of $ZEC tokens held in the fund.

    ZCSH, the first exchange-traded product in the US to provide direct exposure to the $ZEC price, began trading on the NYSE Arca on August 25. The fund’s assets surpassed the $500 million mark in early September.

    However, it should not be assumed that the entire increase in fund size is due to cash inflows. The rise in the $ZEC price also increases the dollar-denominated value of existing assets. Net inflow data also needs to be monitored to assess the fund’s true investor demand.

    $ZEC recently entered a rapid growth cycle and distinguished itself from other altcoins with its privacy-focused structure.

    *This is not investment advice.

  • Jerusalem Daily: What was Netanyahu’s UNGA speech really about?

    Jerusalem Daily: What was Netanyahu’s UNGA speech really about?

    Israeli Prime Minister Benjamin Netanyahu’s speech at the UNGA was filled with bold claims about Israel’s policies. But as delegates walked out and with Israeli elections weeks away, was his real audience at the UN, or back home?

    Al Jazeera’s Mohammad Saleh has the latest.

  • Which countries walked out of Netanyahu’s UNGA speech?

    Which countries walked out of Netanyahu’s UNGA speech?

    Dozens of countries’ delegations walked out of or were absent for Israeli Prime Minister Benjamin Netanyahu’s UN General Assembly speech in protest over Israel’s war in Gaza. Here’s which countries’ seats were visibly empty — and which delegations remained.

  • Lawmakers Introduce Site-Blocking Legislation To Curb Foreign-Digital Piracy

    Lawmakers Introduce Site-Blocking Legislation To Curb Foreign-Digital Piracy

    UPDATED: House and Senate lawmakers are again turning their attention to major anti-piracy legislation, introducing a bill in which content owners can seek a court order to require that internet providers prevent access to foreign digital piracy sites.

    The , or DEFEND IP Act, was introduced by lawmakers of both parties in Congress on Thursday. Key sponsors include Rep. Zoe Lofgren (D-CA) and Rep. Ben Cline (R-VA) in the House, and Sen. Thom Tillis (R-NC), Sen. Chris Coons (D-DE), Sen. Marsha Blackburn (R-TN) and Sen. Adam Schiff in the Senate.

    Read the anti-piracy legislation.

    The legislation would leave it to a judge to decide whether a a site should be designated as one dedicated to foreign digital piracy, with such an order subject to renewal after 360 days. The bill defines such as site as one that has “no commercially significant purpose or use other than committing a violation of copyright.” The bill also applies to transmission of live events from foreign locations that violate copyright.

    After that designation, content owners could then seek a further order to prevent, or block, access to the site. Per the legislation, the order would “direct service providers to take reasonable measures to prevent users in the United States from using the system or network of those service providers to access the foreign digital piracy site.” The bill sets out a series of criteria, including that such measures would not interfere with access to legal content at other online locations, and that it would be “technically feasible and effective.” Those seeking such orders would have to show that they are “likely to suffer irreparable harm” from the piracy.

    It’s been nearly 15 years since the entertainment industry sought passage of a previous effort to curb access to online piracy, with the Stop Online Piracy Act, or SOPA. That generated a backlash, with Google and other tech giants opposed, and Wikipedia and others staging a daylong “blackout.” The bill was sidelined, and left lawmakers shellshocked at the scale of the outcry.

    For years since then, with many on Capitol Hill skittish, the entertainment industry instead set its sites on voluntary commitments from those in the internet ecosystem.

    Circumstances have changed. Since then, tech has seen its own backlash against it, albeit little significant legislation has passed Congress. Supporters of site-blocking measures, meanwhile, have pointed to its use in almost 60 countries.

    Backers of the DEFEND IP Act noted that the bill differs from past legislation. It does not mandate specific technical measures for preventing access, leaving it up to internet providers to take “reasonable measures.” The bill also contains legal immunity for ISPs, and applies to large-scale foreign sites.

    Still, after the DEFEND IP Act was introduced, the Common Sense Copyright Coalition, which AT&T, Charter, Comcast, Cox and Verizon, expressed its opposition.

    A spokesperson for the group said the legislation “would impose substantial new responsibilities on broadband providers without adequately addressing the legal and operational risks they create, including threats to lawful content online. This is particularly troubling given the Supreme Court’s unanimous decision in Cox v Sony this year that rejected holding an ISP broadly liable for copyright infringement occurring over its network.”

    In Cox vs. Sony, the Supreme Court ruled in March that an ISPs was not liable “for merely providing a service to the general public with knowledge that it will be used by some to infringe copyrights.”

    Among other things, the argued that piracy sites can still put up “mirror sites” and users can turn to VPNs. They also expressed concerns over the live event provision, arguing that it is based on “predicted infringement.”

    Yet after years of calls for tech and ISPs to take a greater responsibility to curb infringement, the legislation would be a new tool for studios, producers and other content creators to curb piracy.

    In a statement, Lofgren said that foreign piracy operations “exploit a loophole in our law, hurting workers and businesses in California and across the country while putting consumers at risk.” She called the bill a “smart, targeted approach to crack down on foreign piracy while protecting Americans’ free speech and access to a free and open internet.”

    Tillis said, “Foreign piracy continues to threaten American creators, putting well-paying jobs at risk, while exposing consumers to malware, identity theft, and other serious online harms.” He called the bill “a targeted, commonsense tool to shut down these foreign, criminal operations at the source while protecting lawful speech and due process.”

  • ‘South Park’ Season 29 Premiere Hits 4.2 Million Viewers in Three Days and Jumps 33% in Rating After Renaming to ‘South America’ (EXCLUSIVE)

    ‘South Park’ Season 29 Premiere Hits 4.2 Million Viewers in Three Days and Jumps 33% in Rating After Renaming to ‘South America’ (EXCLUSIVE)

    Trey Parker and Matt Stone’s latest stunt has paid off. The Season 29 premiere of “South America” — renamed from “South Park” as a parody of Donald Trump’s controversial initiatives to rename major landmarks — hit 4.2 million viewers in three days.

    That total accounts for viewership across Comedy Central and Paramount+ in the U.S. alone. The episode’s audience was relatively even with the previous season premiere, which reached 4.3 million viewers in three days, while making strong improvements among viewers age 18-49. In that demographic, the episode scored a 0.97 rating after three days, up 33% from Season 28’s 0.73 rating, and a share of 4.77, up from 20% from last year’s 3.96. Between Monday and Friday, the “South America” premiere was the most-watched cable telecast of the week among adults 18-49, excluding sports programming.

    Unsurprisingly, the first episode since renaming to “South America” drove conversation on social media. On the day of its premiere, the series ranked as the No. 1 most social cable comedy, and went on to generate 11 million views and one million engagements in three days. It garnered 63,000 online mentions in three days, a 40% increase from what the Season 28 premiere achieved in the same amount of time.

    In a statement earlier this month, Parker and Stone said, “Inspired by the bravery and patriotism of Apple and Google, we are changing the name of ‘South Park’ to ‘South America,’” referencing the fact that the tech companies have honored Trump’s name changes on their maps. “We especially want to thank our parent company Paramount — a Skydance Capitulation.”

  • Liza Soberano and H.E.R. on Why Dreamworks Animation’s ‘Forgotten Island’ Story of Friendship Resonated With Them

    Dreamworks Animation knows how to tell stories about friendships, whether it’s between a boy and a dragon in “How to Train Your Dragon” or Donkey and Ogre in “Shrek” or a robot and bird in “The Wild Robot.” Its latest feature, “Forgotten Island,” anchors its story in two best friends who face being separated when one has to go abroad to college. One final night together puts their friendship to the test.

    Liza Soberano and H.E.R. lead the voice cast as Raissa and Jo, who find themselves stranded in the mystical world of the forgotten island of Nakali. They come to find that their only way home might come at the expense of a lifetime of memories and emotions. Written and directed by Joel Crawford and Januel Mercado, the film is produced by Mark Swift.

    “Forgotten Island,” out now in theaters, centers around Filipino folklore, but its beating heart is the universal story of two teenage best friends who share memories and experiences.

    Speaking with Variety, Soberano says the story was one that hit home. Growing up in the Philippines, she understood the theme of “losing” a family member or a friend who needed to go overseas for a better quality of life and to make a better living for themselves. Soberano explains, “I’ve seen all the different permutations of how that could affect family and loved ones that you’re leaving behind.”

    The story struck a deeper chord when she left a successful career in the Philippines to make it in America. “I also went through that journey and that experience three years ago,” she says. She was particularly torn about leaving behind her little sister. “It was really heartbreaking because I was afraid of, I was afraid of us not being close anymore — not just in proximity, but in the relationship itself. I was afraid that we would grow apart. But through this, I actually discovered that there are so many reasons to not grow apart. You have to really fight for the relationship and fight for the closeness, no matter how far you physically are from one another. I find a lot of comfort in that, and this movie has taught me so much about it.”

    Similarly, H.E.R., who grew up near Vallejo, California, also found the story relatable. “I left when I was 17 to move to New York and it wasn’t as far away — just across the country. But it felt super far. My sister was eight at the time, and I was 17 and she wanted her big sister around.”

    While friendship is the beating heart of the film, “Forgotten Island” also captures the Filipino experience through cultural details that resonated deeply with its cast.

    H.E.R. recalls seeing the Filipino elements in the film for the first time. “Seeing the Filipino sun for the first time — even before seeing the full film — made us so emotional. I remember that day very well. I remember seeing ‘pasalubong’ written on the screen, and I thought, oh my gosh, this is as Filipino as it gets. The petroleum jelly, all those little details, just really made me feel like, wow, I’m so proud to be Filipino. This is reminding me of home right now.”

    Soberano agrees, saying, “It was the despedida — the farewell party. That was such an accurate depiction of what it’s like to be at a Filipino house party. There’s so much chaos going on. You have the lolas and the lolos being grumpy at everyone, telling them to either eat, sit down or go sing — and not to be ‘magulo.’ Then you have the little kids doing their own thing, hiding under the tables and creating chaos everywhere. And, of course, you have the titos and titas either playing mahjong on the side or singing karaoke. I thought that was such a beautiful depiction of Filipino energy, but you also feel the love coming from everyone at the party.”

    Aside from starring in the film, the pair also lend their voices to the film’s soundtrack. Their voices capture the nostalgia, warmth and joy that radiate from their characters and the movie as a whole.

    Angela Leus, senior vice president of Film Music at Universal Pictures, previously told Variety that neither she nor the filmmakers wanted to assume that H.E.R. would create an original song. “Everything needed to come from an organic place,” Leus says. “But when H.E.R. saw the film, she was so inspired that she decided to write something — and she was even more inspired to bring in Liza.”

    Speaking about the song, Soberano admits she felt “major impostor syndrome being there.” She asked herself, “What did I do in my life to deserve this?” She adds, “I just felt so honored and blessed to be part of it.”

    H.E.R. echoes the sentiment, saying, “She killed it. There was no need to be nervous because it was just fun. The fact that we were singing as Jo and Raissa just wraps it all up. Then we shot the video in Manila and made it kind of like a travel vlog, continuing that love letter to the Philippines. I’m just grateful to be in this process, especially with Liza. I love these characters. I love this film. I’m forever grateful for it.”

  • ‘Princess Diaries’ Star Heather Matarazzo Reveals She May Lose Health Insurance If She Doesn’t Work Again Soon: ‘Lots of Actors’ Are in the ‘Same Boat’

    ‘Princess Diaries’ Star Heather Matarazzo Reveals She May Lose Health Insurance If She Doesn’t Work Again Soon: ‘Lots of Actors’ Are in the ‘Same Boat’

    “Princess Diaries” star Heather Matarazzo revealed she may not qualify for health insurance if she doesn’t find work soon.

    The actress, who starred alongside Anne Hathaway in the “Princess Diaries” films as Lilly Moscovitz, replied to a post from “Atypical” actor Jack Haven that revealed they needed work in order to qualify for health insurance through SAG-AFTRA.

    The guild offers a health plan for its members that requires a “minimum earnings” threshold be met to qualify. However, booking projects in the entertainment industry is often unpredictable and fluctuates, which leads to larger gaps between employment opportunities and ultimately makes meeting that threshold more difficult.

    “I’m in a bit of an emergency situation,” Haven shared in a YouTube video this week. “I need to make $4,000 by the end of the month in order to qualify for SAG health insurance starting in January.”

    The actor shared their skills and said they will do “pretty much any job,” encouraging anyone open to hiring them on a production under SAG to contact them over email.

    Matarazzo replied to a post about Haven’s plea, writing, “I am literally in the same boat right now. Lots of my fellow actors are. I remember a time when we didn’t have to earn a minimum to qualify for insurance. Glad to see that Jack has gotten an offer that will let them to qualify for 2027.”

    As detailed on the SAG Health Plan’s eligibility page, the minimum threshold is expected to rise by approximately $900 each year until 2030. This year, members were required to earn $28,933. SAG-AFTRA did not respond immediately to comment.

    Matarazzo’s most recent project was the 2025 short film “Paper Tiger.” She also starred “Welcome to the Dollhouse,” “The Devil’s Advocate” and “Scream 3,” as well as multiple episodes of Netflix’s “Wednesday.”

  • Puerto Rico Government steps into the Miss Universe-Nawat fight

    Puerto Rico Government steps into the Miss Universe-Nawat fight

    The Miss Universe conflict involving Nawat Itsaragrisil has taken a significant new turn, and the Puerto Rican government is no longer watching the dispute from the sidelines. The Puerto Rico Tourism Company, a government agency deeply involved in bringing the 75th Miss Universe competition to the island, announced on September 24 that it sent a formal cease-and-desist letter to the Thai businessman.

    The letter demands that Nawat stop making or spreading what the agency describes as false, inaccurate, or materially misleading factual assertions involving the Tourism Company, its officials, contracting procedures, and the handling of public money connected to Miss Universe 2026.

    Nawat’s Version of the Clash with Fátima Bosch© Nawat Itsaragrisil
    The Miss Universe 2026 conflict escalates as Puerto Rico sends Nawat Itsaragrisil a cease-and-desist letter over claims involving public funds and the pageant.

    It is the latest escalation in a complicated Miss Universe power struggle that has expanded far beyond disagreements over franchises and contestants.

    Why Puerto Rico Sent Nawat a Cease-and-Desist Letter

    Nawat has spent weeks publicly questioning how money provided by Puerto Rico for Miss Universe 2026 was handled.

    Earlier this month, he called on Puerto Rico Governor Jenniffer González Colón and Puerto Rico Tourism Company executive director Willianette Robles Cancel to investigate what he alleged were irregularities involving money paid to bring the pageant to the island.

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    Nawat alleged that money had been improperly diverted and questioned whether the agreements involving the event had received the appropriate corporate authorization. The agency has now taken the additional step of sending Nawat a cease-and-desist letter.

    According to its September 24 statement, the government agency says some of Nawat’s public claims concerning JKN Universe LLC’s corporate structure and authority, bank accounts, public funds, and the actions of Puerto Rican officials are inconsistent with corporate documentation in the agency’s possession.

    Puerto Rico Says the Miss Universe Fight Is Not Its Fight

    The Tourism Company’s message was particularly clear on one issue: it does not want Puerto Rico dragged into the corporate battle surrounding Miss Universe. Willianette Robles Cancel acknowledged that the agency is aware of disputes between Nawat and people or entities connected with the Miss Universe organization.

    Thai pageant director Nawat Itsaragrisil found himself at the center of controversy after publicly insulting Fátima Bosch.© rrss
    Thai pageant director Nawat Itsaragrisil found himself at the center of controversy after publicly insulting Fátima Bosch.

    However, she said the Tourism Company is not a party to those disagreements. “We are aware that there are controversies between Mr. Itsaragrisil and people or entities linked to the Miss Universe organization. The Tourism Company is not a party to those differences, and we will not allow a controversy between third parties to be used to question, without foundation, the integrity of our processes or the responsible management of public funds. Our responsibility is to protect public funds, the interests of Puerto Rico, and Puerto Rico’s projection as a tourist destination, acting with the corresponding transparency and rigor,” expressed CTPR Executive Director Willianette Robles Cancel.

    The agency said it would not allow a dispute between private parties to be used to question, without foundation, the integrity of its procedures or its handling of public funds. It said its responsibility is to protect Puerto Rico’s public money, interests, and reputation as a tourism destination. “Puerto Rico is preparing to host an event of international scale that represents an important platform to showcase our attractions, our culture, and our tourism offerings to audiences around the world. Controversies unrelated to the Company will not divert our attention from that objective, nor should Puerto Rico be used to advance differences between private interests,” added Robles Cancel.

    The agency also stressed that the cease-and-desist does not prevent Nawat from expressing opinions, making claims or going to court.

    The focus has shifted from Nawat’s tears to what the pageant truly represents.© @sarinkp.official
    The Tourism Company does not want Puerto Rico dragged into the corporate battle surrounding Miss Universe.

    Instead, it demands that factual representations concerning the Tourism Company’s actions be accurate and complete and that disputed matters not be presented as settled facts.

    Could the Miss Universe Conflict Threaten Puerto Rico 2026?

    Despite the increasingly public confrontation, Puerto Rico is continuing preparations for Miss Universe 2026.

    The Puerto Rico Tourism Company said on September 23 that production and coordination work for the November competition was moving forward. The agency described the 75th anniversary pageant as an important opportunity to promote Puerto Rico internationally and generate economic activity.

    The Nawat Conflict Is Now Bigger Than the Contestants

    Much of the recent Miss Universe controversy has focused on whether delegates from Thailand and several other Southeast Asian countries will be allowed to compete.

    María Jose Lora (L), winner of Miss Grand International 2017, fbb Colors Femina Miss India 2018 Meenakshi Chaudhary (C) and Miss Grand International (MGI) president Nawat Itsargrisil, pose during a promotional event for the upcoming Miss Grand International Finale 2018 in Amritsar on August 25, 2018. (Photo by NARINDER NANU / AFP)        (Photo credit should read NARINDER NANU/AFP via Getty Images) © AFP via Getty Images
    Miss Grand International (MGI) president Nawat Itsargrisil, pose during a promotional event for the upcoming Miss Grand International Finale

    Nawat has insisted those contestants remain eligible and will travel to Puerto Rico, while the opposing Miss Universe side has challenged the validity of their franchise arrangements.

    Before Puerto Rico announced its cease-and-desist letter, Nawat had reportedly given the Tourism Company until September 25 to respond to his questions, saying his legal team could become involved if he did not receive answers.

    Puerto Rico has now responded, but certainly not in the way Nawat appeared to be seeking.

  • Meme Coins Price Prediction: Dogecoin (DOGE), Shiba Inu (SHIB), and Pepe (PEPE)

    Meme Coins Price Prediction: Dogecoin (DOGE), Shiba Inu (SHIB), and Pepe (PEPE)

    Meme coins Dogecoin, Shiba Inu, and Pepe remain in constructive daily structures despite recent pullbacks. $DOGE trades above its major moving averages, while $SHIB and $PEPE continue to hold important Fibonacci levels. However, momentum indicators show that buying pressure has weakened after recent rallies.

    Consequently, traders now face a crucial test between renewed breakouts and deeper retracements. $DOGE needs to reclaim $9.80 before challenging $10.00 again. $SHIB must defend the $0.000005545-$0.000005635 zone to preserve its recovery. Meanwhile, $PEPE needs to hold $0.000004283 for its bullish structure to remain intact.

    Dogecoin Price Prediction: $DOGE Eyes a Return Above $10

    $DOGE currently trades near $9.52 after facing rejection around the $10.00-$10.10 resistance zone. The pullback has not yet damaged the broader daily trend.

    Price remains above the 20-day, 50-day, and 100-day EMAs. Significantly, $DOGE also holds above its 200-day EMA near $9.30.

    That level could determine whether the current weakness develops into consolidation or a deeper correction. Additionally, the Stoch RSI shows cooling momentum.

    Dogecoin Price Dynamics (Source: TradingView)

    The indicator places the fast line near 58, below the signal line around 71. Hence, $DOGE needs renewed momentum to challenge higher levels.

    Related: Chainlink Price Prediction: LINK Targets $15 as Infosys Deal Lands

    A move above $9.80 could reopen the path toward $10.00-$10.10. However, failure to reclaim $9.80 could send $DOGE toward $9.30 and $9.18. A break below $9.18 would expose $8.93 and potentially the $8.75-$8.40 support region.

    Shiba Inu Price Prediction: $SHIB Defends Its Broader Recovery

    $SHIB trades near $0.000005761 after retreating from the $0.000005864 Fibonacci 0.786 resistance. The broader recovery still shows several constructive signals.

    $SHIB Price Dynamics (Source: TradingView)

    Price remains above the 20-day, 50-day, and 100-day EMAs. Moreover, $SHIB continues to trade near the 200-day EMA around $0.000005635.

    That moving average now represents an important dividing line for the current structure. Meanwhile, Stoch RSI has turned lower after reaching overbought territory.

    A daily close above $0.000005864 could strengthen the recovery and expose $0.00000600. Beyond that level, $0.000006270 becomes the next major upside reference.

    Related: Cardano Price Prediction: Retail Stays on the Sidelines as Whales Keep Buying

    However, losing $0.000005545 could trigger additional profit-taking. Consequently, traders could then watch $0.000005486 and $0.000005321.

    Pepe Price Prediction: $PEPE Holds Above a Critical Fibonacci Level

    $PEPE trades around $0.000004428 after breaking higher from its previous $0.0000032-$0.0000036 consolidation range. The breakout keeps its daily structure bullish.

    Price remains above the major EMA cluster, which supports the broader recovery. However, short-term momentum has weakened following the latest advance.

    $PEPE Price Dynamics (Source: TradingView)

    The Stoch RSI shows %K near 48.69, below %D around 66.12. Therefore, $PEPE could experience further consolidation before attempting another breakout.

    The $0.000004283 level now provides immediate support. Holding that area could keep $0.000004761 within reach.

    Related: Crypto Price Prediction: Ondo (ONDO), Quant (QNT), and Stellar (XLM)

    A sustained move above $0.000004761 would shift attention toward the recent high near $0.000005369. Conversely, losing $0.000004283 could expose the $0.000003978 support.

  • U2’s new album ‘Carnaval De Luz’ has a surprising Rosalía connection

    U2’s new album ‘Carnaval De Luz’ has a surprising Rosalía connection

    U2 is officially entering a new era, and one song on the legendary rock band’s upcoming album immediately caught fans’ attention. The Irish group has announced Carnaval De Luz, its 16th studio album and first collection of new album material in nine years. The record is scheduled for release on November 13, 2026, with Bono, The Edge, Adam Clayton and Larry Mullen Jr. all returning for the new chapter.

    But among the album’s intriguing song titles, one stands out: “The Mirror Maker (Rosalía).” The title initially sparked reports that Spanish superstar Rosalía had recorded a collaboration with U2. There is an important twist, however. According to subsequent reporting, Rosalía does not actually perform on the song. Instead, she inspired it.

    The Edge, Larry Mullen Jr, Bono and Adam Clayton of U2 perform Joshua Tree live on stage at Twickenham Stadium, Twickenham, London. (Photo by David Jensen/PA Images via Getty Images)© PA Images via Getty Images
    The Edge, Larry Mullen Jr, Bono and Adam Clayton of U2 perform Joshua Tree live on stage at Twickenham Stadium, Twickenham, London. (Photo by David Jensen/PA Images via Getty Images)

    Is Rosalía Featured on U2’s “The Mirror Maker”?

    At first glance, it certainly looks that way. “The Mirror Maker (Rosalía)” appears on the official Carnaval De Luz tracklist, while another song, “Torn,” is explicitly listed as featuring Dolly Parton. U2’s official store also lists “The Mirror Maker (Rosalía)” without a “feat.” designation.

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    Consequence reported that a source confirmed Rosalía inspired the U2 song but is not one of the album’s featured collaborators. Spanish outlet LOS40 subsequently reported the same clarification.

    Exactly how her music, image, or artistic approach influenced the track has not yet been publicly detailed.

    U2’s New Album Carnaval De Luz Arrives in November

    Carnaval De Luz will arrive November 13 through Island Records and marks U2’s first studio album of entirely new material in nine years.

     Irish band U2 perform from a balcony for Mexican fans in Mexico City on May 12, 2026 in Mexico City, Mexico. © Getty Images for U2
    Irish band U2 perform from a balcony for Mexican fans in Mexico City on May 12, 2026 in Mexico City, Mexico.

    Produced by longtime U2 collaborator Jacknife Lee, the project explores spirituality, friendship, freedom and endurance in the face of darker forces, according to the band’s announcement. U2 says the music also combines echoes of its more experimental periods with tightly constructed songwriting.

    The album arrives during an especially significant moment in the band’s history.

    September 2026 marks 50 years since Larry Mullen Jr. placed a handwritten notice at Mount Temple Comprehensive School in Dublin looking for musicians to form a band. That meeting eventually produced the group that became U2. Five decades later, they are still experimenting.

     Irish rock band U2 © Getty Images
    Irish rock band U2

    The Edge described the new record as a “messy, provocative, sacred collection of songs,” while Bono framed Carnaval De Luz around the idea of responding to darkness with louder music, bigger stories and brighter songs.

    U2 Releases New Song “Silencio”

    While listeners will have to wait to hear the full story behind “The Mirror Maker (Rosalía),” U2 has already offered another preview of the album.

    The band released “Silencio” alongside the album announcement. Running just 2 minutes and 35 seconds, the song is described by U2 as an homage to the attitude of early surf punk. Ryan Tedder provided additional production on the track, while its music video was filmed in Mexico City and directed by Mexican-American duo Cliqua, Pasqual Gutiérrez and Raúl “RJ” Sanchez.

    “Silencio” follows “Street of Dreams,” which was released in July as the first song from the upcoming album.

    The Spanish-language touches are hard to miss. Beyond Carnaval De Luz and “Silencio,” the album includes “La Reina,” while “The Mirror Maker” carries Rosalía’s name in parentheses.

    Dolly Parton Appears on U2’s New Album

    There is one major guest appearance that is explicitly confirmed.

    Dolly Parton appears on the album-closing track “Torn.” The song was co-written by U2, Parton, and Johnny McDaid, with Daniel Lanois contributing pedal steel guitar. It has been described as Parton’s final recorded vocal performance.

    Parton's legacy continues © NBC
    Parton’s legacy continues

    Other familiar names are involved behind the scenes. Brian Eno contributed co-writing and synthesizers to “Go (Carnaval De Luz),” “The Greatest Show on Earth,” and “Can’t Stop Us Now.” Martin Garrix has a co-writing credit on “Glorify,” while Lanois appears on “Torn.”

    Those collaborators connect the new album to different periods of U2’s history while also introducing contemporary influences.

    U2 Carnaval De Luz Tracklist

    The announced 12-song tracklist is:

    1. “Go (Carnaval De Luz)”
    2. “La Reina”
    3. “Street Of Dreams”
    4. “The Mirror Maker (Rosalía)”
    5. “Superficiality”
    6. “If The World Is At War We Better Not Be”
    7. “Silencio”
    8. “The Greatest Show On Earth”
    9. “Glorify”
    10. “Midnight Sunshine”
    11. “Can’t Stop Us Now”
    12. “Torn” (Feat. Dolly Parton)